Hana Hebrová

To the intolerant and bloody-minded Prague actor Bergner (Milos Kopecký) is the lead in Moliere's Misanthrope which he is studying now as tailor-made. On top of that he is malicious and he advises to the new actress Helenka (Dagmar Havlová) in such a way that she upsets the theatre director. If Bergner accuses somebody of a mischief and he is wrong, he never apologizes. When he almost crashes an older elegant lady by his car on the zebra crossing, instead of an apology he calls her an old ballet dancer... But in Brno's TV he takes part in a discussion on manners and he gives himself as an example of good manners and grace. In the train he meets a magic old man (Ladislav Pesek) who warns him and admonishes him to change his behavior. After he arrives to Prague the old man's threat comes true.

In this character study by Czech director Frantisek Vlacil, a stout middle-aged physician whose marriage has come apart establishes a practice in a small town. Gradually he's drawn into the lives of his patients—a childless couple, a pregnant girl with a stern mother, the son of a duck farmer—and each relationship reveals a bit more about him and the idyllic but insular community.

Two kind but foolish sisters live together in their villa in a small town in South Bohemia. Fany (Natasa Gollová) has never married and Andelka (Eva Svobodová) is a widow. In the morning, the two sisters go into town. They need to buy fuel oil, put money in the bank and give plums to the teller. In the meantime an smallish orange Skoda MB car parks at their house, with Hermínka (Iva Janzurová), the old ladies' niece, and her fiancé Michal (Jirí Hrzán) in it. Michal has forgotten to bring flowers and has to go into town to fetch them. At the bank, Fany wants to deposit money but the minute the teller opens the safe, a thief arrives. He knocks the teller and Fany unconscious and runs away with the money. When Fany comes to her senses again, she sees Michal and accuses him of being the thief.