László Gálffi

After losing his wife, the aged organist uses music to process the grief.

A heavily neurotic young man starts to see his father's ghost, and while he helps the spirit cross to the otherworld, something happens that they could never achieve in their common life: they finally understand each other.

“하겐, 여기 있어..! 꼭 데리러 올게” 순종이 아닌 잡종견에게는 무거운 세금을 부과하는 헝가리의 정책으로 인해 하루아침에 집에서 쫓겨나게 된 개 ‘하겐’과 그를 찾아 헤매며 방황하는 13살 소녀 ‘릴리’. 인간의 손에 이용당하고 학대당하던 ‘하겐’은 생존을 위해 인간을 적대시 하게 되고 결국 유기견들의 우두머리가 되어 인간들에게 역습을 가한다. 도시 전체를 점령한 개떼들과 그를 통솔하는 ‘하겐’은 마침내 ‘릴리’와 다시 마주하게 되는데...

Concerning the Mátyás era in Hungarian history, during the reign of Matthias Corvinus (1443–1490), the film focuses on three eras of the king's life: the young Mátyás fights for the throne, the older Mátyás as king, and the fate of the royal crown and the royal heir after his death.

Set in a large apartment in Hungary during the death throes of communism, obedient Andor lives with his eccentric mother, Rebeka, a once-celebrated stage actress-turned-recluse. After years of coexisting in a love-hate relationship marked by routine and possible incest, Andor brings home Eszter, a beautiful girl his own age. Her advances awaken Andor's repressed desires, the depths of which prove shocking. Opera director Robert Alfoldi renders this bizarre story in a melodramatic style, and veteran Hungarian stage star Dorottya Udvaros rises to the occasion. If you can imagine the intersecting area on a Venn diagram that includes Taxidermia and Sunset Blvd., that's where Where Were You, My Son? was born. The original title, Nyugalom, which translates to Tranquility, is ironic to say the least. ...over the-top...memorable...thunderous...sex and violins (Variety).

A gay affair between an aging middle-aged writer, and a young streetwise hustler.

Áron is a happy child in his family. But at some point things take a different turn, and his mother starts to lose her health rapidly. As this happens, the man in charge decides what's best for Áron without consulting the young boy's opinion, and the boy finds himself thrown out of his warm home into an orphanage in the woods. He's utterly displeased by what's happening, without knowing he has yet to face much worse...

The makers, especially Péter Tímár wanted to invoke the atmosphere of the communist dictatorship of Rákosi era lasted from 1947 to 1956. I think they've managed to reconstruct it very much: if you read the history books about the era and newspapers from that times, if you listened to your parents' and grandparents' tales, you will experience the similarities are shocking. The main character (Tutti - Károly Eperjes) is excellent, Eperjes, acting an eccentric, but likable crank is in his royal spirits.

György Fehèr’s aim was to “make a film which is similar to the last salvaged print of a long lost film”. The passions he investigates are centred on primeval fears and cravings and a sense of inescapable doom. Shot in powerful black and white with excellent central performances.

Enikős and Dorkas marriage is unbearable. Hysterical, cruel and humiliating scenes are enacted in front of the childrens eyes, while the childless Barbara is held by her husband, the painter, to be a toy and sometimes a painting screen.

The last ship (Utolsó hajó) is leaving the quay. Sirens are sounding.

레들은 선생의 추천으로 사관학교에 진학하고 쿠비니와 친해져 그의 누이 카타린과도 알게 된다. 세월이 흘러 중위가 된 레들은 주위의 인정을 받고 로덴 대령의 신임도 얻는다. 그는 사창가를 출입하거난 반정부적인 불만을 늘어놓는 동료들과는 달리 상관의 명령에 충성한다. 레들이 중령이 되었을 때, 첩보활동을 위해 제국 중심지에서 일하게 되지만, 자신의 일에만 충실할 뿐 다른 군인들에게는 눈의 가시같은 존재가 된다. 그런데 군내부의 정치 싸움에서 진 로덴 대령이 이러한 레들을 적국러시아의 첩자로 만들어 황실의 희생양으로 삼으려 한다. 이를 눈치챈 레들은 정치가들을 증오하며 자포자기하여 평생 우정을 준 쿠비니의 권총으로 자살한다.

The story of a childless Jewish couple in WWII-era Hungary who adopt a Hungarian boy and raise him with their values and traditions.

When a young boy comes in to see a doctor abourt a red mark on his face, the doctor's wife welcomes him into the consulting room instead. As they talk, she offers him something to eat and then notes that his manner of eating is just like that of her previous husband, who died in prison many years earlier. It turns out that the young man had been his cell mate for a year, and he tells her the story of how her husband died. She then remembers (in flashbacks) how she had helped her first husband rid himself of his sexual repression, and how she had promised him she would marry her current husband if she were widowed. It seems her doctor-husband was a man who could remain untouched through any political climate, and was much admired by her first husband. Now that her memories have been awakened by the young man's account, she ignores the repeated phone calls of her current husband and decides to rid this young man of his own sexual repressions.

A historical drama set in the 1400s, a young man sent to Italy but is forced back after his father's mysterious death.

One morning, the caretaker of the student hostel of the University of Horticulture finds Citrom Flóra and Bohus Tamás, by the purest accident, in one bed together. Both are dismissed from university. During the appealing procedures they fall in love with each other.

Istvan Varju a.k.a. Kanya is a track driver. He drives alone on the roads and listens to the radio. We're In the middle of seventies, the radio broadcasts hungarian beat music. He is convinced that interesting and significant events in the life happen on the roads, so we should go, go and go in order not to miss something.