Satanic Nazis gather to perform ancient rites for evil Egyptian gods in hopes of bringing one back from the dead. Actually, the revivified body belongs to a slain Nazi. Unfortunately, the soul is that of the vengeful diety. Terror ensues.
삼류 가수 ‘욜란다’(크리스티나 산체즈 파스쿠알)는 중요한 물건을 전달하려 애인의 집을 방문했다가 약물 과다복용으로 사망한 그의 죽음을 목격한다. ‘욜란다’는 애인의 죽음 의혹을 피하기 위해 수녀원으로 들어가지만 이곳의 수녀들은 쥐새끼 수녀, 똥비료 수녀, 망할 수녀, 얍삽한 수녀로 불리는 등 어딘가 모르게 수상하기만 한데…
After a young heiress is assaulted by a policeman, she seeks revenge by befriending the policeman’s mousy wife and introducing her to her circle of outrageous punk friends.
A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.
Ana, abandoned by her husband, who confessed her having fallen in love with another woman, tries to restructure her life with another man, Andrés, but thinking of not getting married yet. They decide that they'll experience their relationship with full freedom of feelings, until their love lasts. Andrés is often ignorant but believes he's doing things well, cursed by the old ways he's been educated into. Ana herself is not even ready for anything new in her life, yet discontented with her new situation. The problems between the couple are not just financial, but more subtle, and inevitably disenchantment appears.
In Madrid of the 20's, many women were hired as wet nurses for middle class families. Milk is paid very well, so women are turning to the honest services of Paco, glazier by trade, which completes his monthly salary getting pregnant the clients who pay for it.
