Dennis Berry

Nora comes out of prison. She only has one thing in mind: finding a youg neo-punk artist she admires, Léa. Mirror of one another, these two soulmates will get to know each other and rebuild their lives together.

Major actress of the New Wave, Anna Karina is bound to the great renewal of cinema in the 1960s. Her companion in life, Dennis Berry revisits the story of her memories with Jean-Luc Godard and the great directors she knew, her memorable meeting with Serge Gainsbourg, and also, more recently, her career as a singer. With a gaze halfway between mischief and severity, the New Wave's Danish muse embodied a new feminity – deeply linked with women's liberation.

Major actress of the New Wave, Anna Karina is bound to the great renewal of cinema in the 1960s. Her companion in life, Dennis Berry revisits the story of her memories with Jean-Luc Godard and the great directors she knew, her memorable meeting with Serge Gainsbourg, and also, more recently, her career as a singer. With a gaze halfway between mischief and severity, the New Wave's Danish muse embodied a new feminity – deeply linked with women's liberation.

Major actress of the New Wave, Anna Karina is bound to the great renewal of cinema in the 1960s. Her companion in life, Dennis Berry revisits the story of her memories with Jean-Luc Godard and the great directors she knew, her memorable meeting with Serge Gainsbourg, and also, more recently, her career as a singer. With a gaze halfway between mischief and severity, the New Wave's Danish muse embodied a new feminity – deeply linked with women's liberation.

French documentary about the life of American actress and New Wave icon Jean Seberg.

Raised by an uncle in New York after his parents died in an attack orchestrated by the mafia, Thomas, now an adult, is sent to live in Italy. There, while his tortured past and the death of his parents come back to haunt him, he feels increasingly drawn to Thelma, his uncle's mysterious wife. Soon Thomas will learn the truth about the death of his parents and foment a vengeance of great heights.

Traci is a devious teenage girl who befriends and kills anyone who comes between her and her mother, Dana, a failed movie actress who lies for and protects Traci. If looks could kill, they'd look like Traci: young, innocent, appealing, deadly. Traci clings like ivy to her devoted mother and strikes with a vengeance at any man who intrudes on their relationship. Traci's mother is an attractive woman with a healthy sexual appetite, and the attention she pays to the men in her life, whether for business or pleasure, sends Traci into a frenzy of jealousy and rage. Now Traci, using her budding sexuality, will do anything... seduce anyone... murder everyone who threatens to come between them.

Traci is a devious teenage girl who befriends and kills anyone who comes between her and her mother, Dana, a failed movie actress who lies for and protects Traci. If looks could kill, they'd look like Traci: young, innocent, appealing, deadly. Traci clings like ivy to her devoted mother and strikes with a vengeance at any man who intrudes on their relationship. Traci's mother is an attractive woman with a healthy sexual appetite, and the attention she pays to the men in her life, whether for business or pleasure, sends Traci into a frenzy of jealousy and rage. Now Traci, using her budding sexuality, will do anything... seduce anyone... murder everyone who threatens to come between them.

После сильной ссоры с матерью 16-летняя Хлоя убегает из дома и оказывается на улице. К тому же ее бойфренд Ахмед дурно обращается с ней. Она бродит по районам города рядом с железной дорогой, подшучивает над своими распутными приятелями, которым настолько скучно, что они из кайфа рискуют жизнью под колесами поездов.

После сильной ссоры с матерью 16-летняя Хлоя убегает из дома и оказывается на улице. К тому же ее бойфренд Ахмед дурно обращается с ней. Она бродит по районам города рядом с железной дорогой, подшучивает над своими распутными приятелями, которым настолько скучно, что они из кайфа рискуют жизнью под колесами поездов.

Horton, an old mortal enemy, puts a criminal through plastic surgery to make her look like Tessa. The false Tessa sets Duncan up for the final death.

Simon Templar uses twin sisters and a rare Russian necklace to trap a ruthless American in Paris.

A woman accused of murder escapes an asylum and her psychiatrist tries to find her.

Rock star Billy Jackson is found dead with a bullet in his head, a death classified as suicide. His brother Tom leaves the United States to come to Paris to investigate Billy's former relatives.

A TV reporter is mercilessly stalked by a mysterious assassin in this remake of the 1960 Doris Day thriller.

A young peasant named Pierre makes friends with John and his sister Sonia, young bourgeoisie, who invite him to their home. Pierre soon falls in love with Emily, John's mistress. After the death of the father of his hosts, he has the idea of ​​transforming their peaceful house into a brothel.

A young peasant named Pierre makes friends with John and his sister Sonia, young bourgeoisie, who invite him to their home. Pierre soon falls in love with Emily, John's mistress. After the death of the father of his hosts, he has the idea of ​​transforming their peaceful house into a brothel.

The means used by foreign spy services to obtain the trade secret of a French invention.

A single mother raises her son in impossible circumstances first in Leningrad, then Krakow, and then France, and is over-ambitious about him but never gives in.

Карбоне и Спирито, два гангстера из Марселя, итальянцы по происхождению, решают сотрудничать, чтобы в конце концов стать королями преступного бизнеса в 30-е годы.

Follows the dissolution of the marriage between Claire, an actress and Sebastien, her director.

A gang of young tugs led by Frankie, opens a nightclub just in front of a gangster's hideout. Morelli is his name and he prepares the stealing of the century.

A young student visits the home of a friend who has all the good looks, women and luck. Every day, through binoculars from his friend's window, he sees a young girl in front of her home. Although attractive, the woman's face has been badly scarred. He finds out her phone number and the two engage in pleasant conversation. He gets up enough nerve to ask to meet her in person, but the socially inept young man becomes paralyzed with fear. He again summons the courage to meet with her before he is plagued with fear once again.

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.

Адриен - красивый молодой человек, столкнувшийся с проблемой: спать ли ему с Хайди, симпатичной искусительницей, которая живет с ним в одном пансионате во время каникул в Сент-Тропезе. Слушая, как она рассказывает о многих других мужчинах, он пытается очиститься, избегая секса и других приятных излишеств. Фигура Женщины в данном случае служит для Ромера средством усомниться в понятиях моральной корректности.