Peter Wollen

This groundbreaking film reveals the truth surrounding Australia’s love-hate relationship with its beloved icon. The kangaroo image is proudly used by top companies, sports teams and as tourist souvenirs, yet when they hop across the vast continent some consider them to be pests to be shot and sold for profit. KANGAROO unpacks a national paradigm where the relationship with kangaroos is examined.

American Masters Series. Documentary on Gene Kelly that gives insight into his dancing, how he formed a style (first "blue collar dancer") and developed different cinematique techniques, such as brilliantly shot dancing sequences.

Milton Rogovin is an 82-year-old photographer in Buffalo, New York, who began taking photographs in the ‘50s. In this programme, Rogovin discusses his work, whilst the subjects of his photographs talk about their lives and attitudes to being photographed.

Quando a extraterrestre Friendship erra seu destino pretendido no MIT durante uma missão de paz à Terra, ela aterrissa inadvertidamente na Jordânia durante o Setembro Negro em 1970. Resgatada por um simpático correspondente de guerra britânico, eles começam uma série de conversas perspicazes.

Quando a extraterrestre Friendship erra seu destino pretendido no MIT durante uma missão de paz à Terra, ela aterrissa inadvertidamente na Jordânia durante o Setembro Negro em 1970. Resgatada por um simpático correspondente de guerra britânico, eles começam uma série de conversas perspicazes.

Imagining October explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World 1928. The project began during a trip to the Soviet Union sponsored by the British Film Institute in October 1984. Jarman was invited to present The Tempest in Moscow and Baku with fellow filmmaker Sally Potter and film theorist Peter Wollen and asked in return to make a short film for the London Film Festival in November.

Jane is the illegitimate daughter of a Scottish landowner. She is disowned and expelled from his estates, but although she settles down to a new life in London, she is still haunted by the memory of her childhood and her mother's mysterious death. In a trance, she sets out on dreamlike journeys in search of freedom and revenge.

Jane is the illegitimate daughter of a Scottish landowner. She is disowned and expelled from his estates, but although she settles down to a new life in London, she is still haunted by the memory of her childhood and her mother's mysterious death. In a trance, she sets out on dreamlike journeys in search of freedom and revenge.

An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.

An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.

Experimental drama set in London during the Thatcher administration involving four characters: Neil, a science-fiction illustrator, who is accidentally killed in Mexico City; Kim, a woman rock musician; Vermilion, an analyst of satellite photography; and Julian, an old friend of the illustrator who has just finished his Ph.D thesis on the fairy-tales of Charles Perrault. Their four lives are closely interlinked as events happen to each of them.

Experimental drama set in London during the Thatcher administration involving four characters: Neil, a science-fiction illustrator, who is accidentally killed in Mexico City; Kim, a woman rock musician; Vermilion, an analyst of satellite photography; and Julian, an old friend of the illustrator who has just finished his Ph.D thesis on the fairy-tales of Charles Perrault. Their four lives are closely interlinked as events happen to each of them.

Amy Johnson was the first woman to fly solo from Great Britain to Australia. Mulvey and Wollen’s experimental documentary combines newsreel footage of the aviator’s arrival, dramatic recreations of events from her life and contemporary discussions by feminist groups on the subject of heroism in this most unconventional biopic.

Mulvey's readings of the myth of Oedipus and the sphinx are layered atop 360º panning shots of various locales; the protagonist appears in elliptically-edited sequences.

Mulvey's readings of the myth of Oedipus and the sphinx are layered atop 360º panning shots of various locales; the protagonist appears in elliptically-edited sequences.

David Locke é um repórter de televisão em locações no Deserto do Saara da África. É quente, suado, e tudo parece estar sujo. Voltando para o hotel depois de se perder e encalhar no deserto, ele descobre que o homem no quarto ao lado do seu morreu. Depois de decidir que não valia a pena viver mais sua própria vida, ele troca de identidade com o homem morto, pega o passaporte do homem, troca a foto, sua bagagem, e sua agenda de compromissos. Deixando a África, ele começa a cumprir os compromissos do homem morto, na esperança de que sua nova vida será mais interessante do que a sua antiga era.

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.