Walter Boos

A comedy directed by Walter Boos.

This is the last of the infamous German "Schoolgirl Report" movies. The story involves a bunch of teenagers and their teacher rehearsing "Romeo and Juliet" and discussing tales of modern love.

Three young friends will spend a season in Alicante (Spain). There life is easy drinks, girls and parties. On one of their usual night trips, they find three women, old friends of more relaxed times.

A mix between "Schoolgirl Report" and "Christiane F.".

German sex comedy

German sex comedy

The 12th movie of the series.

Bavarian sex comedy from Germany

Seven more first-hand accounts of sexual awakening amongst school girls in the early Seventies.

Schoolgirls before high school graduation - By law they are of age, but despite their physical maturity, both innocent and experienced young women can get into big trouble. The 9th Schoolgirl Report reveals the sometimes grotesque transition from youthful rebellion to responsibility. Six different stories reveal tender confessions and sensational revelations that get to the heart of young adults' desires and problems.

At a girls boarding school, a beautiful blonde orphan is possessed by an evil demon.

Two young men want to get into an all-girls photo studio to see the scads of beautiful young nude women inside, so they decide to pose as women themselves.

Bavarian sex comedy from germany

The owner of a failing Munich strip club sends his manager to an area of the country considered backwards to recruit new talent for his club.

This Softsex-comedy points out what people are doing everything so when they feel unobserved in their closed doors.

Beginning with the usual street-side interviews with young German lovelies in mini-skirts, this high-energy and sex-filled romp quickly reveals the fun-loving hand of director Walter Boos. This West German report film sports a stunning cast of regulars to the genre including Ulrike Butz, Karin Gotz, Dorothea Rau and Claus Tinney as the resident sexpert, Dr, Heinz Kahlbaum. Feast your eyes as Ingeborg Moosholzer watches the weather report while her husband fantasizes about the weatherwoman . . . And that’s just the start of the first segment!

Seven more first-hand accounts of sexual awakening amongst school girls in the early Seventies.

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.

Reporters reveal intolerable conditions in Munich's St. Martin Hospital. The nurses are underpaid and overworked, and have sex with doctors and patients.

Young women come to Munich for fun and work during the '72 Olympics and invariably wind up naked.

"A vivid, exciting look at the lives of vulnerable young girls who are hustled into the promised land of professional glamour"

A group of teenage girls at camp discuss their various sexual escapades while they read a new journal about sex has been published to help teenagers understand the consequences of sex.

It is about brawls, prostitution, a prison escapee, murder and manslaughter. The film wants to be documentary, the director himself appears as moderator and interviewer.

Workers of a journey company state about guys and females who pass their vacation time just by sexual enjoyment, which is shown overly thorough and commented on.

Mockumentary about German schoolgirls openly talking about their scandalous sexual experiences. Some of these are illustrated through inserted vignettes. Also, a street reporter asks actual common folk about their views on sex.

A lonely German clerk captures two American flyers and keeps them as prisoners in his basement long after WWII has ended. Director Gottfried Reinhardt's 1965 comedy stars Alec Guinness, Robert Redford and Michael Connors.

A lonely German clerk captures two American flyers and keeps them as prisoners in his basement long after WWII has ended. Director Gottfried Reinhardt's 1965 comedy stars Alec Guinness, Robert Redford and Michael Connors.

A private detective finds the limp body of a young Chinese beauty in his office, shot with his own gun.

Father Brown is only too happy to interfere with the work of the police in solving tricky criminal cases, usually with resounding success. That's why the clergyman is transferred to a sleepy island called Abbott's Rock. At first, nothing happens there, but somehow Father Brown seems to be attracted to crime: Soon a gang of thieves is up to no good on the island. So Brown makes the headlines again, and is punitively transferred once more. This time he finds himself in a quiet Irish millionaire community.

Father Brown is only too happy to interfere with the work of the police in solving tricky criminal cases, usually with resounding success. That's why the clergyman is transferred to a sleepy island called Abbott's Rock. At first, nothing happens there, but somehow Father Brown seems to be attracted to crime: Soon a gang of thieves is up to no good on the island. So Brown makes the headlines again, and is punitively transferred once more. This time he finds himself in a quiet Irish millionaire community.

Max, a small time pick-pocket, has nothing to do with the ‘big’ crimes. But then he must find the murderer of Fred, his wife's brother.

Four American soldiers stationed near a German village face death in the rape of a local girl and are defended by outside counsel Major Steve Grant.

Father Brown starts solving crimes, much to the annoyance of his housekeeper, the police and especially his bishop, who is not amused by a priest playing detective.

Father Brown starts solving crimes, much to the annoyance of his housekeeper, the police and especially his bishop, who is not amused by a priest playing detective.

Hamburg, Germany, 1944, during World War II. A serial killer terrorizes the city. When it seems clear that the local police are unable to catch him, forces as dark and terrible as the criminal himself become involved in the case.

Hamburg, Germany, 1944, during World War II. A serial killer terrorizes the city. When it seems clear that the local police are unable to catch him, forces as dark and terrible as the criminal himself become involved in the case.

The third part of Paul May′s "08/15" trilogy based on the novel by Hans Hellmut Kirst takes place shortly before the end of World War II: In the spring of 1945, the German troops are practically defeated, and the battalion of Kowalski, major general von Plönnies and Asch who had risen to the rank of lieutenant in the meantime is left to its own devices to a large extent. They hope to be able to wait for the end of the war without having to encounter any combat operations. At the same time, Asch tries to prevent high-level Nazi officers from disappearing unnoticed and from cashing in on the chaotic circumstances.

Winter 1942: Like thousands of other German soldiers, Asch and Vierbein have ended up at the Eastern front. Although Vierbein finds a new friend in Kowalski, the squadron commander captain Witterer, a true army veteran, gives them a really hard time. Witterer’s pointless orders reflect the bad habits of many former superiors. And again, Vierbein has to bear the brunt.

At the end of the war a disillusioned German exile returns home only to fall into the dark world of black market goods and drug trafficking.

약품 회사를 경영하는 실업가 알베르트의 아내 이레네는 한 음악가와 사랑에 빠지게 된다. 그러던 어느 날 한 여인이 나타나 그녀의 정사를 알베르트에게 폭로하겠다고 위협한다. 하지만 이것이 남편이 짠 계략임을 알게 된 이레네는 절망과 혼란 속에서 급기야 자살을 시도한다. 이 소식을 듣고 급히 달려간 알베르트는 간신히 아내의 목숨을 구한다. 이를 계기로 서로의 잘못을 깨닫게 된 부부는 한층 더 깊은 사랑을 맹세한다.

Life in the barracks, drill, harassment, and private Asch′s pranks are the ingredients of Hans Hellmut Kirst′s successful novel "08/15" (the number of an Army regulation). Shortly before the outbreak of World War II: Private Asch and gunner Vierbein belong to the same unit but could not be more contrary. The instructors use every opportunity to bully the clumsy Vierbein with erratic corporal Platzek leading the way. The harassment starts with minor extra duties but soon the methods become more and more brutal. Finally, Asch comes to Vierbein′s help and takes on his superiors. Joachim Fuchsberger stars in his first major role.

A wayward young woman running from her past is reunited with her sister after they became separated during the war. While she worked on the streets, the sister established a professional career as a psychologist.