Richard Clendinnen

Filmes

Lua-de-Mel Fatal
Line Producer
Baseada em uma história real, o casal do Alabama, Gabe Watson e sua nova esposa de 26 anos, Tina Watson, se casam e saem em lua de mel para a Austrália, mas Tina se afoga no que parece ser um acidente e Gabe acaba sendo acusado de provocá-lo.
The Telegram Man
First Assistant Director
The Telegram Man explores the impact of World War II on a close-knit Australian farming community.
BlackJack: Ghosts
Co-Producer
Nearly 20 years ago a young mother was shot during an apparent kidnapping and subsequent police chase. Now after all that time, the man in jail for the murder is about to be paroled. Jack has two missions - to bring the father and his daughter back together and to find out if any justice has been done by the conviction.
Joanne Lees: Murder In The Outback
Line Producer
After surviving the terrifying outback abduction of her boyfriend, Joanne Lees became the victim of a relentless trial by media across two continents. With no body to speak of, reported 'sightings' of Peter, and revelations Joanne had cheated on her boyfriend, the public and media in both Britain and Australia refused to accept Joanne's innocence on face value. This is the story of one young woman's courage in the face of one of the most mysterious crimes in Australian history.
BlackJack: At the Gates
Co-Producer
Ten years ago, a baby was killed in a house arson fire after a violent home invasion. The parents used the tragedy as a motivation to help build an evangelical community church but now the mother has comes to Jack for help. Jack agrees to look into the still unsolved crime but in looking for the truth Jack will have to fight the system and his own conscience to uncover a tangled web of lies and deception. In the end, Jack must decide if the truth should prevail over the interests of the innocent.
BlackJack: Dead Memory
Line Producer
A young woman goes missing when her car breaks down one rainy night. Her body is later discovered in a national park and for Detective Jack Kempson's offsider Sam, details of the crime mirror the disappearance of her friend Hannah, who vanished without trace some years ago. In Kempson's pursuit of the truth Sam is forced to face the sordid secrets of her past.
BlackJack: Ace Point Game
Line Producer
After wearing a wire to catch a dirty colleague selling confiscated drugs, detective Jack Kempson is hated by his colleagues. He also gets 'promoted away' to the basement, where old files get transferred to the national computer database. Thus he comes across fingerprints, now identifiable, in the 30 year old case of Ashley, the kidnapped son of lottery winners. Although he's too late to help him now, he tracks the perpetrators down behind his boss's back.
Noite do Terror
Line Producer
Um grupo de delinqüentes é enviado para limpar o Blackwell Hotel. Mal sabem eles que o psicopata recluso Jacob Goodnight se escondeu no hotel em decomposição. Quando um dos adolescentes é capturado, aqueles que permanecem - um grupo que inclui o policial que colocou uma bala na cabeça do Goodnight há quatro anos - se unem para sobreviver contra o assassino brutal.
BlackJack: In the Money
Line Producer
Jack discovers that a man jailed for matricide could be innocent and the killer could still be close to home. Did Jack's own father-in-law have some part to play in the mystery?
BlackJack: Sweet Science
Line Producer
Jack investigates a gangland execution at a children’s football game twelve years ago.
The Postcard Bandit
Line Producer
The story of notorious Australian bank robber Brendan Abbott, who according to the myth, sent postcards to authorities hot on his trail while on the run across the country.
I Live With Me Dad
Second Assistant Director
Peter Hehir plays full-time loser Sid McCall, professional vagrant and alcoholic on the skids. Haydon Samuels is his young son Christopher who lives with him. At the insistence of those who seek to help, child welfare workers are called-in to retrieve the lad from what authorities classify as "inappropriate living conditions." Someone seems to have overlooked the fact that Christopher does not consider his plight as distressing however and with each visit to the home, all the social workers can get in the way of co-operation, is Christopher's stock-standard reply to their questions..."I live with me dad!"