Isak Férriz

코로나바이러스로 인해 삶이 뒤흔들린 두 형사. 납치 사건에서 극악한 범죄의 패턴을 찾아내고 끈질기게 범인을 추적한다.

Nora is worried because she’s performing in a play at her school, but being bullied by her classmates make her face something much more important: being accepted by her dad. The following 17 minutes will change their relationship forever.

혹한의 밤 산간 도로를 달리던 죄수 호송 차량이 불의의 습격을 당한다. 겨우 살아남지만 재소자들과 차량에 갇힌 경관 마르틴. 차 안에는 탈출을 감행하려는 재소자들이, 밖에는 정체불명의 공격자가 도사리고 있다. 어떻게 벗어날 것인가.

A fugitive film director in exile, called H, returns to the industrial city of which he fled in the past, in a time and place unknown. Gloria, the working woman who loved and left behind lives subjected to routine. But H, unable to adapt, convince her to run away together to a place that no one remembers the outside of civilization.

Second World War. Marie wakes up wounded and disoriented in a Blizzard. In front, a mysterious forest separates her from her daughter.

아나와 엘로이, 기예와 올리비아는 서른다섯 번째 생일을 맞는 코마스를 위해 베를린을 깜짝 방문하지만 정작 친구들을 만난 코마스의 반응은 기대와는 달리 차갑기만 하다. 우정 어린 재회를 기대했던 그들은 주말 동안 세월과 공간의 거리보다 더 큰 마음의 거리를 느끼게 된다.

World War II. Arthur, a pilot of the British Royal Air Force, flees cross-country after his plain crashes. He begins a fight for survival in which he will encounter more than German enemies.

Galicia, Spain, during the Second World War The life of Manuela, a mysterious miner who was branded a witch, changes with the arrival of an Allied commando, in charge of sabotaging the production of tungsten, a vital mineral for the continuity of the war effort of Nazi Germany.

원인을 알 수 없는 바이러스가 바르셀로나 전지역을 덮쳤다. 전세계인은 공황장애로 인해 건물 밖으로 나가면 심장이 멎어 죽고만다. 살아남은 인류는 살아남기 위해 서로를 제물로 삼는 상황에 마크는 집에 두고 온 훌리오 걱정에 회사를 벗어나 집으로 돌아가려한다. 하지만 지상으로는 이동할 수 없고, 오로지 하수도를 통해서만 이동할 수 있다. 회사의 인사담당관 엔리케가 GPS를 가지고 있는 것을 본 마크는 그의 도움으로 집으로 가려하는데.. 건물 밖의 상황은 아비규환이 되어있고, 엔리케는 어딘지 믿음직하지 못하다. 아무도 믿을 수 없는 세상에서 마크는 무사히 훌리오을 만날 수 있을 것인가?

Fascinating journey through the life and work of the prestigious Catalan poet Jaime Gil de Biedma, both marked by sexuality and eroticism. Charismatic and somewhat eccentric, brilliant intellectual with extraordinary sensitivity and member of Barcelona's 'gauche divine' in the 60s, Gil de Biedma liked to describe himself as a 'poet of experience' while he suffered dreadfully from the dichotomy strangling him: bourgeois and executive for a multinational by day, communist and homosexual poet by night.

"Serrallonga" is the story of a bandit who becomes a legend, in a hard time when the struggle to survive was the main concern of a people enslaved by hunger and with banditry as one of the few exits from misery. Joan Sala, alias Serrallonga, is above all a rebel. Robberies and assaults make him admired by the people and his legend grows unstoppably until the end of his days.

A man kidnaps people and imprisons them in a well for no apparent reason.

Laura is a fifteen-year-old teenager who receives a letter from her mother, of which she had no news a decade ago. Laura decides to try to go to Holland to meet her, in need of answers and alternatives to the hostile environment that surrounds her. For that, he will have to face Angela, his older sister, a young policewoman who, as a child, was forced to take the reins of the family when she was orphaned. Angela will try, by all means, to keep Laura with her and not be alone. Little by little the violence that surrounds him will make him lose control.

Fifty-something widow Anita loses her lifetime dream job as a cinema attendant when the new owner wants to tear down the old theater and build a trendy multiplex in its stead. Depressed at first, Anita finds comfort in watching the shirtless hunks on the theater's construction site. She befriends a married excavator operator, Antonio, and the two start their secret candlelit trysts in the site's office cabin. But soon Anita learns that excavators are only needed in the early phase of a construction project...