Thierry Zéno

A documentary about the making the infamous art-house film 'Vase De Noces' ('Wedding Trough').

In “Ya basta!” the native Tzotzil tribe takes up arms to demand land, work, housing, education, health, independence, freedom and democracy from the Mexican government. “40 Molons” is a video-installation inspired by the folkloric 40 Molons Orchestra of Namur.

In “Ya basta!” the native Tzotzil tribe takes up arms to demand land, work, housing, education, health, independence, freedom and democracy from the Mexican government. “40 Molons” is a video-installation inspired by the folkloric 40 Molons Orchestra of Namur.

In “Ya basta!” the native Tzotzil tribe takes up arms to demand land, work, housing, education, health, independence, freedom and democracy from the Mexican government. “40 Molons” is a video-installation inspired by the folkloric 40 Molons Orchestra of Namur.

A documentary about the daily life of a native Tzotzil community in southern Mexico, shot over a period of eight years.

A documentary about the daily life of a native Tzotzil community in southern Mexico, shot over a period of eight years.

A documentary about the daily life of a native Tzotzil community in southern Mexico, shot over a period of eight years.

These tales for children under three years of Eugène Ionesco are illustrated by drawings of children. The presence of the storyteller is preponderant on the screen. The images of his aged face filmed in close-up create a strange atmosphere.

An evocation of the work of the playwright and writer Eugène Ionesco through a series of interviews, footage shot in his studio and extracts from his plays.

An evocation of the work of the playwright and writer Eugène Ionesco through a series of interviews, footage shot in his studio and extracts from his plays.

Documentary about a sculpture by the Belgian Artist Olivier Strebelle.

Evokes the life of 3rd century hermit Saint Antoine via the paintings of Bosch, Rops, Ensor, Ernst & Dalí.

Evokes the life of 3rd century hermit Saint Antoine via the paintings of Bosch, Rops, Ensor, Ernst & Dalí.

Evokes the life of 3rd century hermit Saint Antoine via the paintings of Bosch, Rops, Ensor, Ernst & Dalí.

Documentary about belgian illustrator Félicien Rops (1833-1898) whose works combined eroticism and death in a very provocative way.

Documentary about belgian illustrator Félicien Rops (1833-1898) whose works combined eroticism and death in a very provocative way.

This morbid, unusual, and critically acclaimed documentary was filmed in the most exotic locations all over the world. Of the Dead (Des Morts) deals with death, the soon dead, and the living they leave behind. Our senses are shown no mercy as we witness the brutal execution of a Philippine Guerrilla. We are literally taken inside a cremation chamber while a human body melts and finally crumbles into nothingness. We witness-first hand- doctors trying to save a victim of multiple stab wounds, all close up, in graphic detail leaving nothing to the imagination. For those who think they have seen it all, Of the Dead, dares to be seen.

This morbid, unusual, and critically acclaimed documentary was filmed in the most exotic locations all over the world. Of the Dead (Des Morts) deals with death, the soon dead, and the living they leave behind. Our senses are shown no mercy as we witness the brutal execution of a Philippine Guerrilla. We are literally taken inside a cremation chamber while a human body melts and finally crumbles into nothingness. We witness-first hand- doctors trying to save a victim of multiple stab wounds, all close up, in graphic detail leaving nothing to the imagination. For those who think they have seen it all, Of the Dead, dares to be seen.

Alone on a farm, a man spends his days tending to his animals, with a particular love for his sow. After an illicit encounter between the two creatures, the pig gives birth. However, tragedy strikes when the man tries to force the newborn piglets to love him as he loves them.

Alone on a farm, a man spends his days tending to his animals, with a particular love for his sow. After an illicit encounter between the two creatures, the pig gives birth. However, tragedy strikes when the man tries to force the newborn piglets to love him as he loves them.

Alone on a farm, a man spends his days tending to his animals, with a particular love for his sow. After an illicit encounter between the two creatures, the pig gives birth. However, tragedy strikes when the man tries to force the newborn piglets to love him as he loves them.

Alone on a farm, a man spends his days tending to his animals, with a particular love for his sow. After an illicit encounter between the two creatures, the pig gives birth. However, tragedy strikes when the man tries to force the newborn piglets to love him as he loves them.

Alone on a farm, a man spends his days tending to his animals, with a particular love for his sow. After an illicit encounter between the two creatures, the pig gives birth. However, tragedy strikes when the man tries to force the newborn piglets to love him as he loves them.

In 1971 Thierry Zéno creates a fascinating portrait of artist Georges Moinet in the form of a 16 mm medium-length film. A schizophrenic who lives in a psychiatric hospital near Namur, Moinet paints. After being mute for 24 years he chooses this cinematic encounter to explain his artist approach, revealing what lies behind his personal cosmogony. But this long logorrhoea proves disturbing and fails to provide possible clues to understanding his work, gradually becoming a form of music that blends in with the sounds and distant, invisible hubbub of the hospital. With Alessandro Ussai behind the camera and Roger Cambier responsible for the sound, Zéno gets up close to Moinet to better capture him in all his demiurgical excessiveness, his existence on the fringes but also his humanity, deconstructing in a series of very tight shots the man and his canvasses.

In 1971 Thierry Zéno creates a fascinating portrait of artist Georges Moinet in the form of a 16 mm medium-length film. A schizophrenic who lives in a psychiatric hospital near Namur, Moinet paints. After being mute for 24 years he chooses this cinematic encounter to explain his artist approach, revealing what lies behind his personal cosmogony. But this long logorrhoea proves disturbing and fails to provide possible clues to understanding his work, gradually becoming a form of music that blends in with the sounds and distant, invisible hubbub of the hospital. With Alessandro Ussai behind the camera and Roger Cambier responsible for the sound, Zéno gets up close to Moinet to better capture him in all his demiurgical excessiveness, his existence on the fringes but also his humanity, deconstructing in a series of very tight shots the man and his canvasses.