Gijs van de Westelaken

Artis, the Netherlands’ oldest zoo, is about to undergo its most radical renovation in its 178 years of existence. The inspired managing director has a very clear mission – but, is this mission at the same time not a threat to himself, his employees and his animals? And also: how can we look after our environment whilst at the same time we wish to reduce our influence on it?

Antwerp, Belgium. The lives of four small-time drug dealers spin out of control when they steal a shipment of cocaine, triggering a full out war between an Amsterdam drug lord and a ruthless Colombian cartel.

A documentary about the fascinating and complicated process of the rebuilding of Holland's most famous museum, The Rijksmuseum. The film shows the people behind the scenes during the years of demolition, restoration, and political and financial debate. We witness their efforts, joys and struggles with one goal in common: the love of art.

2 November 2004, shortly before nine in the morning. In The Hague, the report comes in that in Amsterdam Theo van Gogh has been murdered. All warning bells start ringing. With the country in flames, sometimes literally, politicians and officials in The Hague have to neutralise all sorts of known and unknown stings, and just when Van Gogh’s cremation seems to herald a period of relative peace, a second explosion follows: the attack on the Hofstad Network in the Laakkwartier in The Hague. A reconstruction of nine days of political high tension and flying dust, a decade after the assassination of the trendsetting filmmaker and TV presenter.

The young Katelijne grows up in a strict Protestant peasant family. As the only girl between six brothers, she is hardly involved in farm work and is excluded from daily conversations. Hereby she lets her imagination run free by surrendering to Biblical stories, gossip and even fairy tales, although she is not allowed to read them. During her brother's wedding, however, she overwhelms her family with literature, saying goodbye to her childhood.

After a couple of drinks two twenty-something students make a deal to have sex with each other for 2000 Euros. The deal takes them to Barcelona. There, their mutual embarrassment over the deal complicates matters, but brings them closer together.

Tessa opens her luxurious clinic with a big party. She is smart, beautiful, savvy, and happily married with an intelligent adolescent son. But appearances are deceptive. In reality, her marriage is falling apart, her house renovation is a disaster and the finances of her clinic are a mess. Desperate, she accepts the helping hand of a friend from the past who has turned up suddenly, but in doing so, opens herself up to an ordeal of terror and blackmail.

Nick and Evy are in love. Knowing that Nick is deaf, Evy’s parents do not consent to their relationship. They run away and move into an abandoned submarine, hidden from judgmental eyes. Their runaway love brings them new opportunities and new hardships...

공부, 음악, 운동 등 못 하는 것이 없는 제이스. 유일하게 안타까운 점이라면 시각 장애인이란 것이다. 신체적 장애에도 불구하고 친구들과 잘 어울리며 뉴욕 생활을 하던 제이스는 아버지를 따라 유타 주로 이사를 간다. 홈스테드 고교에 전학온 제이스는 플라이와 메리를 제외하고는 친구를 잘 사귀지 못한다. 메리의 제안으로 레슬링 부에 든 제이스. 레슬링 부원 중에서 존이나 루크 같은 덩치 큰 학생들은 대 놓고 제이스를 무시한다. 존이 스페인어 수업에서 낙제당할 위기에 처하자 도움의 손길을 내미는 제이스. 존은 그 대가로 제이스에게 레슬링 기술을 가르쳐 준다. 미국 고등부 레슬링 챔피언십 경기에 나가기 위한 유타 주 예선전을 준비하는 홈스테드 고교 레슬링부 선수들. 존은 옆 학교에 다니는 티렉스라는 라이벌과의 경기를 위해 혹독한 훈련을 하는데, 그 때문에 몸에 무리가 간다. 코치는 존의 체급을 한 단계 올리고, 티렉스와 맞붙을 상대로 제이스를 지목한다. 유타주 고등부 챔피언인 티렉스와의 경기를 앞둔 제이스는 불안해한다. 하지만, 주변 사람들의 응원으로 자신감을 갖고 경기에 출전하는데... (EBS)

One year after the assassination of Theo van Gogh, Katja Schuurman and Stan de Jong examine the government's role. They claim that 'intelligence services and the police have blundered at a large scale'. For example, it was unjustifiable that Theo van Gogh did not have government protection, and the film demonstrates that after the killing the police first examined the wrong apartment. Schuurman talks to people involved, like Ayaan Hirsi Ali, with whom Van Gogh made the controversial film Submission, the Amsterdam chief public prosecutor Leo de Wit, who denies statements that were previously uttered (and filmed), and film producer Gijs van de Westelaken and chief editor of Metro Jan Dijkgraaf, who both condemn the police. Archive footage shows Theo van Gogh himself, Pim Fortuyn and the attacks in New York and Madrid; replays and close-ups of TV fragments emphasize salient statements.

A middle-aged journalist interviews the real-life Dutch star Katja Schuurman, in her own loft. Pierre, the journalist is annoyed at being given such a fluffy assignment, as he is normally a political correspondent. Initially he has no questions for Katja, but soon they are coaxing their darkest secrets out of each other.