Noma Dumezweni

대규모 자금을 운용하는 펀드 매니저 ‘매트’(리암 니슨)에게 걸려온 한 통의 미확인 발신자 전화! 그의 요구는 2억 8천만 유로를 송금할 것, 전화를 끊거나 차를 멈추지 말 것!

아틀란티카 바다의 왕 트라이튼의 사랑스러운 막내딸인 인어 에리얼은 늘 인간들이 사는 바다 너머 세상으로의 모험을 꿈꾼다. 어느 날, 우연히 바다 위로 올라갔다가 폭풍우 속 가라앉는 배에 탄 인간 에릭 왕자의 목숨을 구해준다. 갈망하던 꿈과 운명적인 사랑을 이루기 위해 용기를 낸 에리얼은 사악한 바다 마녀 울슐라와의 위험한 거래를 통해 다리를 얻게 된다. 드디어 바다를 벗어나 그토록 원하던 인간 세상으로 가게 되지만, 그 선택으로 에리얼과 아틀란티카 왕국 모두 위험에 처하게 되는데… 바닷속, 그리고 그 너머 아름다운 꿈과 사랑의 멜로디가 펼쳐진다!

The undersea world has often been depicted as a dangerous place filled with lethal predators. A world where sharks are mindless eating machines. A world where the only relationship between species is that big fish eat little fish. Of course, stories of sensational danger and violent predation are seductive to wildlife film audiences. But is that what the ocean is really like?

Snapshots of the tumults of the COVID-19 pandemic.

Documentary following Bristol’s mayor, Marvin Rees, as he and the city respond to the extraordinary events which followed the toppling of the Colston Statue in the summer of 2020.

Since 2017, Letters Live has produced 11 shows at the Union Chapel, with no two shows being the same.

오랜 가뭄으로 식량난에 시달리는 말라위. 열세 살 소년 윌리엄은 과학책에서 본 내용을 토대로, 쓰레기와 고철을 이용해 풍차를 만든다. 실화를 바탕으로 한 이야기.

바위에 꽂힌 미스터리한 검을 발견한 ‘알렉스’(루이스 서키스). 득템의 기쁨도 잠시, 다크포스 풍기는 마법 존재들의 공격에서 가까스로 위기를 모면한다. 마법사 ‘멀린’(패트릭 스튜어트)은 ‘알렉스’가 미래를 구할 왕이 될 아이라 말하고, 레알 베프와 무늬만 친구였던 아이들을 모아 최악의 마녀 ‘모가나’(레베카 퍼거슨)와 싸워야 한다. 최 연 소 초딩 히어로의 탄생• 절대악에 맞서 세상을 구하라!

체리트리 가 17번지에 살고 있는 마이클과 세 아이들은 아내와 엄마를 잃고, 집까지 빼앗길 위기에 처해 슬픔에 잠긴다. 어느 날, 바람의 방향이 바뀌고 마이클의 가족에게 다시 돌아온 메리 포핀스는 사랑스러운 마법으로 가득 찬 황홀한 경험을 선사하는데…

A brief comedy about a visit from a legendary theatre maker and his legion of fans.

With a name like Chlamydia Love, it comes as no surprise that the young lady in question is considered to be the office slut. Her colleagues also do not miss an occasion to ridicule her when she talks about her imaginary prince on a white horse. Chlamydia couldn’t care less. She just has to jump into a flushing toilet bowl to meet her beloved, the handsome surgeon Algernon Hertz. But her precious prince keeps her waiting and locals turn out to be a whole lot more savage that what is mentioned in the glossy tourist brochures. Chlamydia has to go on the run and ends up in the lair of the misanthropic scientist Helmut Mandragorass, a specimen of the male race not exactly blessed with dashing looks as his protruding forehead dwarves everything else. Paradise isn’t always what it seems to be.

A unique story told by nine different actors which explores the haunting of a conscience by lost souls that won't let go.

A meeting in a London bus with jewel thief Lady Christina takes a turn for the worse for the Doctor when the bus takes a detour to a desert-like planet, where the deadly Swarm awaits.

A London policeman returns to the estate where he grew up to investigate the murder of a young boy. Adapted by the playwright from his 2002 play.

Kevin Dodds is a browbeaten deputy bank manager who devises a cunning plan to rob his own bank. Based on the Andy McNab novel.

Feature-length ITV drama based on real events. Bill and Wendy Ainscow (Timothy Spall and Brenda Blethyn) are a middle class, middle-aged Birmingham couple locked in a deeply dysfunctional relationship with their 32-year-old daughter Lisa (Rebekah Staton). In a culmination of years spent unsuccessfully trying to obtain a diagnosis and get state help to deal with with Lisa's condition - which eventually turns out to be Asperger's syndrome - Bill and Wendy are ultimately driven to desperate measures with tragic consequences.

Anthony Sher and Harriet Walter star in a highly-acclaimed screen version of William Shakespeare's classic story of tyranny and ambition. On the stage this Royal Shakespeare Company presentation was universally lauded. Following sell-out seasons at Statford's Swan Theatre and in London, the production played Japan and in the United States, where The New York Times praised director Gregory Doran's interpretation as a "harrowing and disturbingly funny parable for the dawn of the 21st century". To make this compelling screen version, Gregory Doran worked with all of the original cast and filmed at London's Roundhouse. Brilliantly shot by director of photography Ernie Vincze, the production uses the edgy techniques of fly-on-the-wall documentaries. The effect is raw, intimate and strikingly dynamic.