Dennis Berry

감옥에서 출소해 갈 곳이 없던 노라는 감옥에서 받았던 응원의 편지의 주소로 향한다. 레아는 노라의 갑작스러운 방문에 놀라지만, 그녀를 집에 들이기로 한다. 그러던 어느 날 노라의 전 남자친구 레오가 둘을 찾아오고 세 사람은 뜨거운 치정에 휘말리기 시작한다.

Major actress of the New Wave, Anna Karina is bound to the great renewal of cinema in the 1960s. Her companion in life, Dennis Berry revisits the story of her memories with Jean-Luc Godard and the great directors she knew, her memorable meeting with Serge Gainsbourg, and also, more recently, her career as a singer. With a gaze halfway between mischief and severity, the New Wave's Danish muse embodied a new feminity – deeply linked with women's liberation.

Major actress of the New Wave, Anna Karina is bound to the great renewal of cinema in the 1960s. Her companion in life, Dennis Berry revisits the story of her memories with Jean-Luc Godard and the great directors she knew, her memorable meeting with Serge Gainsbourg, and also, more recently, her career as a singer. With a gaze halfway between mischief and severity, the New Wave's Danish muse embodied a new feminity – deeply linked with women's liberation.

Major actress of the New Wave, Anna Karina is bound to the great renewal of cinema in the 1960s. Her companion in life, Dennis Berry revisits the story of her memories with Jean-Luc Godard and the great directors she knew, her memorable meeting with Serge Gainsbourg, and also, more recently, her career as a singer. With a gaze halfway between mischief and severity, the New Wave's Danish muse embodied a new feminity – deeply linked with women's liberation.

French documentary about the life of American actress and New Wave icon Jean Seberg.

Raised by an uncle in New York after his parents died in an attack orchestrated by the mafia, Thomas, now an adult, is sent to live in Italy. There, while his tortured past and the death of his parents come back to haunt him, he feels increasingly drawn to Thelma, his uncle's mysterious wife. Soon Thomas will learn the truth about the death of his parents and foment a vengeance of great heights.

Traci is a devious teenage girl who befriends and kills anyone who comes between her and her mother, Dana, a failed movie actress who lies for and protects Traci. If looks could kill, they'd look like Traci: young, innocent, appealing, deadly. Traci clings like ivy to her devoted mother and strikes with a vengeance at any man who intrudes on their relationship. Traci's mother is an attractive woman with a healthy sexual appetite, and the attention she pays to the men in her life, whether for business or pleasure, sends Traci into a frenzy of jealousy and rage. Now Traci, using her budding sexuality, will do anything... seduce anyone... murder everyone who threatens to come between them.

Traci is a devious teenage girl who befriends and kills anyone who comes between her and her mother, Dana, a failed movie actress who lies for and protects Traci. If looks could kill, they'd look like Traci: young, innocent, appealing, deadly. Traci clings like ivy to her devoted mother and strikes with a vengeance at any man who intrudes on their relationship. Traci's mother is an attractive woman with a healthy sexual appetite, and the attention she pays to the men in her life, whether for business or pleasure, sends Traci into a frenzy of jealousy and rage. Now Traci, using her budding sexuality, will do anything... seduce anyone... murder everyone who threatens to come between them.

After a violent dispute with her mother, sixteen-years old Chloé ends up in the streets with nowhere to go. Then she finds Jean-Michel, a charming young man who will lead her to prostitution.

After a violent dispute with her mother, sixteen-years old Chloé ends up in the streets with nowhere to go. Then she finds Jean-Michel, a charming young man who will lead her to prostitution.

Horton, an old mortal enemy, puts a criminal through plastic surgery to make her look like Tessa. The false Tessa sets Duncan up for the final death.

Simon Templar uses twin sisters and a rare Russian necklace to trap a ruthless American in Paris.

프랑스의 한 병원에 근무하고 있는 미국인 정신과 의사 이야기. 그녀가 요양원을 빠져나온 후 살인에 대한 진실과 놀라운 사실이 밝혀지는데.

Rock star Billy Jackson is found dead with a bullet in his head, a death classified as suicide. His brother Tom leaves the United States to come to Paris to investigate Billy's former relatives.

A TV reporter is mercilessly stalked by a mysterious assassin in this remake of the 1960 Doris Day thriller.

A young peasant named Pierre makes friends with John and his sister Sonia, young bourgeoisie, who invite him to their home. Pierre soon falls in love with Emily, John's mistress. After the death of the father of his hosts, he has the idea of ​​transforming their peaceful house into a brothel.

A young peasant named Pierre makes friends with John and his sister Sonia, young bourgeoisie, who invite him to their home. Pierre soon falls in love with Emily, John's mistress. After the death of the father of his hosts, he has the idea of ​​transforming their peaceful house into a brothel.

The means used by foreign spy services to obtain the trade secret of a French invention.

A single mother raises her son in impossible circumstances first in Leningrad, then Krakow, and then France, and is over-ambitious about him but never gives in.

1930년대 마르세이유 항구도시. 범죄조직 신디케이트가 유행처럼 확산되고 도시에는 거대한 암흑 조직이 자라나고 있다. 갓 출옥한 로크 카펠라(아랑 드롱)는 옛 애인 로라를 되찾아 오고자 프랑소와 시프레디(장 폴 벨몽드)와 주먹대결을 벌인다. 그러다가 서로 의기투합한 두 사람은 권투 경기를 개최하는 등 작은 돈벌이를 하면서 기회를 노리다가 암흑조직의 보스인 폴리의 정육창고에 불을 지르면서 조직과 정면대결을 하게 된다. 또한 이들은 시장 후보자인 리날디의 저격사건으로 범죄조직의 거두인 마레오와 숙명의 한판을 벌이게 되는데... 세력을 잡기 위한 조직간의 피의 대결. 아랑 드롱과 장폴 벨몽드의 멋진 액션, 종반부에 프랑소와가 살해되면서 남기는 여운등은 진정한 영화팬이면 놓칠 수 없는 뛰어난 액션명작이다.

Follows the dissolution of the marriage between Claire, an actress and Sebastien, her director.

A gang of young tugs led by Frankie, opens a nightclub just in front of a gangster's hideout. Morelli is his name and he prepares the stealing of the century.

A young student visits the home of a friend who has all the good looks, women and luck. Every day, through binoculars from his friend's window, he sees a young girl in front of her home. Although attractive, the woman's face has been badly scarred. He finds out her phone number and the two engage in pleasant conversation. He gets up enough nerve to ask to meet her in person, but the socially inept young man becomes paralyzed with fear. He again summons the courage to meet with her before he is plagued with fear once again.

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.

아드리앙은 약혼자가 없는 사이 평화롭고 금욕적인 휴가를 보내려고 지중해의 별장으로 떠난다. 그런데 별장에는 이미 친구 다니엘과 그가 데려온 소녀가 묵고 있다. 연인 수집이 취미인 소녀는 밤이면 남자들과 어울리고, 그녀로 인해 아드리앙이 소망한 금욕적인 휴가는 혼란에 빠진다.