The first Polish post-hipster melodrama, in which Matylda, Helena and Juri need to take responsibility for the roles they play in their social microcosm. During the production of the play based on Aristophanes’ „Birds” the three artist friends face the painful truth about themselves. Someone regrets abandoning someone. Someone seduces the director of the play, because they believe in polyamory. Somebody thinks that the war has never ended and one must never surrender. Someone else claims that it’s all about how you fall and you should know how to drop. And in the meantime, somebody decides to express an unusual declaration of love.
The first Polish post-hipster melodrama, in which Matylda, Helena and Juri need to take responsibility for the roles they play in their social microcosm. During the production of the play based on Aristophanes’ „Birds” the three artist friends face the painful truth about themselves. Someone regrets abandoning someone. Someone seduces the director of the play, because they believe in polyamory. Somebody thinks that the war has never ended and one must never surrender. Someone else claims that it’s all about how you fall and you should know how to drop. And in the meantime, somebody decides to express an unusual declaration of love.
뮬라는 시골에서 가족과 함께 살고 있다. 딸의 첫 성체 성사를 앞두고, 아이의 생물학적 엄마 카야가 이들을 찾아온다. 카야는 아이를 낳고 6년 동안 홀연히 자취를 감춘 뮬라의 여동생이다. 가족들은 화해를 원하지만, 카야가 딸을 데려가기 위해 왔다고 믿는 뮬라는 불안하다. 한편, 카야가 온 뒤 일련의 초자연적 현상이 일어나자 마을 사람들은 심경에 변화가 생긴다. 공포감을 느낀 뮬라는 동생이 사라지기를 바라지만, 카야는 다른 이유가 있어서 마을에 온 듯하다.
