Julia Wiedwald

Russians bombarded Bucha, Borodyanka, Irpin and other cities in the region following their invasion of Ukraine on February 24, 2022. By the time they retreated a month later, the damage was huge: buildings had been destroyed and there were corpses lying in the streets. Filmmakers Mila Teshaieva and Marcus Lenz went in immediately, in time to film local people emerging from their shelters, but never showing the actual atrocities. That wasn’t necessary, as the trauma of war is clear to see on everyone’s faces, including those of the volunteers who rushed in from far and wide to help.

On an impulse, 60 year old Charlotte leaves her husband stranded at a gas station in the middle of nowhere. A deep and driven instinct has her setting off, away from her old mundane life as a grandmother, a mother, a wife, and towards a new and different life. Little does she know that her granddaughter, Jo, a wonderfully whimsical child, is hiding in the back of the car. Charlotte’s spontaneous escape triggers off a journey, not only for her and her granddaughter, but also for her husband Paul and daughter Alex. As Paul and Alex pursue Charlotte and Jo across the countryside, they stumble into their own mishaps, self discoveries and emotional confrontations.

In Iran, since the 1979 Islamic revolution, women are no longer allowed to sing in public as soloists - at least in front of men. Defying censorship and taboos, the young composer Sara Najafi is determined to organize an official concert for solo female singers. In order to support their fight, Sara and her friends invite three French female singers, Elise Caron, Jeanne Cherhal and Emel Mathlouthi, to join them in Tehran and collaborate on their musical project, re-opening a musical bridge between Europe and Iran. Are they going to succeed and finally be gathered in Tehran, sing together, on stage and without restrictions, and to open a door towards a new freedom of women in Iran ?

Against the tumultuous backdrop of Iran's 1953 CIA-backed coup d'état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship.

After nine years in psychiatric detention Theo, who has brutally assaulted and raped three women, is released. Living in a supervised community, he connects well with his social worker Sascha, finds a job at a print shop and even a girlfriend, Nettie, his principal's brittle and estranged daughter. But even though superficially everything seems to work out Theo's seething rage remains ready to erupt.