Mireille Perrier

라셸(비르지니 에피라)은 우연히 만난 알리와 사랑에 빠진다. 아이를 원하지만 이뤄지지 않고, 라셸은 그의 딸 레일라에게 깊은 유대를 느낀다. 아이의 엄마, 주변의 출산과 죽음은 라셀에게 조급함을 안겨준다.

A mother and her son are secluded in their house on an isolated island where two moments of their lives will intertwine -youth and maturity- and where the bonds of their fragile but indestructible relationship are forged.

After a long absence, Marie decides to return to the family home to introduce the partner with whom she is expecting a child.

보도 사진가 카미유 르파주는 내전을 보도하기 위해 중앙아프리카공화국으로 간다. 그곳에서 그녀는 자신의 운명을 영원히 바꾸게 될 만한 사건을 목격한다.

Angela was 8 years old when the first McDonald's opened in East Berlin - Since then, she has been fighting against the curse of her generation: to be born "too late" at a time of global political depression. Coming from a family of activists, her sister chose the world of business and her mother abandoned overnight her political struggle to move alone to the countryside.

Nathalie is a jeweler who has just moved to Paris for a new job and a new life with her two sons. But the jewelry store manager suddenly changes his mind and tells her the job is no longer hers. Nathalie wants to protect her children and decides to say nothing. This first lie will spark others and soon Nathalie is entangled in a dangerous spiral.

톰과 벤은 프랑스에 사는 엄마를 떠나 스웨덴에서 혼자 살고 있는 아빠를 찾아온다. 전문직 종사자인 아빠는 직장을 팽개친 채 두 아들을 데리고 아무도 없는 숲 속으로 캠핑을 떠난다. 그러나 기이한 행동을 보이는 아빠에게 아이들은 불안과 공포를 느끼고 캠핑장에서 빠져나가려고 애쓰는데...

Territorial dispute have always been in the center of most human conflicts. The territorial notion thrives for possession and power, resulting in invasive actions and occupation. UIP is the abbreviation for "United Israel Palestine". It is a title referring to a possible future scenario for Israel and Palestine set in the year 2027. In this scenario the international society, governed by the United Nations, is the new occupational power and therefore an international court administers the conflicts. Through this court the film unfolds and it is from a juridical perspective that all territories, bodies, ownerships and legacies are viewed. In contrast psychological relations, both private and public, appears painfully clear.

Max, Paul and Simon have been friends for 35 years. They take great pleasure in their one vacation a year together without their partners and meet-up regularly to spend evenings drinking or playing cards. Each has a successful career and they all appear to have perfect lives until the night Simon announces to his friends that he has just strangled his wife, Estelle after a blazing row. Max and Paul are horrified by Simon's confession, but worse is to come when Simon asks them to lie and provide him with an alibi for the time Estelle was killed. Both men are torn between lying or turning over their best friend to the police.

French rapper, author, and spoken word artist Abd Al Malik makes his directorial debut with this adaptation of his 2004 autobiography, chronicling his upbringing in the crime- and drug-ridden streets of Strasbourg and his life-changing encounters with hip hop and religion.

독보적인 스타일로 새로운 영화 문법을 탄생시킨 천재 감독, 그러나 그 외에는 거의 알려진 것이 없는 은둔 아티스트. 신비로운 베일에 싸인 그는 대체 누구인가?

At the end of June in Paris: Mireille accompanies his friend Thomas, a solitary and restless being, during a walk to Père Lachaise. Thomas is very agitated, worried. He confides to Mireille that he wishes to be cremated in the event of death. In September: after a period of holidays, Mireille returns at her home. She and his friends do not any more manage to contact Thomas. After investigation, Mireille learns that Thomas died in August, only. As he has no family his body was interred in the square of the needy of the new cemetery of Thiais. Mireille wants to honor the last wills of his friend, but the law is strict: to dig up the body and cremate it, the services of the city hall have to have the signature of a member of Thomas's family. Mireille learns that Thomas had a younger brother, Melchior. But But the young man, marginalized, abandoned for years by his older brother, refuses to sign the licence to dig up.

Otto and Anna, a brother and sister in their twenties, separated by the divorce of their parents, live on two continents. The vagaries of life keep them apart.

말썽 한 번 부린 적 없는 착한 고교생 루이스와 젊은 여선생 카밀을 위협한 죄로 퇴학당한 단짝친구 그렉. 그렉은 카밀에게 복수를 결심하고 루이스에게 함께 하자고 꼬드긴다. 그녀를 납치해 낡은 오두막에 가두는데 성공하는 아이들. 그러나 그렉의 계획은 루이스가 생각했던 것보다 더욱 잔인해지면서 루이스는 자신의 어두운 내면과 마주하게 된다. [17회 부천국제판타스틱영화제]

Simon, a young German doctor who lives and works in Marseille, goes missing. His appartment is empty. His mother Valérie is desperate. She doesn't understand the reason of his disappearance. Therefore she asks Jens, Simon's former boyfriend, to come to Marseille and help her find him.

사랑스런 아내와 행복한 가정을 이루고 있던 사무엘. 어느날 이유도 없이 만삭인 아내가 납치된다. 그 순간 의문의 남자로부터 걸려온 전화, 사무엘이 일하고 있는 병원의 현재 의식 불명 상태인 환자 위고를 빼내면 아내를 살려주겠다고 한다. 하지만 그에게 주어진 시간은 단, 세 시간뿐이다. 위기에 빠진 킬러 위고, 살아남기 위해선 ‘놈’이 필요하다! 함정에 빠져 정신을 잃은 채 응급실로 이송된 킬러 위고. 또다시 살해당할 위기에 처하지만 사무엘 때문에 목숨을 건진다. 하지만 사무엘 또한 납치된 아내를 살리기 위해 그를 노린다. 더 이상 선택의 여지가 없는 위고, 그를 노리는 사무엘을 이용해 자신을 죽이려는 자들을 먼저 찾아야 하는데…

At the Paris airport Orly, a woman falls for a stranger, a family heads to a funeral, a couple lose touch, a wife reads her husband’s break-up letter. All wait for their planes. Absorbed in their immediate fates, they move through the impeccably structured space, unaware of a looming threat outside.

“I am a woman who does not know where she is going, but who, always, looks for beauty. As long as she does not flee me. Moritz, your beauty fled me. But I caught it and I carry it in me.”

A young woman travels to Moscow, speaking with the people she meets of the region's recent past.

The middle of the 1970s. A photographer encounters an emaciated and brooding man with a hawk-like face. The man is called Viktor Atemian and this film is his story. He's a man who tries his hand at writing, meets with success, then falls upon hard times and ends up in the street.

Marion, a 50 year old woman, suddenly ups and leaves the man with whom she has been living for the past 20 years; she has found herself, midlife, in love with her friend Claude, another woman.

A filmmaker and his crew try to enter the passionate world of Port-Royal and of Jansenism. Another Age of Louis XIV comes to life, the age of Pascal, Racine and of the “Friends of Truth”. The film itself comes up against the unanswerable question of grace.

A picture of humankind in Paris: singers, shows, social gatherings, businessmen, nightclub barmen, bums, shoppers.

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

Algerian journalist Sahafi is faced with a dilemma. If he returns to Algeria, he's almost certain to be assassinated. If he takes political asylum in the Netherlands, he is treated like a pariah.

Laurent's fate is to be a soccer superstar. But he happens to fall in love with a Fabienne, 40. He is only 18, and his career is about to fall apart...

La Patinoire is about a film director who is shooting a highly symbolic film called 'Dolores' at an ice rink. He has hired a Lithuanian ice hockey team with which he is having enormous communication problems. His actors all have inflated egos, his film crew is made up of fools, and there is a politician on his back. But he must finish the film, no matter what, in time for the Venice Film Festival.

A bistro counter will decide the fate of two women. The first, Marie, the owner of a cafe for forty years in a Breton village, wants to realize her dream and go to the city. The second, Joelle, wants to leave town for the countryside.

A Private detective is hired to trace a woman who ran away and disappeared on her wedding day. The movie follows him and recounts the story of her life through her eyes and the eyes of those interviewed by the detective.

This certificate was formerly obtained by pupils at the end of primary school. The teacher of a small village has a dream: he wants his son to get his certificate and to be the best in the district ("Canton"). His younger son is less gifted: he is ashamed of him and treats him like a dunce. His obsession is so strong his marriage (his wife is a schoolteacher too) is soon on the rocks.

This dark and intense drama follows the slow and painful destruction of a young, passive woman as she watches her family fall apart. Maria is the shy and dutiful daughter upon whose shoulders the family traumas have fallen. In addition to a regular job she cooks, cleans, and studies. Her parents offer no assistance as her father is blind, with a tendency towards violence when drinking. His wife, the focus of his violence is terribly unhappy. After a particularly brutal beating, Maria's brothers rise up against the father and end up leaving the home. It is up to Maria to try to bring the factions together. Maria's pressures increase after she calmly stabs her boss during an attempted rape, and then copes with her mother's suicide.

After the war, in Bucharest, a young Romanian poet arrested for having written an article denouncing Stalinist crimes, will save his life by accepting to become a hostage of the regime.

Aline Issermann's "Shades of Doubt" ("L'Ombre du Doute"), a French film about a wrenching family crisis, is set forth with remarkable restraint. The subject is incest, but the story's potential for tawdriness is never exploited. Instead, Ms. Issermann presents a discreet, methodical account of how 12-year-old Alexandrine comes to bring and then recant charges against her father, Jean.

An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.

An orange, yellow and gray film which tells a love story or more precisely the birth of the feeling of love.

For those who were young, living under the delusions of love and soft drugs in Paris, May 1968 - even if the guitar is still playing, they can't hear it any longer.

어린 토토는 자신이 막 태어났을때 신생아실의 화재로 이웃집의 알프레드와 뒤바뀌어졌다고 생각한다. 그래서 토토는 어린시절 내내 알프레드가 자신의 운명을 빼앗아 버렸다는 생각으로 알프레드의 대한 질투심을 떨쳐버릴수 없었다. 그러한 토토에게 자신이 가장 좋아하는 누나 엘레스가 있었는데 누나도 토토를 좋아했다.어느 폭풍우가 치던날, 알프레드의 아버지 부탁으로 토토의 아버지 비행기 조종을 하게 되지만 추락하여 실종된다. 그일로 집안이 가난에 처하게 되자 토토는 더욱 누나에게 의지하게 된다. 그러던 중 엘리스가 알프레드와 데이트하는 것을 목격하게 된 토토는 깊은 상처를 받는다. 이에 앨리스는 토토에게 사랑을 확인시켜주기 위해 알프레드 집의 창고로 기름탱크를 안고 뛰어들어 자살하고 만다. 토토는 이 불행이 자신의 뒤바뀐 운명때문이라고 믿었고 그것을 보상받기 위해 비밀첩보원이 되리라 마음 먹는다. 세월이 흘러 토토는 건축설계사가 되지만 엘리스에 대한 그리움을 아직도 못버리고 살아간다. 그러던 어느날, 앨리스의 모습과 너무나 흡사한 이벨리느라는 여자를 알게되고 사랑에 빠진다. 그러나 그녀는 바로 알프레드의 아내였던 것이다. 토토를 더 사랑한 이벨리느는 알프레드를 버리고 토토와 도주하기로 마음먹지만 실패로 돌아가고 만다. 노인이 된 토토는 자신이 살아온 인생을 다시한번 생각하게 되고 이제는 재벌의 총수가 된 알프레드를 찾아나선다. 아직도 알프레드가 자신의 운명을 빼앗아 버렸다는 강박관념에서 벗어나지 못한 토토는 그를 죽이기로 마음먹은 것이다.

Fabrice is an otherwise brutish truck driver who loves the disciplines involved in bicycle racing. He's no champion and doesn't appear to care much whether he wins any or not. In the crowded spaces of his world, the aloneness that comes with being a racer in training affords him a much-needed solitude and peace of mind. It's probably best for the people around him, too. In fact, it would be good if he could remain on his bike forever, because his nearly insane fear and distrust of others leads him to some pretty obnoxious behavior, especially with the women in his life.

Freshly landed in Paris, Daniel Laurençon, who calls himself Netchaïev, who was believed dead five years ago in Gibraltar, warns a commercial center of a bomb attack a few minutes before its completion.

25 year-old Hippo doesn't have a job, doesn't study either but lives from the money his younger brother earns with dealing and from occasional Poker winnings.

Joa (Bulle Ogier), an archaeologist from Mexico, comes to Paris in search of her sister Anna (Mireille Perrier), of whom she is suddenly without news. Anna, a theater actress, was in the title role in Sade's "Justine" when she disappeared. The investigation leading Joa to the people who have known her sister, turns into an initiatory quest. Her journey, her stroll through a subterranean marginal Paris, leads also to the emergence of a new woman.

A young French woman returns to the vast silence of West Africa to contemplate her childhood days in a colonial outpost in Cameroon. Her strongest memories are of the family's houseboy, Protée — a man of great nobility, intelligence and beauty — and the intricate nature of relationships in a racist society.

Emmanuel, 37, lives in Paris with his wife, Irene, and his daughter Anne, 14 years old. He accidentally discovers that Irene is receiving mail in the remaining mail. She refuses to follow Emmanuel to Italy where he has to write a biography of Filippo Lippi. Distraught, Emmanuel decided to leave immediately for Florence.

핏빛으로 가득 찬 지하철. 주인공 알렉스의 아버지가 죽는 것으로 이 영화는 시작된다. 어딘지 모르는 미래, 도시는 STBO라는 질병으로 뒤덮여 있다. 사랑 없는 섹스를 죽음으로 이끄는 이 질병 속에서 알렉스는 리즈라는 여인과 동거 생활을 한다. 한편 아버지의 친구들은 알렉스를 찾아와 아버지를 죽인 것은 미국 갱단의 여자 보스라는 얘기를 들려준다. 그리고 손이 빠르기로 소문난 알렉스의 속임수 트럼프가 필요하게 될 것임을 덧붙인다. "리즈, 나를 잊어버려. 너의 몸에 남아 있는 나의 지문이 지워지도록 남자들을 만나라. 울지 말고 나를 기억하지도 말라." 그리고 알렉스는 리즈를 떠나 아버지의 친구들과 한패가 되어 STBO의 백신을 훔칠 계획을 세운다. 이제 새로운 비극이 시작된다. 알렉스는 그곳에서 아버지의 친구 마르끄의 젊은 정부 안나를 만나 단번에 사랑에 빠지지만...

A young woman comes to Roissy airport to pick up a military canteen that has been returned to her. It is the effects and pictures of Jean Péraud, a reporter photographer who disappeared at Dien Bien Phu on May 8, 1954. Soon, the discussion begins between the young woman and the former press companions of Péraud who are present. Through the memories and stories she provokes, the ever-present questions about what makes the war image resurface: is the reporter a witness or a combatant? Does he protect himself from the effects of war by filming it, or does he take more risks in order to bear witness? Can we speak of art in front of this image made in the face of death?

In a fast-paced action film with an international backdrop, an unsuspecting Edith (Mireille Perrier) goes to Frankfurt to work for a German friend who is investigating some illegalities in the transportation industry. After Edith arrives, her friend leaves for Berlin, so Edith goes to stay at the house her friend shares with a second-generation German-Turkish woman. Meanwhile, Gordon (Bruce Thurman) is out photographing some journalists armed with video cameras who are spying on a wealthy honcho in the trucking business. He accidentally follows Edith and photographs her, then ends up saving her from some attackers. The dramatic action intensifies as questions arise about what certain trucks are carrying into Germany, what Edith's friend has to do with exposing the cargo on those trucks, and whether or not Edith will remain an unscathed, innocent by-stander.

With an off-beat sense of humor to match its erratic central character, this original comedy-drama features Jean-Philippe Ecoffey as Yves, a young man who works as a cop at night. The catch is that Yves turns to petty crime during the day, partly to impress Aurore (Aurelle Doazan), a nurse he idolizes from afar. His criminal hobby seems hard to understand, since it's doubtful that they will really get him anywhere with Aurore; besides, she already has a boyfriend. Nevertheless, Yves starts out by robbing a post office and ends up trying to run over Aurore's boyfriend, an act which finally gets him into serious trouble.

A young film director is turning a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined , and the film - told through five dreams - is as much the story of a film on-production, as the birth of a child.

어두운 파리, 세느 강변의 밤. 한 여인이 자동차를 몰고 나타난다. 카스테레오에선 우린 이별을 하기위해 왔다는 샹송이 흘러나온다. 누군가와 전화통화를 하던 그녀는 스카프를 흘리며 사라지고 그곳에 있던 알렉스는 그 스카프를 줍는다. 알렉스는 가장 친한 친구 또마와 자신의 애인인 플로랑스가 서로 연인 사이임을 알게되었고 그는 세느강가에서 또마를 죽이기 위해 목을 조른다. 하지만 결국 그는 차마 친구를 죽이진 못하고 집으로 돌아온다. 자신의 인생에서 중요했던 일을 기록하는 습관이 있는 알렉스는 이날 일을 '생애 최고의 살인 미수'라고 쓴다.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.