Line Producer
Based on a true story, Fatal Honeymoon tells the shocking story and controversy surrounding a newlywed who tragically dies on her dream honeymoon and the subsequent investigation as to whether or not her husband was guilty of killing her.
First Assistant Director
The Telegram Man explores the impact of World War II on a close-knit Australian farming community.
Co-Producer
Nearly 20 years ago a young mother was shot during an apparent kidnapping and subsequent police chase. Now after all that time, the man in jail for the murder is about to be paroled. Jack has two missions - to bring the father and his daughter back together and to find out if any justice has been done by the conviction.
Line Producer
After surviving the terrifying outback abduction of her boyfriend, Joanne Lees became the victim of a relentless trial by media across two continents. With no body to speak of, reported 'sightings' of Peter, and revelations Joanne had cheated on her boyfriend, the public and media in both Britain and Australia refused to accept Joanne's innocence on face value. This is the story of one young woman's courage in the face of one of the most mysterious crimes in Australian history.
Co-Producer
Ten years ago, a baby was killed in a house arson fire after a violent home invasion. The parents used the tragedy as a motivation to help build an evangelical community church but now the mother has comes to Jack for help. Jack agrees to look into the still unsolved crime but in looking for the truth Jack will have to fight the system and his own conscience to uncover a tangled web of lies and deception. In the end, Jack must decide if the truth should prevail over the interests of the innocent.
Line Producer
A young woman goes missing when her car breaks down one rainy night. Her body is later discovered in a national park and for Detective Jack Kempson's offsider Sam, details of the crime mirror the disappearance of her friend Hannah, who vanished without trace some years ago. In Kempson's pursuit of the truth Sam is forced to face the sordid secrets of her past.
Line Producer
After wearing a wire to catch a dirty colleague selling confiscated drugs, detective Jack Kempson is hated by his colleagues. He also gets 'promoted away' to the basement, where old files get transferred to the national computer database. Thus he comes across fingerprints, now identifiable, in the 30 year old case of Ashley, the kidnapped son of lottery winners. Although he's too late to help him now, he tracks the perpetrators down behind his boss's back.
Line Producer
블랙웰 호텔에 오신걸 환영합니다!
화재로 오랫동안 폐허가 된 보기만해도 흉물스러운 블랙웰 호텔. 그곳에 장물취득, 무단침입, 마약판매 등의 온갖 범죄를 저지른 8명의 10대들이 사회 봉사 명령을 받고 끌려온다. 8명의 멤버들은 어떻게 하면 며칠을 몰래 보낼까 어떻게 하면 호텔을 탈출할 수 있을까 궁리하면서 뺀질 거리기 시작한다. 그러나 방문을 열 때마다 구역질 나는 냄새의 해골들이 쏟아져 나오자 심상치 않은 분위기를 예감하고 몸을 피하려는 순간, 일행 중 하나씩 알 수 없는 큰 물체에게 끌려가 처참하게 죽음을 당하는 모습을 목격하게 된다. 이대로 죽을 수도, 도망 칠 수 도 없다!!
2명의 멤버가 잔혹하게 죽은 뒤, 심상치 않은 느낌을 받은 나머지 멤버들. 그러나 그곳을 빠져나가기엔 너무 늦어 버렸다. 강력한 파워와 스피드로 다가와 순식간에 목숨을 빼앗아가는 살인마의 존재가 서서히 드러나고, 나머지 멤버들은 사냥 되듯 살해당하던지, 사투를 벌여 살아남을 것인지 최악의 공포 앞에 목숨을 건 서바이벌이 지금 시작된다.
이대로 죽을 수도, 도망 칠 수도 없다!!
Line Producer
Jack discovers that a man jailed for matricide could be innocent and the killer could still be close to home. Did Jack's own father-in-law have some part to play in the mystery?
Line Producer
Jack investigates a gangland execution at a children’s football game twelve years ago.
Line Producer
The story of notorious Australian bank robber Brendan Abbott, who according to the myth, sent postcards to authorities hot on his trail while on the run across the country.
Second Assistant Director
Peter Hehir plays full-time loser Sid McCall, professional vagrant and alcoholic on the skids. Haydon Samuels is his young son Christopher who lives with him. At the insistence of those who seek to help, child welfare workers are called-in to retrieve the lad from what authorities classify as "inappropriate living conditions." Someone seems to have overlooked the fact that Christopher does not consider his plight as distressing however and with each visit to the home, all the social workers can get in the way of co-operation, is Christopher's stock-standard reply to their questions..."I live with me dad!"
