Himself
This groundbreaking film reveals the truth surrounding Australia’s love-hate relationship with its beloved icon. The kangaroo image is proudly used by top companies, sports teams and as tourist souvenirs, yet when they hop across the vast continent some consider them to be pests to be shot and sold for profit. KANGAROO unpacks a national paradigm where the relationship with kangaroos is examined.
Self
American Masters Series. Documentary on Gene Kelly that gives insight into his dancing, how he formed a style (first "blue collar dancer") and developed different cinematique techniques, such as brilliantly shot dancing sequences.
Director
Milton Rogovin is an 82-year-old photographer in Buffalo, New York, who began taking photographs in the ‘50s. In this programme, Rogovin discusses his work, whilst the subjects of his photographs talk about their lives and attitudes to being photographed.
Writer
A robot messenger is sent to earth to appeal to humans to live in peace. Originally designed to go to MIT, by mistake she ends up in Amman, Jordan during the Black September riots of 1970. Sullivan, a British journalist, comes to her aid when she is found wandering without papers following a bombing and grants her refuge in his hotel room. But there she tells him she is a robot, sent as a peace envoy from another planet. He is not sure whether to believe her story or not, but finds her unusual view of the world appealing. They examine the human condition in a series of incredibly insightful and entertaining conversations.
Director
A robot messenger is sent to earth to appeal to humans to live in peace. Originally designed to go to MIT, by mistake she ends up in Amman, Jordan during the Black September riots of 1970. Sullivan, a British journalist, comes to her aid when she is found wandering without papers following a bombing and grants her refuge in his hotel room. But there she tells him she is a robot, sent as a peace envoy from another planet. He is not sure whether to believe her story or not, but finds her unusual view of the world appealing. They examine the human condition in a series of incredibly insightful and entertaining conversations.
Imagining October explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World 1928. The project began during a trip to the Soviet Union sponsored by the British Film Institute in October 1984. Jarman was invited to present The Tempest in Moscow and Baku with fellow filmmaker Sally Potter and film theorist Peter Wollen and asked in return to make a short film for the London Film Festival in November.
Writer
Jane is the illegitimate daughter of a Scottish landowner. She is disowned and expelled from his estates, but although she settles down to a new life in London, she is still haunted by the memory of her childhood and her mother's mysterious death. In a trance, she sets out on dreamlike journeys in search of freedom and revenge.
Director
Jane is the illegitimate daughter of a Scottish landowner. She is disowned and expelled from his estates, but although she settles down to a new life in London, she is still haunted by the memory of her childhood and her mother's mysterious death. In a trance, she sets out on dreamlike journeys in search of freedom and revenge.
Writer
An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
Director
An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
Writer
Experimental drama set in London during the Thatcher administration involving four characters: Neil, a science-fiction illustrator, who is accidentally killed in Mexico City; Kim, a woman rock musician; Vermilion, an analyst of satellite photography; and Julian, an old friend of the illustrator who has just finished his Ph.D thesis on the fairy-tales of Charles Perrault. Their four lives are closely interlinked as events happen to each of them.
Director
Experimental drama set in London during the Thatcher administration involving four characters: Neil, a science-fiction illustrator, who is accidentally killed in Mexico City; Kim, a woman rock musician; Vermilion, an analyst of satellite photography; and Julian, an old friend of the illustrator who has just finished his Ph.D thesis on the fairy-tales of Charles Perrault. Their four lives are closely interlinked as events happen to each of them.
Director
Amy Johnson was the first woman to fly solo from Great Britain to Australia. Mulvey and Wollen’s experimental documentary combines newsreel footage of the aviator’s arrival, dramatic recreations of events from her life and contemporary discussions by feminist groups on the subject of heroism in this most unconventional biopic.
Writer
로라 멀비와 피터 월렌은 1974년에 영국으로 돌아온 이후, 당시 번영 중이던 실험영화 환경 속에서 활발한 영화 문화와 국고 보조금 덕분에 영국영화협회 제작위원회의 지원으로 를 제작했다. 그들은 다시 한 번 고대 그리스 신화를 이야기의 출발점으로 잡았다: 지그문트 프로이트가 정신분석이론에 키 텍스트로 사용한 오이디푸스의 이야기가 그것이다. 이 영화는 대칭으로 구성되어 있다. 멀비의 장면 뒤에 짧은 시작과 끝나는 장면으로 이어지는데 첫 번째 장면에서는 그녀가 오이디푸스 신화의 문화적 역사적 의의를 조사하고 스핑크스는 '질문하는 목소리, 수수께끼를 내는 목소리'로서 영화 속에서 서술자의 역할을 할 것이라고 설명한다. 13분할로 나뉜 이 영화의 중심 부분은 루이즈의 이야기를 들려주고 있다. 루이즈는 남편과 헤어진 후 일과 육아 사이에서 균형을 잡으려 노력하고 있는 젊은 어머니이다. 영화가 주부와 어머니에서부터 권능감과 정체성을 가진 여성에 이르는 여정의 다양한 측면을 추적하기 위해 각 분할은정 고된 위치에서 360도 회전하는 파노라마 카메라 촬영으로 구성된다. (2017년 한국영상자료원 - 인디다큐 시간여행: 어느 여성 노동자의 기억법)
Director
로라 멀비와 피터 월렌은 1974년에 영국으로 돌아온 이후, 당시 번영 중이던 실험영화 환경 속에서 활발한 영화 문화와 국고 보조금 덕분에 영국영화협회 제작위원회의 지원으로 를 제작했다. 그들은 다시 한 번 고대 그리스 신화를 이야기의 출발점으로 잡았다: 지그문트 프로이트가 정신분석이론에 키 텍스트로 사용한 오이디푸스의 이야기가 그것이다. 이 영화는 대칭으로 구성되어 있다. 멀비의 장면 뒤에 짧은 시작과 끝나는 장면으로 이어지는데 첫 번째 장면에서는 그녀가 오이디푸스 신화의 문화적 역사적 의의를 조사하고 스핑크스는 '질문하는 목소리, 수수께끼를 내는 목소리'로서 영화 속에서 서술자의 역할을 할 것이라고 설명한다. 13분할로 나뉜 이 영화의 중심 부분은 루이즈의 이야기를 들려주고 있다. 루이즈는 남편과 헤어진 후 일과 육아 사이에서 균형을 잡으려 노력하고 있는 젊은 어머니이다. 영화가 주부와 어머니에서부터 권능감과 정체성을 가진 여성에 이르는 여정의 다양한 측면을 추적하기 위해 각 분할은정 고된 위치에서 360도 회전하는 파노라마 카메라 촬영으로 구성된다. (2017년 한국영상자료원 - 인디다큐 시간여행: 어느 여성 노동자의 기억법)
Screenplay
아프리카 지역을 취재하는 텔레비전 리포터 데이비드 로크는 북아프리카 사막 지역의 호텔에 도착한다. 그의 임무는 지역 게릴라 군을 취재하는 것이다. 거기서 죽어가는 한 남자를 본 로크는 남자가 자신과 너무 닮았다는 사실에 깜짝 놀란다. 죽어가는 남자와 자신의 신분을 바꿔치기 하려던 로크는 한 여자를 만나게 된다.
Himself
Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.
Producer
Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.
Writer
Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.
Director
Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.