Sandayuu Dokumamushi

집안 살림은 나 몰라라 속 터지게 하는 남편, 이렇다 할 직장 없이 알바로만 전전긍긍하는 딸, 아직 대학 등록금 현재진행 중인 아들, 그리고 4인 가족의 가계부를 책임지며 알뜰살뜰 노후자금을 모으고 있는 슈퍼 주부 고토 아츠코! 그런데 하늘도 무심하시지. 잘 다니던 계약직에서 해고되고, 딸의 시댁 입김에 휩쓸려 감당 못 할 호화 결혼식을 치르지 않나, 남편 회사의 부도라는 금전적 악재마저 줄줄이 닥친다. 게다가 시아버지가 돌아가시면서 장례식 비용 부담과 함께 씀씀이 큰 시어머니를 모셔야 하는 역대급 위기(?)까지 발생하는데...

주인의 사랑을 듬뿍 받고 자란 호기심 많은 집냥이 ‘루돌프’. 어느 날 우연히 열린 문 틈으로 집을 나섰다 알 수 없는 곳으로 오게 된다. 그곳에서 교양있는 길냥이 ‘많이있어’를 만나게 되고, 하나부터 열까지 쉽지 않은 길냥이 생활을 시작하게 된다. ‘많이있어’와의 즐거운 한 때도 잠시, 주인이 그리운 ‘루돌프’는 ‘부치’, ‘미샤’ 등 친구들의 도움을 받아 인간은 모르는 특별한 방법으로 집까지 돌아가기 위한 계획을 세우게 되는데…

When a giant monster attacks Japan, the country's only hope is a research assistant who's become monstrously big himself. But there might be a price.

The film is composed of stock footage from the original Ultraman television series with additional newly filmed content, and it served as an “epilogue” as Ultraman returns to Earth for one final battle.

During World War II, the Japanese military established a secret underground laboratory in Tokyo. Three Olympic-level athletes were selected to undergo a process that would turn them into Jinra-go, superhuman armored soldiers. By March 1945, one of the soldiers had been completely transformed into the half man/half machine ultimate soldier called Mikadroid. But American B-29s firebomb the city and, while the two super soldiers manage to escape, Mikadroid and the lab are apparently destroyed. 45 years pass, Tokyo is rebuilt, and old secrets are forgotten. The site is now home to a complex that includes the Discoclub Layla. The disco’s patrons dance late into the night, unaware that a faulty basement generator has reactivated Mikadroid and the cyborg now prowls the basement levels, killing anyone in its path...

A biographical dramatization about the production of the original Ultraman, the beloved classic special effects fantasy series from Eiji Tsuburaya.

A 1979 Japanese tokusatsu kaiju film produced by Tsuburaya Productions, consisting of re-edited material from the original television series Ultraman. Ultraman: The Great Decisive Battle was the 1st movie of the third Showa phase (Jissouji's Ultraman being first and Ultra Brothers vs. The Monster Army being second) and because of this Tsuburaya decided to make this a reunion of the last 12 Ultras (aside from Ultraman 80 which hadn't come out yet). Tsuburaya decided to give this a different tone than Jissouji's Ultraman, having more new scenes and appealing to the all-Ultra fan.

Nikkatsu Roman Porno

On the road again, Torajiro meets a kindred spirit in Lily, a lounge singer.

The film consists of re-edited material from the original television series Ultraman. Episodes 1, 8, 26, and 27 were used for the film. They were narrated by Hikari Urano as an "Ultraman Documentary". Allegedly only one new scene was shot, and that some parts of the movie where shot in black and white for unknown reasons. The movie screened at the same time as the Toho movie King Kong Escapes.

The recorded stage debut of the original Ultraman.

Two outsiders start a relationship in a mining town.

Ultra-perky model likes single freedom but feels ryosai kenbo ("good wife, wise mother") pressure, exemplified by her bored-to-tears sister.

Though recognized worldwide almost exclusively for his colorful kaiju fare, director Ishirō Honda (Godzilla, Rodan, Mothra) was a natural humanist with a particular understanding of the relationship between people and their social environs. His debut fiction feature, The Blue Pearl (Aoi Shinju) – virtually unseen in the west until now – depicts the melodramatic, but keenly-observed interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life. Nonetheless, Honda provides equal weight to their desires and their ambitions to break free from the social mold imposed upon them from birth.