Marian Prokop

Fed up with pandemics, quarantines and news about ecological disasters, worried about their own uncertain future and the fate of the world, a group of high school students are invited by Kamil, a millionaire's son, to a party at his father's seaside residance.

"Everyone Knows Better" is an original comedy, reminiscent of the best New York tradition of independent cinema, dominated by warm relations and close intimacy with the characters. It tells about the adventures of a couple who try to put together one family from two different worlds. Other people's children, ex-spouses, pushy grandparents. Will Ania and Grzesiek survive the invasion of their families who are trying to fight the relationship of their adult children?

Anything can happen during Christmas Eve. Mel has to face new professional challenges and adapt to the new standards prevailing at work. Then Karina and Stephan plan to introduce serious changes in raising children. They decide to change their approach and apply somewhat sophisticated educational methods. A new woman will step in between Karolina and Filip, and the past will be reminded of Rudolf.

세계2차대전, 14살의 유대인 소녀 사라는 자신의 신분을 숨긴 채 우크라이나 농부인 파블로와 그의 부인 나디야의 집에서 머물게 된다. 유대인을 색출해내려는 독일군의 압박, 그리고 끝없이 살펴보는 나디아의 의심까지! 숨막히는 스릴 속에서 사라는 아슬아슬한 생존의 외줄타기를 시작한다.

Based on a script by Andrzej Żuławski, this is a fascinating on-screen dialogue between father and son that combines nostalgia and fury, the sublime with humor, and old-school style with a sharp, penetrating look at Polish reality. The eponymous bird talk is the language used by those excluded from the aggressive majority: a history teacher tormented by children, a teacher of Polish studies fired from his job, a girl who cleans a banker’s villa, a florist with a club foot and a student with a fascination for cinema. Pushed to the margins by the extreme right, they defend themselves with irony, songs and quotes from the classics.

1944년 여름 독일 나치 치하의 폴란드 바르샤바. 공장에서 일하며 어머니와 어린 남동생을 부양하는 스테판(요제프 파블로프스키)은 나치로부터 매일 모욕을 당한다. 이에 반나치 저항군에 가담하고 싶지만 위험한 일에 연류되지 말라는 어머니의 부탁으로 갈등하다 결국 친구들과 함께 비밀스러운 봉기 작전에 돌입하고 그 곳에서 알라(소피아 비츨라츠)를 만나 사랑에 빠지게 된다. 1944년 8월 1일, 폴란드 저항군의 반격이 시작되자 스테판은 어머니와의 약속을 저버리고 친구들과 전투에 가담한다. 나치군들이 자신의 집 주변을 점령했다는 소식을 듣고 급히 집으로 향한 스테판은 독일군에 의해 어머니와 어린 남동생이 무자비하게 사살되는 장면을 목격하게 되는데..

A romantic comedy set on Christmas Eve in Warsaw and centered around a series of characters.

The movie is about three brothers and a sister. The brothers include a would-be tough guy thug, a sleazy lawyer and an anarchist. The anarchist and the sister (Maria Strzelecka) have a thing for each other that is more than just sibling affection. Each of them is facing a problem of their own making. A lot depends on how they deal with their issues, as there isn't much lower they can stoop other than being dead. In the beginning of the film there is a lot going on, which makes it a little hard to follow, but that goes along with the theme of chaos.

As every year, the celebration of All Saints Day brings Polish families together at the graves of their loved ones. On this special day Maria, 80-year-old widow, visits the graveyard with her son, his wife and their children.

Bastard depicts the distress of needy children and the love of a nurse and a hard boiled criminal. A film from Polish director Maciej Dejczer and actor Til Schweiger’s first international film.

Młody człowiek mieszka na Suwalszczyźnie, ma się żenić z córką miejscowego bogacza. Jest jednak absolwentem konserwatorium, chciałby zostać kompozytorem. Zatrudnia się jako akompaniator popularnej piosenkarki ,która przybyła do miasteczka na gościnne występy.