Yuri Norstein
출생 : 1941-09-15, Andreevka, Penzenskaya oblast, USSR (Russia)
약력
PAR Yuri Norstein (Russian: Ю́рий Бори́сович Норште́йн, Yuriy Borisovich Norshteyn; born 15 September 1941), is a Soviet and Russian animator best known for his animated shorts, Hedgehog in the Fog and Tale of Tales. Since 1981 he has been working on a feature film called The Overcoat, based on the short story by Nikolai Gogol of the same name. According to the Washington Post, "He is considered by many to be not just the best animator of his era, but the best of all time".
Yuri Norstein was born to a Jewish family in the village of Andreyevka, Penza Oblast, during his parents' World War II evacuation. He grew up in the Maryina Roshcha suburb of Moscow. After studying at an art school, Norstein initially found work at a furniture factory. Then he finished a two-year animation course and found employment at studio Soyuzmultfilm in 1961. The first film that he participated in as an animator was Who Said "Meow"? (1962).
After working as an animation artist in some fifty films, Norstein got the chance to direct his own. In 1968 he debuted with 25th October, the First Day, sharing directorial credit with Arkadiy Tyurin. The film used the artwork of 1920s-era Soviet artists Nathan Altman and Kuzma Petrov-Vodkin.
The next film in which he had a major role was The Battle of Kerzhenets (1971), a co-production with Russian animation director Ivan Ivanov-Vano under whose direction Norstein had earlier worked on 1969's Times of the Year.
Throughout the 1970s Norstein continued to work as an animator in many films, and also directed several. As the decade progressed his animation style became ever more sophisticated, looking less like flat cut-outs and more like smoothly-moving paintings or sophisticated pencil sketches. His most famous film is Tale of Tales, a non-linear, autobiographical film about growing up in the postwar Soviet world.
Norstein uses a special technique in his animation, involving multiple glass planes to give his animation a three-dimensional look. The camera is placed at the top looking down on a series of glass planes about a meter deep (one every 25–30 cm). The individual glass planes can move horizontally as well as toward and away from the camera (to give the effect of a character moving closer or further away).
For many years he has collaborated with his wife, the artist Francheska Yarbusova, and the cinematographer Aleksandr Zhukovskiy.
Source: Wikipedia
Self
Oleg Vidov — one of the Soviet Union's most beloved actors — was persecuted, blacklisted and pushed to the breaking point before escaping to the West and achieving the American dream.
Himself
Yuriy Norshteyn, Russia’s most renowned animator, has crafted many brilliant works, including his award-winning Tale of Tales and Hedgehog in the Fog. He is revered by animation creators across the globe, most notably Japanese masters Osamu Tezuka, Hayao Miyazaki and Isao Takahata. Forty years ago, Norshteyn began work on an ambitious adaptation of Nikolai Gogol’s The Overcoat, but after completing 25 minutes of the film, the project stalled and has been shelved for many years. A crew visits Norshteyn’s studio and finds there mountains of sketches, character studies and a shooting table covered with dust. Norshteyn himself talks about its current status and the anguish and passion that has gone into its creation.
himself
Gennady Shpalikov. He was 25 when he offered George Danelia a script for the future film “I walk through Moscow”. At this time, Shpalikov was already finishing the script for Ilyich's Outpost for Marlen Khutsiyev! Both of these films will be called the manifesto of the generation of the sixties, the symbols of the era called "thaw". All his life he had dreamed of “The Quay” ... This script was his favorite work. But “Berth” was never staged "..." "There is no choice in the USSR. Or you drink, or you freak out, or you are not printed. The fourth is not given.
He's been called a 'wonderful troublemaker', 'comet man' and 'the last hippy of the pink city'. Robert Sahakyants was a renowned Soviet and Armenian animator. He was a director, writer and artist who created animated films. Robert Sahakyants used his work to express his particular view of the world around him. His animated films feature constant movement, whirls of colour and myriad wonderful characters inspired by Armenia. Robert Sahakyants was a true patriot to his motherland. The love for his people drove Robert Sahakyants to openly criticise everything and everyone he disagreed with. He boldly spoke his mind about anything he found troubling, from political events to ugly sculptures in nearby houses. The film features recollections from Robert Sahakyants's friends and family.
Self
A short documentary about the life and career of genius cinematographer Georgi Rerberg
The history of Russian animated films.
Himself
A documentary about the Ghibli Museum. It features Goro Miyazaki speaking with Isao Takahata about the "charm" of the museum and its various influences. Goro tours the viewer around the museum, explaining the intricate details that his father, Hayao Miyazaki made during its construction. The documentary highlights the strong European influences in the museum's architecture, featuring footage of the medieval mountainous city of Calcata in Italy and the historic port city of Genoa, which Miyazaki had visited in the past. These trips would go on to influencing the imagery seen in Castle in the Sky, Kiki's Delivery Service, Porco Rosso, and Spirited Away.
A poetic view of Russian animation and of cultural and social transformations Russian society has been gone through. It is about multi faceted and humorous animation, almost never exposed to western eyes.
Director
Winter Days is a 2003 animated film, directed by Kihachirō Kawamoto. It is based on one of the renku (collaborative linked poems) in the 1684 collection of the same name by the 17th-century Japanese poet Bashō. The creation of the film followed the traditional collaborative nature of the source material – the visuals for each of the 36 stanzas were independently created by 35 different animators. As well as many Japanese animators, Kawamoto assembled leading names of animation from across the world. Each animator was asked to contribute at least 30 seconds to illustrate their stanza, and most of the sequences are under a minute (Yuriy Norshteyn's, though, is nearly two minutes long).
Director
Volume 3 (1979-1985): "Tale of Tales", "Hunt", "Cabaret", "Last Hunt", "There Was a Dog", "Travels of an Ant", "Lion and Bull", "Wolf and Calf", "Old Stair", "King's Sandwich", "About Sidorov Vova".
Screenplay
Volume 2 (1969-1978): "Ballerina on the Boat", "Seasons", "Armoire", "The Battle of Kerzhenets", "Butterfly", "Island", "Fox and Rabbit", "The Heron and the Crane", "Hedgehog in the Fog", "Crane's Feathers", "Firing Range" Contact
Director
Volume 2 (1969-1978): "Ballerina on the Boat", "Seasons", "Armoire", "The Battle of Kerzhenets", "Butterfly", "Island", "Fox and Rabbit", "The Heron and the Crane", "Hedgehog in the Fog", "Crane's Feathers", "Firing Range" Contact
Animation
An animated film in two parts, about the tragic fate of Estonian artist Ülo Sooster and about his work.
Animation
The second part of the film "School of fine arts". Continuation of the film "Landscape with juniper", which tells the story of the famous Estonian artist Julo Sooster. At the same time, the film tells about a whole galaxy of wonderful artists whose work created true spiritual values.
Animation
About the tragic fate of the Estonian artist Julo Sooster and his work.
Production Design
Soviet full-length animated film based on drawings by Alexander Pushkin directed by Andrey Khrzhanovsky, which includes all three pictures of the Pushkin's trilogy of the director: "I Am Tlying to You as a Memory..." (1977), "With You I Am Again..." (1980) and "Autumn" (1982).
Animation
The third film of the biographical cycle based on Pushkin's drawings and texts.
Animation
The second part of a trilogy of films based on Pushkin's drawings, poems and letters.
voice
The second part of a trilogy of films based on Pushkin's drawings, poems and letters.
Screenplay
Skazka Skazok (Tale of Tales) is a 27-minute animated short film, considered the masterpiece of influential Russian animator Yuri Norstein. Told in a non-narrative style by free association, the film employs various techniques including puppets, cut-outs, and traditional cell animation. Using classical music and '30s jazz tunes instead of dialogue.
Animation
Skazka Skazok (Tale of Tales) is a 27-minute animated short film, considered the masterpiece of influential Russian animator Yuri Norstein. Told in a non-narrative style by free association, the film employs various techniques including puppets, cut-outs, and traditional cell animation. Using classical music and '30s jazz tunes instead of dialogue.
Writer
Skazka Skazok (Tale of Tales) is a 27-minute animated short film, considered the masterpiece of influential Russian animator Yuri Norstein. Told in a non-narrative style by free association, the film employs various techniques including puppets, cut-outs, and traditional cell animation. Using classical music and '30s jazz tunes instead of dialogue.
Director
Skazka Skazok (Tale of Tales) is a 27-minute animated short film, considered the masterpiece of influential Russian animator Yuri Norstein. Told in a non-narrative style by free association, the film employs various techniques including puppets, cut-outs, and traditional cell animation. Using classical music and '30s jazz tunes instead of dialogue.
Writer
Montage of still photos with lighting effects.
Screenplay
Montage of still photos with lighting effects.
Director
Montage of still photos with lighting effects.
Animation
The film is based on the drawings and manuscripts of A.S.Pushkin.
Writer
A little hedgehog, on the way to visit his friend the bear, gets lost in thick fog, where horses, dogs and even falling leaves take on a terrifying new aspect...
Screenplay
A little hedgehog, on the way to visit his friend the bear, gets lost in thick fog, where horses, dogs and even falling leaves take on a terrifying new aspect...
Animation
A little hedgehog, on the way to visit his friend the bear, gets lost in thick fog, where horses, dogs and even falling leaves take on a terrifying new aspect...
Director
A little hedgehog, on the way to visit his friend the bear, gets lost in thick fog, where horses, dogs and even falling leaves take on a terrifying new aspect...
Animation
On their new adventure, Cheburashka and Gena intend to protect nature from unscrupulous poachers.
Animation
Animated short about a love between a heron and a crane.
Screenplay
Animated short about a love between a heron and a crane.
Writer
Animated short about a love between a heron and a crane.
Director
Animated short about a love between a heron and a crane.
Writer
As winter gives way to spring in the Russian wilderness, a crafty fox promptly expels a defenceless hare from his warm, comfortable residence, claiming the house for himself and leaving the poor owner to sleep outside under the stars. An assortment of compassionate animals – a wolf, a bear, a bull – take pity on the disheartened hare, and attempt to evict the cunning fox, but to no avail. Along comes a hilariously militant rooster, proud and tenacious, who marches into the hare's house and doesn't give up until the fox has been hounded back into the wilderness.
Screenplay
As winter gives way to spring in the Russian wilderness, a crafty fox promptly expels a defenceless hare from his warm, comfortable residence, claiming the house for himself and leaving the poor owner to sleep outside under the stars. An assortment of compassionate animals – a wolf, a bear, a bull – take pity on the disheartened hare, and attempt to evict the cunning fox, but to no avail. Along comes a hilariously militant rooster, proud and tenacious, who marches into the hare's house and doesn't give up until the fox has been hounded back into the wilderness.
Animation
As winter gives way to spring in the Russian wilderness, a crafty fox promptly expels a defenceless hare from his warm, comfortable residence, claiming the house for himself and leaving the poor owner to sleep outside under the stars. An assortment of compassionate animals – a wolf, a bear, a bull – take pity on the disheartened hare, and attempt to evict the cunning fox, but to no avail. Along comes a hilariously militant rooster, proud and tenacious, who marches into the hare's house and doesn't give up until the fox has been hounded back into the wilderness.
Director
As winter gives way to spring in the Russian wilderness, a crafty fox promptly expels a defenceless hare from his warm, comfortable residence, claiming the house for himself and leaving the poor owner to sleep outside under the stars. An assortment of compassionate animals – a wolf, a bear, a bull – take pity on the disheartened hare, and attempt to evict the cunning fox, but to no avail. Along comes a hilariously militant rooster, proud and tenacious, who marches into the hare's house and doesn't give up until the fox has been hounded back into the wilderness.
Animation
Spring of 1918. Tarakanov, managing the estate of Prince Tikhvinsky, with the help of a former court fencing teacher Marquess and a street kid Keshka, is stealing a collection of paintings and sculptures from the abandoned estate owners. Hoping to transport her abroad, criminals wander with a circus troupe, and in their wake goes a tireless criminal investigator — Makar Ovchinnikov.
Animation
The film tells us about the circus horse made of wooden balls who became the best actor in the circus. Yuri Norstein was it's sole animator. His handling of puppets and decor created a rare elegant beauty. Being known as the worlds greatest puppet animation director, many people in the west forget that he was animator too.
Animation
때가 되자 병사들은 가족들의 눈물어린 배웅을 받으며 출정한다. 그리고 피의 전쟁이 시작된다. 호수 아래로 사라진 도시 키테시의 전설을 바탕으로 한 애니메이션. 러시아 애니메이션의 거장 이반 이바노프-바노와 유리 노르스테인이 함께 만들었으며, 중세 러시아의 프레스코 기법을 활용한 2차원 스톱 모션 애니메이션이다. 음악은 러시아 거장 림스키 코르사코프가 작곡했다.
Screenplay
때가 되자 병사들은 가족들의 눈물어린 배웅을 받으며 출정한다. 그리고 피의 전쟁이 시작된다. 호수 아래로 사라진 도시 키테시의 전설을 바탕으로 한 애니메이션. 러시아 애니메이션의 거장 이반 이바노프-바노와 유리 노르스테인이 함께 만들었으며, 중세 러시아의 프레스코 기법을 활용한 2차원 스톱 모션 애니메이션이다. 음악은 러시아 거장 림스키 코르사코프가 작곡했다.
Director
때가 되자 병사들은 가족들의 눈물어린 배웅을 받으며 출정한다. 그리고 피의 전쟁이 시작된다. 호수 아래로 사라진 도시 키테시의 전설을 바탕으로 한 애니메이션. 러시아 애니메이션의 거장 이반 이바노프-바노와 유리 노르스테인이 함께 만들었으며, 중세 러시아의 프레스코 기법을 활용한 2차원 스톱 모션 애니메이션이다. 음악은 러시아 거장 림스키 코르사코프가 작곡했다.
Screenplay
A cut-out animation warning for children about the danger of fire and playing with matches, far from the grim warning of your typical PSA and anticipating the complicated human psychology of Norshteyn's subsequent work. And, no doubt, there is a metaphor aimed at the power structure. 1968-69 was a crucial period of transition for the animator, breaking out of the pack at Soyuzmultfilm and beginning to script and co-direct films. Not listed on imdb, this is one - if not the first - of his first solo works as director.
Producer
A cut-out animation warning for children about the danger of fire and playing with matches, far from the grim warning of your typical PSA and anticipating the complicated human psychology of Norshteyn's subsequent work. And, no doubt, there is a metaphor aimed at the power structure. 1968-69 was a crucial period of transition for the animator, breaking out of the pack at Soyuzmultfilm and beginning to script and co-direct films. Not listed on imdb, this is one - if not the first - of his first solo works as director.
Director
A cut-out animation warning for children about the danger of fire and playing with matches, far from the grim warning of your typical PSA and anticipating the complicated human psychology of Norshteyn's subsequent work. And, no doubt, there is a metaphor aimed at the power structure. 1968-69 was a crucial period of transition for the animator, breaking out of the pack at Soyuzmultfilm and beginning to script and co-direct films. Not listed on imdb, this is one - if not the first - of his first solo works as director.
Director
A delicate stroll through the Russian wilderness at different times of the year.
Screenplay
A short film made by Yuri Norstein for the 60th anniversary of the October Revolution, The 25th - the First Day recounts that day using art from the revolutionary period.
Decorator
A short film made by Yuri Norstein for the 60th anniversary of the October Revolution, The 25th - the First Day recounts that day using art from the revolutionary period.
Art Direction
A short film made by Yuri Norstein for the 60th anniversary of the October Revolution, The 25th - the First Day recounts that day using art from the revolutionary period.
Writer
A short film made by Yuri Norstein for the 60th anniversary of the October Revolution, The 25th - the First Day recounts that day using art from the revolutionary period.
Director
A short film made by Yuri Norstein for the 60th anniversary of the October Revolution, The 25th - the First Day recounts that day using art from the revolutionary period.
Animation
A green crocodile who loves flowers and leaves falls in love with a pretty cow.
Writer
A story of chilling beautiful wintry St. Petersburg and the child-like main protagonist, whose little joys give him solace in this cold, cruel world.
Screenplay
A story of chilling beautiful wintry St. Petersburg and the child-like main protagonist, whose little joys give him solace in this cold, cruel world.
Animation
A story of chilling beautiful wintry St. Petersburg and the child-like main protagonist, whose little joys give him solace in this cold, cruel world.
Producer
A story of chilling beautiful wintry St. Petersburg and the child-like main protagonist, whose little joys give him solace in this cold, cruel world.
Script
A story of chilling beautiful wintry St. Petersburg and the child-like main protagonist, whose little joys give him solace in this cold, cruel world.
Director
A story of chilling beautiful wintry St. Petersburg and the child-like main protagonist, whose little joys give him solace in this cold, cruel world.
