Wojciech Siemion

When his grandson is beaten by gangsters, a Warsaw veteran gathers his war buddies to take them on.

A grotesque Shakespearean tale of Ubu who comes to power in a bloody way. When his absurd reforms fail and the treasury gets empty, Ubu and his flatterers start implementing terror across the country.

Rose, an older woman living in Paris was born in Poland as a daughter of an aristocratic family. Her family house is now an impoverished home for the elderly.

A renowned actor, Rafal Nawrot, is invited to play the main part in a theatre production of "Romeo and Juliet" in a backwater town. Upon arriving he realizes his mistake and is packing to leave when Julia, a beautiful blonde teenager appears at his hotel room door, the starstruck emissary from a local fan club. The encounter triggers a host of erotic fantasies and dreams for Nawrot, who decides to stay in town after all. Although his dreams more or less come true when Julia becomes sexually involved with him, his growing obsession with the young woman is paralleled by her emotional growth in a simultaneous relationship with a lover her own age.

Tadeusz Krzakoski (Krzysztof Kowalewski), the director of a failing state-owned company, is married with problems. His mistress, the daughter of a Communist party bigwig, says she's pregnant and Tadeusz knows he'll have to marry her to save his reputation and his job. But divorce is never simple and Bareja's screwball comedies are never boring.

안제이 바이다 감독의 약속의 땅은 특정 시대, 특정 장소의 폴란드에 대한 다층적인 탐구를 담은 찰스 디킨스풍의 묘사가 두드러진 영화다. 19세기 말 우츠 시는 유럽 섬유 산업의 중심지로, 전세계에서 가장 큰 유대인 집단이 장악하고 있었다. 이곳은 수천 명에 달하는 실업가들의 탐욕을 채워줄 무한한 기회가 제공되는 초기 자본주의자들의 땅이다. 안제이 바이다 감독은 의욕에 찬 세 명의 친구들에 초점을 맞춰 이야기를 전개하지만 동시에 수많은 인물들에 대한 세밀한 관찰도 놓치지 않는다. 사회 내부에서의 계급 갈등, 인간의 어두운 면, 자본주의 체제의 본질 등에 대한 완벽한 묘사가 눈에 띄는 작품이다. (2012년 제17회 부산국제영화제)

Falsely accused Warsaw art museum assistant goes into hiding as a woman.

1945. A packed ferry drifts down the Vistula after its tow rope snaps. Nobody but Kros, a policeman, notices, and he must organize a rescue before the ferry drifts into the Bay of Gdansk, which is still full of mines.

Movie from 1969.

한 남자가 달리는 기차에서 뛰어내린 뒤 근처의 작은 마을로 향한다. 그중 어느 집으로 무작정 들어간 남자는 자신이 원래 이 마을의 주민이었으며 누군가로부터 쫓기고 있다고 말한다. 자신의 정체는 밝히지 않은 채 계속해서 마을 사람들과 과거에 관한 대화를 시도하는 이 남자는 과연 누구일까? 평범하지 않은 인물, 독특한 사건 진행과 함께 폴란드 공동체의 숨은 죄의식을 그린 흥미진진한 드라마.

Three idealists - a communist secretary, a former RAF pilot and a female political activist - need to face the hardships and accusations of postwar Stalinist years before being finally rehabilitated.

2차 대전 당시 폴란드와 독일 나치군 사이에서 자신의 살 길을 찾는 이탈리아 병사의 블랙 코미디. 러시아 전선에서 집으로 돌아가던 이탈리아 군인 주세페는 기차가 포격을 당하고 총까지 잃어버리면서 총을 되찾기 위해 말도 통하지 않는 바르샤바에 머문다. 이후 레지스탕스 멤버인 마리아와 엮이면서 그의 이상한 모험이 펼쳐진다.

Lieutenant Mosura fights the groups of the Ukrainian Insurgent Army. Suddenly, he manages to capture and eliminate its commander. Several years passed. The lieutenant is accused of collaborating with the insurgents, because he took part in several terrorist operations in order to gain their trust.

The inability of a truck driver to relate to normal life after an accident for which he feels himself responsible.

The miners of one of the mines in Zagłębie Dąbrowskie receive news about the planned layoffs. The miners decide to organize a strike. One of the local MPs is trying to prevent this from happening. The French mine owner makes a dangerous decision - he orders the miners to work in an area at risk of fire. An explosion occurs unexpectedly. The miners lynch Coeur, and their demonstration, in which they carry the bodies of the victims of the crash, is brutally suppressed by the police.

A budding playwright is thrilled to find out that his play will be performed at a prestigious theater, but a series of problems pile up, along with the general feeling that opening night will be disastrous.

1962’s SZPITAL (HOSPITAL) is set entirely in a claustrophobic hospital room where a male patient is confined. Throughout the film the room is invaded by a variety of strange people

Three separate stories depicting the tense everyday life during occupation, as seen through the eyes of children. In “On the Road,” the two main protagonists are lost in the September’s strife: a young boy, and a soldier transporting the valueless documents of his broken unit. In “Letter from the Concentration Camp” the story’s protagonists are young boys who help their mother during the hardships of the occupation. Their treasure is an officer uniform belonging their father who is being held in a prisoner of war camp. In “Blood Drop,” the Germans find a set of typical Aryan characteristics in this story’s protagonist – a Jewish girl, hiding in an orphanage.

Telling the prisoners of a death camp. Boxer Tony Majer, who got into a concentration camp for a fight with the Gestapo, remembers the murderous work in quarries, on the cruel torture of the Nazis and prison solidarity that helped him survive.

To convince the prison warden against releasing him, a middle-aged Polish man recounts his life, one he considers to have been characterized by exceptionally bad luck.

A Jewish man who escapes a Nazi transport hides in a Polish ski resort town by posing for photos with tourists dressed as a polar bear.

Set in the occupied Warsaw, the film tells the story of the mission carried out by the student uderground resistance group to execute the hated SS General Franz Kutchera.

Tells two tales set during WWII: A seemingly feckless and selfish finally takes up arms in the national struggle against the Nazis. Set in a POW camp, Polish inmates cling to their hopes for an eventual escape, encouraged by the legendary escape of one of their own.

The final film produced by Warsaw’s Documentary Film Studio is an epic re-enactment of a treacherous mission by the Voluntary Tatra Mountain Rescue Service to aid colleagues stranded behind enemy lines at the close of World War II (several real participants feature in the film). Based on a short story about the rescue by Adam Liberak, Munk’s final “documentary” is also arguably his first major exercise in the craft of narrative filmmaking.

While visiting Warsaw, Hanka falls for a record-breaking bricklayer. Soon she returns to the city to work at construction sites and prove that women's work is not worse than that of men's.