Pierre Santini

This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.

The Castellis have worked as a family for three generations but today, this tenacious bond which unites them is diminishing day by day. Luna the youngest does not give any more news, business is bad and all Diego and Filippo are left with nostalgia for happy days. Until this tragic and unexpected event, a second chance that only life is able to offer you.

Just a few weeks before elections, the outgoing President of Republic, Jean François Vanier (Patrick Braoudé), is at the lowest in the polls, leader of the most powerful right wing party he is trying to find a mainstay.

Right in the middle of a game of tennis, two childhood friends are facing.What's going on inside these two men's heads as the game comes to its end?

The dream of Charles Dombais, the wealthy owner of the shipping company, is to have a son to continue his business. Tragically, his wife dies shortly after giving birth to their son.

After being released from prison, a burglar is convinced by a former accomplice to participate in the theft of a precious jewel belonging to a rich heiress.

On March 21, 1905, the hemicycle of the Palais-Bourbon resounded with the first session of a crucial and animated parliamentary debate, which was to last nearly ten months and occupy 48 sessions in the Chamber of Deputies. They have to study the bill of separation of the Churches and the State. This law, which founded laicity in France, was adopted on December 9, 1905.

A picture of humankind in Paris: singers, shows, social gatherings, businessmen, nightclub barmen, bums, shoppers.

The struggle of Victor Schœlcher for the abolition of slavery in the French colonies.

Life and times of Antoine de Saint-Exupery, famous French pilot and even more famous writer who disappeared on a routine reconnaissance flight during WW2.

Cyril Collard TV movie

A young policeman searches for the murderers of his drug addict sister. While he carries out his investigations, the criminals manage to get him charged with murder.

American housewife Cathy Palmer loses her memory on a trip to Paris after being hit by a car. She wakes up in the hospital believing she's the fictional international spy, Rebecca Ryan.

This film noir tends to stay within very conventional plot lines, as the narration by the main protagonist, private detective Eugene Tarpon Jean-François Balmer, recites a dreary litany of how he wanted to chuck his profession until an attractive woman shows up asking him to investigate the murder of her roommate, a porno star. Soon Tarpon is up to his neck in trouble: the police, gangsters, and the victim's lover are all out to get him.

An epidemic of appliance madness unrelated to discount sales strikes an island off the coast of France: the islanders are being murderously attacked by ovens and refrigerators acquired in the same department store. Enter the young Dr. Gabrielle Martin (Anny Duperey), who arrives here to escape her own personal tragedy and instead lands in the middle of the kitchen mania. She tracks down the cause of the rapidly spreading epidemic to another doctor on the island — quite as insane as any of the kitchen appliances (if the comparison could be made) — and finds that the villainous doctor and the appliances have a most unusual link. Graphic scenes of mutilation by an oven, as one example, leave nothing much to the imagination in this film, but the interpretations of actors Anny Duperey and Jean-Claude Brialy as the good and evil doctors are excellent.

Three Irwin Shaw short stories are dramatized. In "The Girls in Their Summer Dresses" a young married couple stop for a drink on a Sunday morning in Manhattan, and the conversation turns to the husband's fidelity. "The Monument" centers on the conflict between a popular bartender with a following in an upscale Irish bar in 1938 Manhattan and its owner, who is determined to introduce a more economical whiskey in the establishment over the barkeep's objections. In "The Man Who Married a French Wife" the influential American husband of a French woman is asked by her former lover, a former resistance fighter, to help him escape the country.

Diary of a housewife, going mad. Armelle is nearly 30, with a husband and two sons. It's the early 80s in France, unemployment is high, and she's not worked (outside the home) since she was a dancer at age 20.

1975년 생트로페. 젊고 아름다운 여인 줄리가 나이 많고 부유한 루이스와 결혼한다. 루이스는 은퇴한 사업가로 줄리에게 푹 빠져있지만, 심장마비 이력과 알콜중독으로 성적으로 무력한 남편이다. 이들 부부의 이웃에는 연날리기를 좋아하는 그저 그런 작가 제프가 살고 있다. 줄리는 이 잘생긴 이웃 제프와 부적절한 관계를 시작하고, 급기야 남편 루이스의 살해를 도모하기에 이른다.

Phillipe and Esther live an apparently idyllic life with their daughter, Elise. In an attempt to preserve this bliss, Phillipe decides that he and Esther should each have affairs, being sure to tell each other openly about them. The plan backfires with tragic results as Phillipe becomes engulfed in jealously.

A factory siren sounds, workers punch in, the machinery starts... Aubier makes use of a series of successive pictures to portray the series of events that completes a cycle.

When the police find Simone seated near her husband's corpse it is predictable that she is charged with the murder. Jean-Pierre Laubray is appointed counsel for the defence. He begins an inquiry into the case and he finds out that the murdered man had killed a barman in a robbery the night before. He finds out as well he was a leg-man of Cristiani's for his election campaign. He tries to contact Juliette, Cristiani's daughter, and he discovers that Bruno, Juliette's brother, also died that same night in a car accident...

When intruders interfere in the robbery of Le Mataf (Michel Constantin) and his gang and a girl is murdered, they are set up for blackmail by an underworld figure who wants them to do a job for him...

This thoughtful French film tells of the events leading to a young man's attempt at suicide. As Raymond (Richard Bohringer) sits on a ledge of his apartment building, and people try to talk him back inside, he remembers the events of his day and his life before this moment. Things seemed to be going along well enough until something triggered his revulsion at the pettiness and falseness that is the everyday currency of life.

프랑스로 유입되는 아프리카인 이주자들를 향한 차별을 중심으로한 사회적 문제를 다룬 다큐멘터리 영화.

Bruno Muel's documentary on the coup in Chile in 1973. Muel, who was part of the famed Medvedkine group, along with Chris Marker and Jean-Luc Godard, among others, captured one of the most powerful portraits of the early days of Dictatorship. Profound solidarity with the socialist cause, Muel and his team showed great courage to mix the official registration of images with those triumphant, clandestine, of the nascent opposition.

Sadiel, rebel leader in a North African state, takes refuge in Switzerland in the aftermath of a coup. Aware of the threat posed by Sadiel, the ruthless Colonel Kassar contacts the French security services to help in capturing the political activist. A police informer, Darien, is forced to lure Sadiel to Paris, allegedly to make a television coverage about the Third World. Arriving in Paris, Sadiel is captured and delivered to his opponents. Disgusted by the way he has been manipulated, Darien tries to turn back the clock, unknowing who’s dealing with.

Professor Marcilly is a famed brain specialist who, following in-depth and extended research work, is now able to perform brain transplant surgery. One day, he finds himself in the presence of a young car accident victim for whom the only hope of survival would be a brain transplant. Marcilly, who has a heart condition and is terminally ill, decides to become the "donor". The operation is a success. But who is actually the patient discharged from the hospital: a young fellow with the brain of a young man or an old man in the body of a young one?

We are in 1814, in Auvergne, in the dark fir forests of Livradois, near La Chaise Dieu. Gaspard and his beautiful cousin Anne-Marie see their love thwarted and their lives disrupted because of a treasure that an old uncle, who made his fortune in Guadeloupe, buried in the mountains of Auvergne.