Niki Mossböck

Philipp Hochmair, the newly appointed special investigator, and his partner Andreas Guenther immerse themselves in the equally dazzling and twilight world of the Prater showmen in the sixth "Vienna thriller". To solve the murder of a strikingly successful businessman, the opposing duo must not only uncover his secrets, but also get a tight-knit circle of suspects to speak up.

Johanna Dohnal, whose political career spans three decades, was one of the very first explicitly feminist politicians in Europe. As a member of the Austrian socialist government and the first Austrian minister for Women’s Affairs from 1990 to 1994, Dohnal was responsible for founding Austria’s first women’s refuge as well as criminalizing of marital rape. Yet her legacy remains yet to be discovered and re-examined. DIE DOHNAL makes a first step, and it makes Dohnal come alive.

Another case for Inspector Richie Haller, in which the deadly mixture of cocaine with a pinch of cyanide salt and a faker operation, which is used by drug couriers for distribution, plays a role.

A female corpse was found in a Alpine lake. Inspector Lisa Kuen cancels her vacation, and takes over the case, because she grew up in the next village and is familiar with the area and the people. To the displease of her college Alex.

인류는 삽으로, 굴착기로, 또는 다이너마이트로 매년 수십 억 톤의 흙을 옮긴다. 니콜라우스 가이어할터 감독은 지구를 소유하려는 인류의 끊임없는 노력이 진행되고 있는 광산, 채석장, 대규모 공사장에 있는 사람들을 관찰한다.

VIVA LA VULVA is a documentary film that casts a glance right into the centre of female sexuality – historically, culturally, and politically. With a sense of humour, but earnestly and profoundly it examines this very symbol and indicator of women's self-determination, a mystic source of life and anarchic threat to patriarchal systems. Made a symbol of the forbidden, the vulva is attributed its due cultural significance only by being heavily negated, while its fictitious existence as a focus of male sexual phantasies and the pressure to adapt exerted on women make it a significant economic factor. From church to psychoanalysis: what women carry between their legs seems second-rate to the primacy of the penis. But VIVA LA VULVA can also give hope to those awaiting a turn towards a self-determined female sexuality and a new, confident self-definition of women. Not deadly serious, but with informative verve we tell the tale of the new self-awareness of the female sex.

18th century Vienna. Maria Theresia von Paradis, a gifted piano player and close friend of Mozart's, lost her eye-sight as a child. Desperate to cure their talented daughter, the Paradis entrust Maria to Dr. Mesmer, a forward-thinking-physician who gives her the care and attention that she requires. With the doctor's innovative techniques of magnetism, Maria slowly recovers her sight. But this miracle comes at a price as the woman progressively starts to lose her gift for music.

A movie based on the book by Christine Nöstlinger “Maikäfer, flieg! Mein Vater, das Kriegsende, Cohn und ich”

Documentary about Austrian city Judenburg and its art scene.

루나와 아마르 부부는 그들의 사랑을 가로막는 모든 장애물을 극복하려 최선을 다한다. 멀리 떠났다 돌아온 남편, 아마르가 신앙심 깊은 인간이 되어 돌아오자, 루나는 모든 것을 의심하기 시작한다. 그녀는 과거의 아픈 상처에 힘들어하며 사랑에 대한 회의를 품게 된다.

에스마는 딸 사라를 혼자 키우고 있다. 그녀는 딸의 수학여행 경비를 벌기 위해 시내의 나이트 클럽에 웨이트리스로 취직을 해야 할 정도로 고달픈 삶을 살고 있다. 하지만 자신이 상이용사의 딸이라고 철석같이 믿고 있는 사라는 전사자 가족에게 수학여행 경비가 면제된다는 얘기를 듣고 엄마에게 아버지의 전사증명서를 받아오자고 한다. 에스마는 진실을 말해줄 수 없어 망설이지만 결국 사라가 출생의 비밀을 알게 되고 모녀는 갈등한다.

A portrait of a dedicated filmmaker who is a charming yet elusive figure in thrall to cinema and the constant perfection of his craft.

She is a phone operator, he is a cab driver. In the evening they meet again in their shared apartment to read comics and have sex. He watches football on TV, she has a bath. Indecisively they try out other possibilities, gestures, stylings. The preparations for breakfast are a routine of well-coordinated motions. In just 18 minutes the film takes a lot of time to show the course of events in their duration and repetition.

She is a phone operator, he is a cab driver. In the evening they meet again in their shared apartment to read comics and have sex. He watches football on TV, she has a bath. Indecisively they try out other possibilities, gestures, stylings. The preparations for breakfast are a routine of well-coordinated motions. In just 18 minutes the film takes a lot of time to show the course of events in their duration and repetition.

Michael Lanzmann, a Viennese Jew of the war generation, receives a letter.

Young people on the telephone.