Paul Soulignac

Her parents throw a birthday party for her, but most of the guests are middle-aged, and she feels left out at her own party, until Marbeuf persuades her to join in the dancing, during which she displays an impressive cleavage while her mother looks on disapprovingly. Then there's a slow tune and the only young male guest at the party (Pjotr Stanislas) asks her to dance. During the dance they sneak into an alcove and have sex, hidden (but not very well) by some flimsy strands forming a curtain. Her mother discovers them in flagrante and Iris is thrown out of her home.

One of Marilyn Jess' first pornos in which she plays a schoolgirl who is sent to a boarding school after her parents catch her in the act with her boyfriend. Once there she finds out that life ain't that bad away from home.

Sex comedy based on a novel by Jacques Chaumelle and the director.

Axel, the magician, raises a boy into adulthood. When Axel dies, it's the young man - son of a murderer, and well tutored by a magician - to keep on the tradition of guarding the Daughter of the Golem.

파리에 있는 친인척으로부터 우편환을 받게 된 한 세네갈 출신의 가장, 그로인해 그의 인생이 전환된다. 그가 상대해야 할 것들은 다음과 같다. 부패, 욕망, 문제적 가족 구성원, 이웃, 전통을 탈피한 모던한 생활로의 변화.

Secret Agent Francis Coplan, is given the task of finding priceless artwork stolen by the Nazis' in 1943. The trail leads to Mexico, where Coplan challenges a "secret" organization in order to re-gain the paintings.

An aviator of a commercial line disappears in the Brazilian jungle. Two friends organize an expedition to find him. As if there were not enough dangers in the Amazon, three members of the expedition have another goal: to steal a golden goddess.

In 1943, a group of high school students decide to take action against the Nazi occupying forces. Showing courage and imagination, they manage to blow up the Kommandantur and to release hostages. But after the killing of a German soldier the Nazi police apparatus strikes back. The young resisters are arrested and two of them are condemned to death.

The heroine in L'Eau Vive is the unwilling heir to a fortune. Young Hortense (Pascale Audret) has always known that her family was greedy, but until she inherits her father's hidden millions she has no idea how loathsome her relatives could be. Surrounded on all sides by grubby, outstretched hands, Hortense takes some comfort in the fact that her legacy is still missing. When the money is finally recovered, our heroine does the "right thing" with her windfall, leaving her mercenary family empty-handed. Throughout the film, Hortense's dilemma is likened to a government dam project not far from her home; as the bridge grows in size, so too does Hortense's resolve to rise above the nastiness all around her.

앙드레 바쟁이나 자크 도니욜-발크로제와 같은 비평가들에 의해서 격찬받았고, 조르주 사둘에 의해 '프랑스 누벨바그의 진정한 첫 번째 영화'로 이름붙여진 이 영화는 복잡한 서사구조, 양식적인 혁신, 시점의 실험, 네오리얼리즘적인 분위기와 모더니즘적인 주관성의 혼합을 통해서 1950년대 중반 프랑스 영화의 중요한 전환점을 기록해준다. 저예산 작품에다가 데뷔작이라는 한계에도 불구하고 독특하면서도 실험적인 스타일을 통해서 '영화 매체를 혁신시켰다'는 평가에 모자람이 없는 성취를 보여준다. 헤어질 위기에 처한 두 남녀가 라 푸앵트 쿠르트 근처에 있는 남자의 고향인 어촌 Sete(이 곳은 바르다가 유년기를 보낸 곳이기도 하다)를 방문한다. 그 마을에서 벌어지는 일들(위생당국과 마을주민들의 싸움, 한 아이의 죽음과 한 쌍의 결혼 등)과 두 사람의 내면적 심리는 서로 섞여들지 못한 채 평행하게 묘사되어 간다. 그러나 어떻든 그 과정에서 두 사람은 천천히 자기 자신을 되찾아가고 결국 재결합한다.