Maïté Nahyr

About a young boy growing up to become a great artist. Set basically in St. Petersburg and a country dacha in Vyra during the aftermath of the 1905 Russian Revolution.

An old psychiatrist finds out that he is likely to suffer a second and probably fatal heart attack in the near future. As a consequence he becomes determined to seduce Odile, a young woman he first encounters in a railway compartment.

A rich Moroccan who belongs to the better circles has seven daughters. Whatever happens, the eighth offspring must be a son. It is a girl again, but she is given a male name, Ahmed and grows up like a boy. When Ahmed is 21, he is in an identity crisis: he wants to shave, leave a mustache and take his niece to wife. In the meantime, Ahmed's father is dying and wants to sail to heaven. He calls to Ahmed and calls her a female name Zahra and gives her freedom so that she can go out.

Mr. K is a do-it-yourselfer and he works very seriously. One day he has a problem with one of his screws. Furious, he decides to complain at the administration office of the Department Store of Non Ferrous Metals!..

Lepetit, an ambitious and determined man, is named the new CEO of a department store. His mission is to improve the store's financial position. He decides that the human factor will be his catchword and introduces new methods, which he also applied to himself. But tensions slowly arise between members of the staff.

한 미국 기자는 프랑스와 베트남의 57일간의 디엔비엔푸 전투가 한창이던 중 취재 차 하노이에 오게 된다. 그는 프랑스군의 패배와 항복, 그리고 프랑스가 결국 베트남에서 철수하는 결과를 초래한 자신을 발견하게 되는데… (채널 더 무비)

It's a green-card marriage romance. Deena, an American standup comic living in Paris, has an expired visa. So, she marries Nick Foulliet, a struggling musician with a different woman for every day of the week. First the immigration investigation, and then a series of financial disasters push Deena and Nick into spending time together, and they fall in love. But can their in-name-only marriage become real?

Celebrated Swedish opera star Karin Anderson is slated to appear in an internationally-telecast production of Tannhauser. Ms. Anderson balks at the notion of working with obscure Hungarian conductor Zoltan Szanto. The much-anticipated production may never get off the ground, thanks to labor-management difficulties, intramural jealousies, and clashing egos. Amidst all this chaos, the mismatched Anderson and Szanto fall in love.

A French civil servant throws The Governor's Party when his daughter comes of age regardless of colonial unrest and her parents' stormy marriage.

When an informer is executed, his dismembered remains found in several bin bags, Fred, a resilient police inspector, leads the murder investigation with his customary dogged determination.

Mise-en-scène of the classic tragedy of Sofocles, carried out by Antoine Vitez in the National Theatre of Chaillot

The story revolves around two objects, a rare set of 18th-century Limoges china, and a 19th century aristocratic portrait. As these items are passed, sold, or stolen from one character to another, a giddy round dance of excess begins to take shape, one which suggests that if history doesn't repeat itself, it certainly rhymes. Together with co-writer Gérard Brach, whose other co-writing credits include Repulsion and Tess, Otar Iosseliani uses a feather-light touch to expose the futility of class and social order, making a bagatelle of the concerns of rich and poor alike.

어두운 파리, 세느 강변의 밤. 한 여인이 자동차를 몰고 나타난다. 카스테레오에선 우린 이별을 하기위해 왔다는 샹송이 흘러나온다. 누군가와 전화통화를 하던 그녀는 스카프를 흘리며 사라지고 그곳에 있던 알렉스는 그 스카프를 줍는다. 알렉스는 가장 친한 친구 또마와 자신의 애인인 플로랑스가 서로 연인 사이임을 알게되었고 그는 세느강가에서 또마를 죽이기 위해 목을 조른다. 하지만 결국 그는 차마 친구를 죽이진 못하고 집으로 돌아온다. 자신의 인생에서 중요했던 일을 기록하는 습관이 있는 알렉스는 이날 일을 '생애 최고의 살인 미수'라고 쓴다.

나이 많은 난봉꾼 스나포라츠는 기차 여행 도중 아름다운 여인 엘레나에게 매혹된다. 갑자기 기차가 멈추고, 스나포라츠는 엘레나에게 이끌려 그녀를 따라 숲으로 들어가게 되는데...

폴란드 출신의 사무원인 트렐코프스키는 투신자살을 해 죽은 여자가 살았던 파리의 허름한 아파트에 입주를 한다. 별로 친절하지 않은 이웃과 트렐코프스키 사이에 충돌이 자주 일어나고 그는 자신이 느끼는 감정의 심각성을 인지하며 자신이 이로 인한 정신적 압박감으로 인해 자살을 하게 될지도 모른다고 믿게 되는데...

쓰레기 수거장의 건달들과 쥬스카페의 소녀 죠니의 목적없는 사랑앓이. 죠니는 동네사람들로부터 호모라고 따돌림당하는 건달 크라스를 사랑하지만 크라스에게는 파도반이라는 남자애인이 있다. 권태로운 생활을 불꽃처럼 뜨겁게 바꿔버린 사랑에 달뜬 죠니는 난생 처음 사랑에 열중한다. 그러나 파도반의 질투로 생명의 위협을 당하게 된 죠니는 크라스에게 구원을 청하지만 그의 사랑은 단지 육체의 쾌락을 추구하는 것임을 알게된다.

Two men, fortyish, worn out by their wives, abandon everything to go and live in the back of beyond. There they meet a truculent priest, a boozer, Émile who recalls them to life's simple pleasures. Calm is what they want. But soon their example inspires thousands of disorientated males, fleeing the feminist 1970s. Soon, too, there arrives a squadron of nymphomaniac Amazons.