Toma Cuzin

Sibiu, December 1989. In the chaos and panic generated by the protests of the crowd against the authorities, a unit of the militia becomes the target of a violent assault that escalates into a bloody confrontation between soldiers, militiamen, security agents, and civilians. Trying to escape the siege, Captain Viorel of the militia is captured and accused of being a terrorist.

A meticulous ambulance driver working in poverty-stricken Bucharest, who takes part in an armed robbery together with three men he barely knows. As the robbery ends in disaster, Bogdan starts a thorough, almost compulsive investigation to dig up the true identities of his accomplices, but the more he discovers, the deeper he sinks into a spiral of fear and paranoia.

Women and men in the middle of the night, without their own clothes, without personal papers and money, without their car keys and mobile phones. In a deserted city the only solution would be, regardless of how far home is, to walk alone all the way there.

NGO 단체의 자원봉사자로 활동하는 세 친구는 식량을 가득 싣고 험준한 트란실바니아 산기슭을 오르던 중 차가 도랑에 빠지면서 추운 겨울 밤을 캄캄한 산속에서 보내게 된다. 산에서 만난 노인은 제 정신이 아닌 것 같고, 견인을 도와주겠다며 손을 내민 로마니 부자는 험악한 기운을 풍기고, 어렵게 핸드폰 시그널을 잡아 구조 요청하자 공무원들은 날이 밝아야 산에 오를 수 있다며 손사래를 친다. (제26회 부산국제영화제)

Based on true events, The Ladder follows the spiritual journey of Andrei, a sensitive, socially awkward young man who turns to acting in his search for true happiness. After the fall of communism, he is blinded by the illusion of freedom and democracy and faces a series of brutal events that have deeply marked Romania's recent history. Finding comfort in playing the part of Aliosa in a stage adaptation of The Karamazov Brothers, he becomes closer and closer to his character, gradually discovering the way to understanding divinity.

In the fifties, the leaders of the Greek-Catholic church are arrested and sent to the Sighet prison.The soviet regime has banned any church except the orthodox. Tortured and dehumanized, the only choices are conversion or death. The bishop Iuliu Hossu stands up in front of the torturers and through courage and stature becomes an inspiration for the other priests.

A sequel to Moromeții (1987), the tale follows the life of the Moromete family after WWII, with Romania being overpowered by Communism.

A surrealist drama about a 40-year-old criminal court judge with a dying father, an unhappy marriage and petty cases to solve - shown as struggle between ANDI, the animal within, and K, his rational side.

A young man trying to solve the puzzle of his father's last moments rattles the life of a quiet town and unburies unwanted truths. His compulsive quest becomes a downward spiral of love, lust and lies.

평소처럼 아들에게 동화책을 읽어주며 평화로운 저녁을 보내던 코스티에게 이웃이 찾아온다. 그는 갑작스러운 방문만큼이나 뜬금없는 제안을 한다. 조부의 정원에 묻혀있는 보물을 같이 훔치자는 것이다. (2016년 제17회 전주국제영화제)

"Bucharest Non-Stop" is a feature film that tells the story of a neighborhood of Bucharest. More specifically, the film is a night of non-stop life of a store located in a neighborhood blocks. Four drive four different stories linked by a key figure, Achim, known as "the boy from non-stop", played by George Ifrim. The film wants to convey the story of ordinary people in extraordinary situations.

Two of the employees of the Security Service ring the bell of an apartment and ask for permission to fix a supervision post during a Summit. Neluta, the woman who opened the door agreed them to fix the device and barged in the house with a completely equipped Sniper. The Sniper in charge with the mission in this area meets the owner of the apartment, an Old palsied Lady who firmly asks: "Shoot me".

Drăgan Niță is a humble French teacher from Romania that has always dreamt of visiting Paris one day. To make his dream come true, he saves 1 lei every day.

Set in early 19th century Wallachia, Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.

Historical Docudrama, which describes accurately - based on evidence, documents, reconstructions and archive footage - the last days of life spouses Nicolae and Elena Ceausescu. Main performers, Victoria Cocias (Elena Ceausescu) and Constantin Cojocaru (Nicolae Ceausescu).

One worker in a bankrupt factory finds an unusual solution to save his co-workers from unemployment. If it doesn't work the factory will be privatized and sold to a French company planning to convert the plant into a snail cannery. Only 300 of the 3000 workers will keep their jobs.

Ștefan's 18th birthday presents are: a driving lesson, a bottle of vodka and an open-minded discussion about women, but an unexpected surprise turns around the anniversary.

Ștefan's 18th birthday presents are: a driving lesson, a bottle of vodka and an open-minded discussion about women, but an unexpected surprise turns around the anniversary.

At the Bucharest Circus, the new young manager is trying to solve the major financial issues of the company by selling its only bear (old and about to die soon) to German hunters. But the artists do not want to sacrifice their favorite animal so the manager decides to steal the bear and run to the mountains to meet the Germans. A crazy road movie starts following the bear.

Romania, 1986: Gregor and Vali want to get away. Both need each other, yet there is mutual distrust. One night Gregor finds his doubts confirmed. In the end only hope is left.

While working in Europe, Avram comes to realize that Italians are paying good money for trained dogs that can protect them from the waves of immigrants. That's Avram's big-time idea: he returns to Romania to start breeding watch dogs which he can later export to Italy. As it happens, he settles next to a camp of immigrants recently sent back from Rome. Thus, the Italian tension is willy-nilly reenacted on the banks of the Danube. Avram's life gets complicated. He starts having an affair with his own daughter in law, lands in conflict with his ex-immigrant neighbors and his life is literally under threat. The film ends with an unpredictable situation.

3 separate stories take place over two days. The characters' paths intersect, and they affect each-other unintentionally.

For many years, three Romanian village boys, Stelica, Aurel and Mitu, have remained the closest of friends. In their youths, they planned to pursue careers as shepherds, but in time their individual paths diverged - leading Mitu into the military, Stelica into the local police force and Aurel into the employ of Maricel, a wealthy resident of the community. The men's worlds change forever when a newcomer arrives in the hamlet - a young woman named Lilica, accompanied by Maricel. She's toting two trucks full of Dutch chickens with her, which inadvertently spreads the bird flu to much of the local populace. The boys, however, soon realize how they can ingeniously turn this potential crisis into a solid profit-making venture for themselves.

Ana is a pianist and a composer. She is young, has an enviable social position, various musical projects and a great deal of drive. She lives in a big house, decorated in black and white, in a minimalist style, in a residential area. An unknown admirer is sending her, from afar, paradoxical signs of love. These are ironical messages, unexpected presents, clever manipulations, that all have one thing in common: the colour blue and a moralizing nuance. His seduction ritual is more like a show of his power, but also of his intelligence: it suffices that Ana makes a wish and, in a short while, she gets "it".

In the Ukrainian steppe, toward the end of World War II, the German and Romanian troops are retreating in the face of the unstoppable Red Army. A Romanian military unit has set up its headquarters in a deserted school. A visit of high-ranking Wehrmacht officers is suddenly announced. Hope is awakened: will they receive new orders? But disappointment comes quickly.

Two reasonably young girls want to leave their home town and go to work abroad. However, their dreams are quickly shattered by the cold truth of reality and they find out that every dream must have its cost.