Story
A young Army nurse, Lt Ruth McGara, newly assigned to the 66th MASH during the Korean War, attracts the sexual attention of the unit's commander Dr. (MAJ) Jed Webbe. Webbe, who has a drinking problem, at first wants a "no strings" relationship. McGara is warned by the other nurses of Webbe's womanizing ways. Despite these initial handicaps, their love flourishes against a background of war, enemy attacks, death and injury. The relationship deepens and uplifts both characters.
Screenplay
Opera singer Ina Massine tries to win back former husband Dr. Lincoln I. Bartlett.
Adaptation
O pretensioso cantor Garry Mitchell (Lee Bowman) recusa a renovação de seu contrato com a rádio. Então o agente Doug Blake (Jack Carson) decide encontrar uma nova estrela para substituir Garry. Em Nova York encontra Martha Gibson (Doris Day), uma mãe solteira com uma grande voz. Ele promove a mudança dela para Hollywood, mas tem problemas ao tentar vendê-la para o patrocinador do show Felix Hofer (S.Z. Sakall). Doug tenta todos os truques que pode pensar para fazer de Martha uma estrela, e como os dois trabalham muito juntos, ele acaba se apaixonando por ela. O que complica ainda mais as coisas é quando Martha conhece Garry e fica atraída por ele.
Writer
After leaving her family's farm to study nursing in the city, a young woman finds herself on an unexpected path towards politics.
Screenplay
Brazil is perhaps the best of the handful of US films made by Brazilian singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.
