Ivan Maloča

Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.

20 years ago, Vesna moved her family to Zagreb, away from the events that almost destroyed their lives. However, an unexpected call will bring back the memory of a secret that she has been trying to hide all these years.

This comedy of the absurd is set in the Nazi puppet Independent State of Croatia (NDH) during World War II. The hero, Ljiljan is a young peasant poet who joins the Partisan movement just before it falls apart, abandoned by its leader Tito. The last remaining hope for resisting Nazism is to assassinate Hitler. Ljiljan’s task is to write a song that will allow his Partisan band to infiltrate the inner sanctum of the SS – by entering an SS talent show. If they win the competition, they will be invited to perform before Hitler and the NDH’s high command. This is a satirical coming-of-age tale with a difference, capturing the craziness, comedy and horror of war in the Balkans.

출생률 0%의 작은 섬에 부임한 보좌신부 파비앙에게 콘돔을 파는 매점 주인이 자신 때문에 생명이 죽어가는 것 같다고 고해성사를 해온다. 그렇게 시작된 두 사람의 비밀스러운 출산장려 프로젝트 덕에 섬의 출생률은 70%에 치닫는다. 하지만 예상치 못한 부작용이 찾아오고… 과연 파비앙 신부는 이 프로젝트를 무사히 끝마칠 수 있을까?

This is a story of the Croatian journalist Sinisa Glavasevic, the Croatian Radio station in Vukovar and sufferings of all Vukovar's inhabitants during the siege. At the same time this is also an archetypal story of love for one's own hometown, of integrity and responsibility of the individual who, at the hardest trials of his own conscience and responsibility, chooses to take the more difficult path, in circumstances where others - the average and the conformist - abandon ship. Sinisa decided to stay.

This TV series follows the life of Andrija Hebrang (1899-1949), a Croatian and Yugoslav communist politician. A member of the Communist Party of Yugoslavia until his dismissal, he served as the 4th Secretary of the Central Committee of the Communist Party of Croatia.

Djuro is a Romany, he has a large, happy family, and earns a living appearing in Serbian porn films. And it's through his sarcastic perspective that we follow the story of the Croatian war veteran Martin. He falls in love with a beautiful girl who plays Little Red Riding Hood in a porn version of the fairy tale. She is also a prostitute. To be with her, Martin has to buy her from her pimp. A tragicomic story of love in a world where it seems all human values are put up for sale or destined for cynical destruction

Ante and Dusko are two Dream Team players. Besides being a Croat and a Serb who fought on opposite sides in the war, both used to be volleyball players. Today, they live normal lives, one in a remote craggy region, the other in Banja Luka. There is little chance of them ever meeting again. The International War Crimes Tribunal in the Hague has indicted Colonel Skoko, a hero to some, a criminal to the others. The two main witnesses to his defense, Mato and Joso, have disappeared without a trace. Skoko's sponsor from the intelligence circles, Antisa, wants to find two men resembling Mato and Joso, to impersonate them before the Hague investigators, and hopefully bring down the indictments. Naturally, the two men he finds are none other than our heroes, Ante and Dusko.

Set amid the atrocities of war in the Balkans, Witnesses is retold, Rashomon-style, from various characters' viewpoints, adding new information about the complexity of war and humanity. Beginning inside a rustic house with a woman in black (Mirjana Karanovic) standing beside her husband's coffin, Witnesses interweaves the stories of a small town confronting ethnic hatred and deep moral ambiguities.