Story
A young Army nurse, Lt Ruth McGara, newly assigned to the 66th MASH during the Korean War, attracts the sexual attention of the unit's commander Dr. (MAJ) Jed Webbe. Webbe, who has a drinking problem, at first wants a "no strings" relationship. McGara is warned by the other nurses of Webbe's womanizing ways. Despite these initial handicaps, their love flourishes against a background of war, enemy attacks, death and injury. The relationship deepens and uplifts both characters.
Screenplay
Opera singer Ina Massine tries to win back former husband Dr. Lincoln I. Bartlett.
Adaptation
Conceited singer Garry Mitchell refuses to renew his radio contract, so agent Doug Blake decides to find a new personality to replace Garry. In New York, he finds Martha Gibson, a single mother with a great voice. He arranges for her to move to Hollywood, but then has a problem trying to sell her to the show's sponsor. Doug tries every trick he can think of to make Martha a star, and as the two work more closely, he falls in love with her. Complicating matters further is when Martha meets and becomes attracted to Garry.
Writer
주인공 캐티(일명 카트린 홀스트롬)는 가족이 있는 미네소타의 농장을 떠나 대도시로 공부하러 간다. 그러나 도착한 첫날 사기를 당해 학비와 용돈을 잃어버리고 일자리를 찾을 수밖에 없는 처지가 된다. 캐티는 워싱턴의 국회의원 글렌 몰리의 집에서 가정부로 일하게 되는데, 솔직함과 현명함으로 몰리와 몰리의 어머니의 사랑을 받는다. 몰리를 후원하는 정치세력이 정직하지 않다는 것을 알아챈 캐티는 정치 활동에 적극적으로 관여하여 마침내 국회의원에 입후보한다. 몰리를 후원하는 세력의 보스는 선거 직전에 캐티의 평판을 나쁘게 퍼뜨려서 곤경에 빠뜨리려고 하지만 그녀를 사랑하는 몰리가 구해준다.
Screenplay
Brazil is perhaps the best of the handful of US films made by Brazilian singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.
