Paul Soulignac

Her parents throw a birthday party for her, but most of the guests are middle-aged, and she feels left out at her own party, until Marbeuf persuades her to join in the dancing, during which she displays an impressive cleavage while her mother looks on disapprovingly. Then there's a slow tune and the only young male guest at the party (Pjotr Stanislas) asks her to dance. During the dance they sneak into an alcove and have sex, hidden (but not very well) by some flimsy strands forming a curtain. Her mother discovers them in flagrante and Iris is thrown out of her home.

One of Marilyn Jess' first pornos in which she plays a schoolgirl who is sent to a boarding school after her parents catch her in the act with her boyfriend. Once there she finds out that life ain't that bad away from home.

Sex comedy based on a novel by Jacques Chaumelle and the director.

Axel, the magician, raises a boy into adulthood. When Axel dies, it's the young man - son of a murderer, and well tutored by a magician - to keep on the tradition of guarding the Daughter of the Golem.

A money order from a relative in Paris throws the life of a Senegalese family man out of order. He deals with corruption, greed, problematic family members, the locals and the changing from his traditional way of living to a more modern one.

Secret Agent Francis Coplan, is given the task of finding priceless artwork stolen by the Nazis' in 1943. The trail leads to Mexico, where Coplan challenges a "secret" organization in order to re-gain the paintings.

An aviator of a commercial line disappears in the Brazilian jungle. Two friends organize an expedition to find him. As if there were not enough dangers in the Amazon, three members of the expedition have another goal: to steal a golden goddess.

In 1943, a group of high school students decide to take action against the Nazi occupying forces. Showing courage and imagination, they manage to blow up the Kommandantur and to release hostages. But after the killing of a German soldier the Nazi police apparatus strikes back. The young resisters are arrested and two of them are condemned to death.

The heroine in L'Eau Vive is the unwilling heir to a fortune. Young Hortense (Pascale Audret) has always known that her family was greedy, but until she inherits her father's hidden millions she has no idea how loathsome her relatives could be. Surrounded on all sides by grubby, outstretched hands, Hortense takes some comfort in the fact that her legacy is still missing. When the money is finally recovered, our heroine does the "right thing" with her windfall, leaving her mercenary family empty-handed. Throughout the film, Hortense's dilemma is likened to a government dam project not far from her home; as the bridge grows in size, so too does Hortense's resolve to rise above the nastiness all around her.

Primeiro filme de Agnès Varda. Na cidade que nomeia o longa-metragem, duas narrativas se desenrolam em separado. A primeira, uma espécie de documentário sobre os habitantes da pequena aldeia. A segunda, uma ficção sobre um casal em crise, tendo como pano-de-fundo a volta do protagonista a este mesmo local, onde nasceu e passou sua infância. Dessa relação de forças entre a existência de personagens e o ambiente físico real pelos quais eles estão envoltos surge uma característica forte da obra, que ainda estava por se construir, de Varda: a poesia do espaço, nunca visto isoladamente, mas sempre em conjunto com os homens e mulheres que nele convivem.