Kate Ogborn

A grandson struggles to connect with his granddad with Alzheimers.

An exploration of race and sexuality. A reminder about what to take from the rainbow.

현존하는 가장 비싼 작가, 금발 머리에 동그란 뿔테 안경을 낀 아이콘, 이 시대가 사랑한 아티스트 ‘데이비드 호크니’. 그의 모든 것을 만날 수 있는 다큐멘터리

Abandoned Goods is an essay film exploring the journey of one of Britain’s major collections of Asylum Art containing about 5,500 objects (paintings, drawings, ceramics, sculptures and works on stone, flint and bone) created between 1946 and 1981, by about 140 people compelled to live in the Netherne psychiatric hospital in South London. Blending archive, reconstruction, animation, 35mm rostrum, and observational photography, the film explores the transformation of these objects from clinical material to revered art objects examining the lives of the creators and the changing contexts in which the objects were produced and displayed.

1945년은 영국역사의 중심이 되는 해였다. 양차 대전 사이의 씁쓸한 기억을 동반했던 전쟁을 거치며 영국이 가지고 있던 유대감은 더 나은 사회에 대한 비전으로 이어졌다. 이 시대의 정신은 우리의 형제, 자매들을 지키는 것이었다. 켄 로치는 풍부한 정치, 사회적 서술을 만들기 위해 영국의 지역 및 국립 아카이브에서 찾은 영상과 음성 기록물 그리고 그 시대의 인터뷰를 사용했다.

Director Andrew Kötting and writer Iain Sinclair sail a swan-shaped pedalo from Hastings to Hackney in London in the build-up to the 2012 Olympic Games.

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.

열한 살의 루시는 아버지와 함께 살고 있다. 어느 날 아버지의 폭행이 또 시작된다. 루시는 어린이보호소에 보내지고 16살의 로렌과 같은 방을 쓰게 된다. 둘 사이에는 우정이 싹트고 로렌과 루시는 어느 날 보호소에서 도망치지만 로렌이 부츠를 훔치다가 잡혀 다시 보호소로 돌아오게 된다. 루시는 이 혼란을 벗어나 엄마를 찾으러 가지만 엄마는 루시에게 보호소로 가는 버스표를 사주고 버스 정류장까지 함께 걸어간다. 루시는 보호소로 가는 버스에 올라타 불안한 미래를 향해 돌아선다.

Detective Chief Superintendent Maurice Jobson is forced to remember the very similar disappearance of Clare Kemplay, who was found dead in 1974, and the subsequent imprisonment of local boy Michael Myshkin. Washed-up local solicitor John Piggott becomes convinced of Myshkin's innocence and begins to fight on his behalf, unwittingly providing a catalyst for Jobson to start to right some wrongs.

After 6 years of brutal murders, the West Yorkshire Police fear that they may have already interviewed The Ripper and let him back into the world to continue his reign of terror upon the citizens of Yorkshire. Assistant Chief Constable of the Manchester Police, Peter Hunter, is called in to oversee the West Yorkshire Police's Ripper investigation and see what they could have missed.

1974년. 풋내기 기자 에디는 한 여학생의 실종 사건을 취재하게 된다. 에디는 취재를 하면서 이 사건이 6년전에 발생했던 다른 사건과 관련된것이 아닌지 의심하는데.. 소설 원작 영화로 총 3부작으로 이루어져있다.

어릴 적, 우체국 강도를 시작으로 감옥 생활을 시작한 찰스 브론슨. 그 곳에서 그는 천재적이거나, 엽기적인 행동으로 일약 교도소의 스타로 급부상한다. 그는 슬기로운 감옥 생활 속, 다시 세상 밖으로 나오지만 이상할 정도로 다시 그 곳으로 돌아가고 싶다는 생각이 떠오르는데…

A young Kurdish immigrant tries to assimilate himself into the London neighborhood of Kingsland.

학교 애들은 내 바지를 보고 놀리기 바쁘고, 옆 동네 슈퍼 아저씨는 날 상종 못 할 말썽꾸러기 취급에, 엄마는 이래저래 간섭만 할 뿐 모든 게 귀찮기만 하다. 그러다 동네에서 아주 쿨~해 보이는 형들을 만났다. 나이도 어린 나를 동료로 인정해 주고, 찐하게 키스하는 법도 배웠다. 이제 좀 사는 것 같다 싶었는데, 리더인 우디의 친구 콤보가 감옥에서 출소하고부터 분위기가 심각해지기 시작했다. 자꾸 편을 갈라 싸우게 되고… 콤보의 이야기를 듣다 보면 전쟁에서 돌아가신 우리 아버지가 생각나고…콤보의 편을 들면 우디와 싸워야 하고, 어찌 해야할 바를 모르겠다. 모든 게 혼란스럽기만 할 뿐이다.

1914년 제 1차 세계 대전 중 프랑스 북부 독일군 점령지역에선 100m도 안 되는 거리를 사이에 두고 독일, 프랑스, 영국군의 숨 막히는 접전이 일어나고 있었다. 크리스마스 이브 영국군은 백파이프를 연주하며 잠시나마 전장의 긴장을 늦추고 이에 뒤질세라 독일군은 노래로 화답하며, 크리스마스 단 하루를 위한 휴전 협정을 맺는다. 불과 몇 분 전까지만 해도 적이었던 그들은 서로를 향해 겨누던 총을 버리고 ‘메리 크리스마스’를 기원한다. 더 이상 적이 아닌 친구로 변해버린 그들.. 과연 이 전쟁을 계속 할 수 있을까?

In 2058, two apathetic friends run the night shift in a 24-hour convenience store. Robert likes the Japanese girl who works the day shift, but in spite of encouraging signs from her, he won't - or can't - act. Instead, Robert and Steve discuss their views on life. Winner of Gold Hugo for best short film at the 2005 Chicago International Film Festival.

One for the Road follows Jimmy, Paul, Richard and Mark who meet on a rehabilitation course for drink drivers. Jimmy is young, ambitious and desperate to sell his late father's business; Paul has been salesman of the year three times running, however, that was five years ago; Richard is a retired millionaire property developer and Mark is a taxi driver with a weakness for weed and philosophy.

A teenage boy finds all around him has sexual overtones as he lives a teenage life of drugs and masturbation.

Heaton and Spike are the unlikeliest pair: two loners who have found each other. When Spike commits a terrible crime, Heaton decides to stand by him - an act of astonishing, almost foolhardy loyalty. There begins a chase across a vast Northern landscape of moors, rivers and dark woods, the increasingly exhausted fugitives being hunted not by the police but by a posse of farmers intent on revenge. No ordinary chase film, This Is Not a Love Song is a love story trapped inside the body of a thriller.

Random Acts of Intimacy is a film about brief moments of contact and sexual intimacy. It addresses notions of erotic memory, sexual fantasy, sexual desire and romantic love. It explores the possibility that sex with strangers might be the closest we get to realising current notions of romantic love - intense, passionate, impulsive.

Although married and pregnant Rose has always been mother's favorite, it is younger sister Iris whose life is shaken up by mother's death. Suffocating, Iris spirals out of control and copes by losing herself in sexual oblivion.

In 1977, young Xiao Mei leaves China for the UK to enter into an arranged marriage. Speaking no English and feeling distant from her Elvis-obsessed new husband and his stern mother, Xiao Mei dreams of reuniting with her long-lost parents and brother.

European emigre Tanya moves to London to work as a family au pair. Still grieving for her recently deceased father and rejected by an old friend, Tanya draws closer to her employer's husband. The sights and sounds of the Capital at Christmas form a deceptively romantic backdrop, for this brief meditation on loneliness and love.

An enigmatic fragment of a bigger story, showing events leading up to a pivotal moment in the life of a strange, troubled young man. After losing his home, fiancée and job, he finds a moment of hopefulness.

This bold, stunning exploration of a white mother who undergoes a radical mastectomy and her Black daughter who embarks on a modeling career reveals the profound effects of body image and the strain of racial and sexual identity on their charged, intensely loving bond. At the heart of Onwurah’s brave excursion into her mother’s scorned sexuality is a provocative interweaving of memory and fantasy. The filmmaker plumbs the depths of maternal strength and daughterly devotion in an unforgettable tribute starring her real-life mother, Madge Onwurah.

Ron Peck talks about his experiences of growing up as a gay man, the attitudes to homosexuality in Britain, and his journey towards making his film "Nighthawks" (1978).

A cinematographic response to Sylvia Plath’s Lady Lazarus with Plath’s own readings of her poetry. A carousel of images in windows, an atmosphere of constant metamorphosis; her poetry as cinema. Audo outtakes of Plath reading from "Cut," "Daddy," "Lady Lazarus," "Ariel," "Ouija," as well as excerpts from a 1962 interview. Mixing images of Plath's obsessions (ouija boards, horses, violent self-harm) with photographs of the poet and her work, the film delves deeply into an existence that Plath herself, in a voice-over interview, calls "living on air."