Jozef Suchý

‘여기보다 어딘가에’를 꿈꾸는 현대 젊은이들의 이상향을 에덴 동산으로 설정한 로브그리예의 야심작. 에덴이라는 거울이 가득한 궁전 속에서 에로스와 타나토스가 공존하는 젊은이들의 동거가 이루어진다. 이 집단에 새로 낯선 이가 도착하면서, 모든 남성들과 여성들이 그에게 정념을 품고, 새로운 의식과 이상한 각성이 그들 사이에 일어난다.

A tragic story of two young people who are in the precious moments of first emotional flare deeply disappointed by the shallow feelings of their parents as well as their relatives and friends.

This is a ballad about love, hate, and a search for a way out of loneliness. It is a dramatic story about the strange potter, Martin Leaps, nicknamed Dragon, who is suspected by the villagers as the cause of natural disasters. He lost his wife, his home, and his freedom due to false accusations. After years he returns to his native village. Putting his own life to risk, he saves a herd of sheep from a forest fire in the hills. But not even this heroic deed helps him to win back the friendship of the locals.

소방대의 전임 의장은 암환자로 시간이 얼마 남지 않았다. 부하직원이었던 소방대원들이 그를 위해 무도회를 개최하는데 사람들은 점점 만취해 몸도 가누지 못하고 그로 인해 무도회장은 무질서의 아수라장이 되어간다. 소방대원들은 즉석에서 미인대회를 열기 위해 젊은 여자들을 모집하고 여자들은 자의반 타의반 테스트를 거쳐 미인대회에 참가하게 된다. 하지만 여자들은 난장판이 된 무도회장을 도망가듯 나가버리고 술취한 사람들이 무대로 올라가 왕관을 써보는 등 추태를 부린다. 바로 그 때, 무도회장 근처 주택에서 불이나고 무도회장의 사람들은 모두 불구경을 하기 위해 우르르 나가 버린다. 그리고 돌아온 사람들은 테이블에 있던 경품이 모조리 없어진 것을 발견하는데...

A dramatic story about two friends - fisherman Richardus and municipal executioner Emil Targo takes place at the river Danube, in places that used to be targets of Ottoman raids. But their attraction to the same woman and Emil’s betrayal change their indissoluble friendship to an equally strong hatred. And as it usually goes - after twenty years by a trick of fate Richardus’ daughter Agajka becomes the wife ofthe sun of his sworn enemy.

It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.

The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.

Concentration camp commander Kraft finds out that prisoner Kominek is a former professional boxer. Overnight, the prisoner is made Kraft's exercise partner and unwillingly rises to a privileged position at the camp. His anger over the death of his friend and co-prisoner leads to open revolt. The film brings a new view of human degradation during fascism by a tragic story of one man whose only chance for survival is to accept the rules of an unequal game.

Debut film of Slovakian director Martin Hollý

Three soccer fans are determined to do literally anything to get to the soccer match between Czechoslovakia and the famous representation team of Brazil. Reaching their goal to see the dream match live cannot he precluded neither by a sudden work task nor family obligations. However, there is one more obstacle in their way: for some time, their enthusiastic behavior during soccer matches has been monitored by the police. This time, it will not be easy for them to get to the stadium.

A comedy about a lost inheritance, love and a red umbrella, which, according to a local legend, belonged to St. Peter himself.

Set in Bratislava in the 1930s, about a clerk at a humanitarian foundation who is unjustly accused of embezzling a large sum of money.

Episodic film consisting of three satirical shorts ('Smutný káder', 'Typický prípad' and 'Vel'korysá kampaň') comically exposing the shortcomings of society. In the interval between each short, a committee recognising themselves in the characters on screen, voice their approval or disapproval of each film.