Thierry Zéno
Nascimento : 1950-04-22, Namur, Belgium
Morte : 2017-06-07
História
Thierry Zéno was born on April 22, 1950 in Namur, Belgium. He was a director and producer, most known for his controversial film Wedding Trough (1974). His other credits include Eugène Ionesco, voix et silences (1987) and Des morts (1979).
Himself
A documentary about the making the infamous art-house film 'Vase De Noces' ('Wedding Trough').
Director of Photography
Documentário sobre a insurreição zapatista.
Editor
Documentário sobre a insurreição zapatista.
Director
Documentário sobre a insurreição zapatista.
Editor
A documentary about the daily life of a native Tzotzil community in southern Mexico, shot over a period of eight years.
Director of Photography
A documentary about the daily life of a native Tzotzil community in southern Mexico, shot over a period of eight years.
Director
A documentary about the daily life of a native Tzotzil community in southern Mexico, shot over a period of eight years.
Director
These tales for children under three years of Eugène Ionesco are illustrated by drawings of children. The presence of the storyteller is preponderant on the screen. The images of his aged face filmed in close-up create a strange atmosphere.
Director of Photography
An evocation of the work of the playwright and writer Eugène Ionesco through a series of interviews, footage shot in his studio and extracts from his plays.
Director
An evocation of the work of the playwright and writer Eugène Ionesco through a series of interviews, footage shot in his studio and extracts from his plays.
Director
Documentary about a sculpture by the Belgian Artist Olivier Strebelle.
Director of Photography
Evokes the life of 3rd century hermit Saint Antoine via the paintings of Bosch, Rops, Ensor, Ernst & Dalí.
Editor
Evokes the life of 3rd century hermit Saint Antoine via the paintings of Bosch, Rops, Ensor, Ernst & Dalí.
Director
Evokes the life of 3rd century hermit Saint Antoine via the paintings of Bosch, Rops, Ensor, Ernst & Dalí.
Director of Photography
Documentary about belgian illustrator Félicien Rops (1833-1898) whose works combined eroticism and death in a very provocative way.
Director
Documentary about belgian illustrator Félicien Rops (1833-1898) whose works combined eroticism and death in a very provocative way.
Writer
This morbid, unusual, and critically acclaimed documentary was filmed in the most exotic locations all over the world. Of the Dead (Des Morts) deals with death, the soon dead, and the living they leave behind. Our senses are shown no mercy as we witness the brutal execution of a Philippine Guerrilla. We are literally taken inside a cremation chamber while a human body melts and finally crumbles into nothingness. We witness-first hand- doctors trying to save a victim of multiple stab wounds, all close up, in graphic detail leaving nothing to the imagination. For those who think they have seen it all, Of the Dead, dares to be seen.
Director
This morbid, unusual, and critically acclaimed documentary was filmed in the most exotic locations all over the world. Of the Dead (Des Morts) deals with death, the soon dead, and the living they leave behind. Our senses are shown no mercy as we witness the brutal execution of a Philippine Guerrilla. We are literally taken inside a cremation chamber while a human body melts and finally crumbles into nothingness. We witness-first hand- doctors trying to save a victim of multiple stab wounds, all close up, in graphic detail leaving nothing to the imagination. For those who think they have seen it all, Of the Dead, dares to be seen.
Editor
Alone on a farm, a man spends his days tending to his animals, with a particular love for his sow. After an illicit encounter between the two creatures, the pig gives birth. However, tragedy strikes when the man tries to force the newborn piglets to love him as he loves them.
Cinematography
Alone on a farm, a man spends his days tending to his animals, with a particular love for his sow. After an illicit encounter between the two creatures, the pig gives birth. However, tragedy strikes when the man tries to force the newborn piglets to love him as he loves them.
Producer
Alone on a farm, a man spends his days tending to his animals, with a particular love for his sow. After an illicit encounter between the two creatures, the pig gives birth. However, tragedy strikes when the man tries to force the newborn piglets to love him as he loves them.
Screenplay
Alone on a farm, a man spends his days tending to his animals, with a particular love for his sow. After an illicit encounter between the two creatures, the pig gives birth. However, tragedy strikes when the man tries to force the newborn piglets to love him as he loves them.
Director
Alone on a farm, a man spends his days tending to his animals, with a particular love for his sow. After an illicit encounter between the two creatures, the pig gives birth. However, tragedy strikes when the man tries to force the newborn piglets to love him as he loves them.
Editor
In 1971 Thierry Zéno creates a fascinating portrait of artist Georges Moinet in the form of a 16 mm medium-length film. A schizophrenic who lives in a psychiatric hospital near Namur, Moinet paints. After being mute for 24 years he chooses this cinematic encounter to explain his artist approach, revealing what lies behind his personal cosmogony. But this long logorrhoea proves disturbing and fails to provide possible clues to understanding his work, gradually becoming a form of music that blends in with the sounds and distant, invisible hubbub of the hospital. With Alessandro Ussai behind the camera and Roger Cambier responsible for the sound, Zéno gets up close to Moinet to better capture him in all his demiurgical excessiveness, his existence on the fringes but also his humanity, deconstructing in a series of very tight shots the man and his canvasses.
Director
In 1971 Thierry Zéno creates a fascinating portrait of artist Georges Moinet in the form of a 16 mm medium-length film. A schizophrenic who lives in a psychiatric hospital near Namur, Moinet paints. After being mute for 24 years he chooses this cinematic encounter to explain his artist approach, revealing what lies behind his personal cosmogony. But this long logorrhoea proves disturbing and fails to provide possible clues to understanding his work, gradually becoming a form of music that blends in with the sounds and distant, invisible hubbub of the hospital. With Alessandro Ussai behind the camera and Roger Cambier responsible for the sound, Zéno gets up close to Moinet to better capture him in all his demiurgical excessiveness, his existence on the fringes but also his humanity, deconstructing in a series of very tight shots the man and his canvasses.
