Irina Potapenko
출생 : 1986-01-01, Repubblica autonoma di Crimea
약력
Irina Potapenko (*1986 in Crimea) is a German-Ukrainian actress. Potapenko was born on the Crimean peninsula in the then Soviet Union. In 1994 she came to Berlin with her mother. Since she was twelve years old, she has played theater, first in a Russian chamber theater, later at the Volksbühne Berlin, among other things, in productions by Frank Castorf. The FilmRevenge was nominated for the Oscar as the best non-English-language film. In addition, she also participated in radio plays.
In 2009, she was awarded the Actor Award at the Max Ophüls Prize film festival and nominated for Best German Actress in 2012 for the Jupiter Award.
Description above from the Wikipedia article Irina Potapenko, licensed under CC-BY-SA 4.0, full list of contributors on Wikipedia.
Betty
In dystopian Germany - just a breath away from our current reality - the return of the wolf triggers a mysterious fascination among the citizens. When journalist Leo Bernstein sets out to investigate, he gets drawn into a long-forgotten fairy tale that places him in great danger.
Sonja
Neukölln, a trendy district in Berlin. Living space is scarce here. Without surety, proof of credit worthiness and salary there is no chance at all now. Thies knows this game; he works for a real estate management company and watches that the rules are upheld - until he meets Bruno and Sonja. He provides the dissimilar siblings with a flat free of charge on the quiet. And enters into an affair with the brother. Step by step he becomes more deeply immersed in the secret of the "siblings". A Berlin film about a loner who gets caught up. About a couple with unclear residency status. About a city everyone wants to live in.
Frau Kodolski
Fabian Groys, a renowned journalist for a political news magazine, enjoys great freedom, since the stories he uncovers make for good sales. When he loses a hot story about the German army, the editor saddles him with a young female intern. Fabian hates teamwork and sticks the intern with what seems a classic tabloid story about the suicide of a man who had himself torn to shreds by a lion at the zoo. But thanks to the intern’s dogged determination, signs emerge that the story Fabian was working on and the gory zoo story are actually interlinked. Is it pure coincidence? And if it isn’t, how can Fabian fight a nebulous enemy?
Julja
Agnes, a teacher from the Hessian provinces, has come to Berlin to identify a dead girl who might be Lydia, her runaway daughter. It turns out not to be Lydia, but Agnes stays in the city anyway. Still frantically looking, she comes a young stray called Ines who no longer leaves her side...
Katharina
During an unannounced visit to Berlin, Jakob and Hanna let their three grown up children know that they are no longer able to support them financially. Karla, Arnolt and Sonni seem to live successful city lives; but, on closer inspection, they are in the middle of different life-crises, which have a common cause: lack of independence. After a big family quarrel and a painful revelation of life-lies, every single relative is made aware of how little he or she knows about the others – though still interdependent.
Tina
Geir is a Norwegian middle-aged bachelor waiting for his Russian wife to be. Tina is young and beautiful. Set as an exploration of their first few weeks together, A Marriage tells a tale of fragile love.
An immigrant family wants to bring grandmother's ashes to Germany, in a cookie jar. But they did not expect the conscientious compliance of German customs officials at the airport.
Alice
Welcome to 2020: The European Union has collapsed following the fourth Gulf War and massive barricades keep illegal immigrants out of cities that are barely functioning. In the middle of this highly volatile environment is the family of Walter Kuper, an energy conglomerate executive. Walter’s daughter, Cecilia, has joined the Black Storm terrorist group. Her sister Laura must choose between motherhood and the man she loves; their brother Philip has been called into fight for Germany in a hopeless war to secure the last remaining oil fields. Starring leading actors Daniel Brühl, Johanna Wokalek and Jürgen Vogel, "The Days to Come" asks provocative questions about the current state of things as it depicts personal and political realities in a scarily believable near–future.
Mathilda Hervas
Two policemen are stationed on Amrum, a North Sea island on the West coast of Schleswig-Holstein, Germany’ – an elder, and one who is several decades his junior. Life is easy, just that the junior can’t find a wife, because no young woman seems to be interested in the peaceful life on the island. All of a sudden, a wounded lady who turns out to be one of two bodyguard for a threatened witness who lives in hiding on Amrum, bursts into the police station and seeks help from the two officers. I missed some bits of the plot, but somehow, the second one of the bodyguards hiding the witness on the island has been killed already, and the second one, seeking help from the local police, was wounded in the incidence, and then she apparently succumbs, too.
Tamara
로버트와 수잔은 평온한 호숫가의 집에서 살고 있다. 알렉스와 타마라는 비엔나의 성매매업소에서 일한다. 그들의 삶은 알렉스의 무모한 은행 강도행각으로 인해 충돌하게 되고, 비극적인 죽음의 여파는 아무도 예측할 수 없는 파괴적인 결말로 이끈다
오스트리아의 도발적인 감독 괴츠 스필만의 최신작. "보복"은 서로 관련이 없어 보이는 네 사람의 삶이 어떻게 얽히고 영향을 주고 받는지를 보여준다. 비엔나에서 살고 있는 알렉스와 타마라는 성매매업소에서 일하고 있다. 로버트와 수잔나는 비엔나에서 몇 시간 거리의 한적한 시골에 살고 있다. 어느 날 알렉스는 자신이 저지른 무모한 강도행각 때문에 경찰 로버트와 대치하게 된다. 이 과정에서 타마라가 죽음을 맞게 되면서 네 사람의 운명은 돌이킬 수 없이 얽히게 된다. 스필만 감독은 분노와 복수, 속죄와 같은 감정을 억제된 연출을 통해서 담아낸다. 간결한 형식의 은 전통적인 의미에서의 해피엔딩은 아니지만 감독은 다음과 같이 표현하고 있다.“ 근본적으로는 내 영화에는 긍정이라는 빛이 반짝이고 있다. 인생은 결코 실수라고 할 수 없으며 어떤 삶이라도 모두 의미를 담고 있게 마련이다." (2008년 13회 부산국제영화제)
Katharina - the Russian emigrée
Four cigarette-smoking, alcohol-drinking, troublesome adolescents wander between the concrete skyscrapers of downtrodden West-German suburbia. These uncouth youths are surprisingly not boys but girls with attitude, quick-tempers and foul-mouths, who violently vent their scorn on any unfortunate soul who gets in their way.
Adelaida Iwanowna
Unites grotesque elements, tempo, quiet dream sequences, the thrill of a detective story, but above all, he manages to capture the temperature of an actor ensemble that throws itself into the world of Dostoyevsky with immense pleasure and passion.
Larissa
