Marte Harell

A politically naive Viennese butcher (Bockerer) manages to survive the Nazi occupation of Austria and the second world war.

Fanny Hobichler, a young promising actress, moves to Vienna in the 1920s in order to pursue her big break. She draws inspiration and seeks help from the popular stage actor Albert Kortz who once started out from the same provincial town as she did and was a close friend of her late father. Kortz, however, dreams of retiring as he is tired of his fame and having to deal with the short-tempered theatre director Jason. Together, they try to outwit Jason.

Dutch police officer Van der Valk is pulled away for a private investigation for a friend of the chief of police to find the missing junior manager. When he gets to know his woman, he is fascinated by the thought of running away with her.

Philip Scott, the boss of a toy company, is secretly also the chief of a British spy organization. Scott's cover is destroyed when enemy agents kidnap his girlfriend to force him to reveal the identities of his fellow spies.

Congress of Vienna, 1815: In order to lure certain monarchs away from the conference, the Austrians instigate a ceaseless sequence of operas and balls. Indeed, Russian Czar Alexander is distracted when he falls for a beautiful salesgirl.

Oberst Alfred Redl heads the military intelligence department of the Austro-Hungarian monarchy. Frequent letters from the Russian Empire, however, make him suspect of sharing his knowledge with unauthorized authorities.

A formerly unsuccessful musician comes back to his homeland in Carinthia as a famous composer via Broadway and woos his widowed childhood sweetheart.

A biography of the composer Johann Strauss.

Produced in 1944, finished and released in 1946.

Careless Fritzi, the wife of a much older professor, has secretly been meeting with the unmarried Baron von Burghammer. Fritzi's husband finds out about the affair. Leoni, Fritzi's sister, pretends to be Burghammer's lover to spare her sister. Burghammer then falls head over heels for the brave woman.

Frauen sind keine Engel" was made on a moderate budget and has generally found not as much attention as that which has been rightfully accorded to his 'Viennese trilogy' made at about the same time. Please don't expect the outward splendour of some other Forst films, even though script, acting and direction leave nothing to be desired. However, like many of Forst's more important films this one not only provides great entertainment, but is also a thorough examination of the relation of fiction/art and reality.

Wolf Burkhardt, who has acquired mining rights in Africa, returns home to get financing for his project. At the same time, he'd like to renew his youthful love for Georgia, but is eventually, and falsely, suspected of fraudulent activities and returns back to Africa. It is only with the passing of five years that he sees his beloved once more. In the interim, she has married a state's prosecutor and they have a daughter.

A young Viennese actor is having much success on the stage; but intrigue and confusion in his love life are making his life a living Hell.

After the operetta of the same name of Richard Heuberger in 1890-1914 all kinds of situation comic from happy-go-lucky Vienna of the turn of the century, the time of the first cars and the absurd bath costumes: Husbands in the Chambre Separee, her little dizziness and mistake plays, the tumultuous whirl of a grand ball... - A high-spirited comedy at considerable entertainment level.