Noma Dumezweni

Бизнесмену по телефону сообщают, что в его машину подложена бомба. Если он не будет выполнять приказы неизвестного преследователя, то авто взорвётся. Проблема заключается в том, что в машине с главным героем находятся его дети.

The youngest of King Triton’s daughters, and the most defiant, Ariel longs to find out more about the world beyond the sea, and while visiting the surface, falls for the dashing Prince Eric. With mermaids forbidden to interact with humans, Ariel makes a deal with the evil sea witch, Ursula, which gives her a chance to experience life on land, but ultimately places her life – and her father’s crown – in jeopardy.

The undersea world has often been depicted as a dangerous place filled with lethal predators. A world where sharks are mindless eating machines. A world where the only relationship between species is that big fish eat little fish. Of course, stories of sensational danger and violent predation are seductive to wildlife film audiences. But is that what the ocean is really like?

Snapshots of the tumults of the COVID-19 pandemic.

Documentary following Bristol’s mayor, Marvin Rees, as he and the city respond to the extraordinary events which followed the toppling of the Colston Statue in the summer of 2020.

Since 2017, Letters Live has produced 11 shows at the Union Chapel, with no two shows being the same.

13-летний мальчик из Малави придумывает способ, который поможет его семье и всей остальной деревне избежать голода.

В руках Алекса, обыкновенного британского школьника, оказывается мифический меч Экскалибур. Теперь парню и его друзьям предстоит сразиться со средневековой злодейкой по имени Моргана, которая изо всех сил пытается уничтожить мир.

Фильм рассказывает о новых приключениях Мэри и ее друга Джека, которым предстоит встретиться с представителями следующего поколения семейства Бэнкс.

A brief comedy about a visit from a legendary theatre maker and his legion of fans.

With a name like Chlamydia Love, it comes as no surprise that the young lady in question is considered to be the office slut. Her colleagues also do not miss an occasion to ridicule her when she talks about her imaginary prince on a white horse. Chlamydia couldn’t care less. She just has to jump into a flushing toilet bowl to meet her beloved, the handsome surgeon Algernon Hertz. But her precious prince keeps her waiting and locals turn out to be a whole lot more savage that what is mentioned in the glossy tourist brochures. Chlamydia has to go on the run and ends up in the lair of the misanthropic scientist Helmut Mandragorass, a specimen of the male race not exactly blessed with dashing looks as his protruding forehead dwarves everything else. Paradise isn’t always what it seems to be.

A unique story told by nine different actors which explores the haunting of a conscience by lost souls that won't let go.

A meeting in a London bus with jewel thief Lady Christina takes a turn for the worse for the Doctor when the bus takes a detour to a desert-like planet, where the deadly Swarm awaits.

A London policeman returns to the estate where he grew up to investigate the murder of a young boy. Adapted by the playwright from his 2002 play.

Kevin Dodds is a browbeaten deputy bank manager who devises a cunning plan to rob his own bank. Based on the Andy McNab novel.

Feature-length ITV drama based on real events. Bill and Wendy Ainscow (Timothy Spall and Brenda Blethyn) are a middle class, middle-aged Birmingham couple locked in a deeply dysfunctional relationship with their 32-year-old daughter Lisa (Rebekah Staton). In a culmination of years spent unsuccessfully trying to obtain a diagnosis and get state help to deal with with Lisa's condition - which eventually turns out to be Asperger's syndrome - Bill and Wendy are ultimately driven to desperate measures with tragic consequences.

Anthony Sher and Harriet Walter star in a highly-acclaimed screen version of William Shakespeare's classic story of tyranny and ambition. On the stage this Royal Shakespeare Company presentation was universally lauded. Following sell-out seasons at Statford's Swan Theatre and in London, the production played Japan and in the United States, where The New York Times praised director Gregory Doran's interpretation as a "harrowing and disturbingly funny parable for the dawn of the 21st century". To make this compelling screen version, Gregory Doran worked with all of the original cast and filmed at London's Roundhouse. Brilliantly shot by director of photography Ernie Vincze, the production uses the edgy techniques of fly-on-the-wall documentaries. The effect is raw, intimate and strikingly dynamic.