Juan Carlos Tabío

Ricki travels to Cuba after many years to meet his girlfriend Beatriz, but she has changed a lot; Claudia, in a desperate search for money to buy a house, tries to scam a drug dealer; and Celina, a necrophiliac prepares to spend a weekend with a corpse.. Three dark love stories that, thanks to various unforeseen events, will intertwine until they become the revelation of the plot of a film that at the end of the story illuminates the drug dealer.

A young American boy is trying to break into the acting business, and goes to Cuba during a film festival.

Amor Crónico follows Grammy-nominated, Cuban-born CuCu Diamantes as she embarks on a whirlwind tour of her home country. Interweaving glamorous live performances with a fictional romance, the film pays tribute to the history of cinema in surreal fashion. Backed by a high energy Latin soundtrack, Cucu's journey is a visual love poem to the sites, sounds, and people of Cuba.

An unclaimed fortune, grown for centuries in a British bank account, becomes a potential windfall for Bernadito Castiñeiras and the residents of the tiny village of Yaragüey, Cuba. To receive his massive inheritance check, Bernadito must prove his lineage to the Castiñeiras nuns who first populated the region. In an isolated and impoverished town where many residents share the same surname, a feud breaks out between the "Castiñeiras" and "Castiñeyras" families.

An unclaimed fortune, grown for centuries in a British bank account, becomes a potential windfall for Bernadito Castiñeiras and the residents of the tiny village of Yaragüey, Cuba. To receive his massive inheritance check, Bernadito must prove his lineage to the Castiñeiras nuns who first populated the region. In an isolated and impoverished town where many residents share the same surname, a feud breaks out between the "Castiñeiras" and "Castiñeyras" families.

A look at the life and work of Cuban filmmaker Tomas Gutierrez Alea.

Mercedes and Pedro, Cuban producers and screenwriters, travel to Spain to close an agreement with Alberto, a Spanish producer. Together, they try to make a film about Cuban reality. A movie about those who leave the island, those who return, but also those who still want to leave but cannot. A simple idea that will slowly become more complicated because Spaniards and Cubans have a very different point of view on this reality.

At a rundown bus station in rural Cuba, the line of passengers waiting just keeps getting longer. The problem is that every bus that passes by is already full. Their only hope is to wait for the station's bus to be fixed. As the disparate group settles in, relationships start forming between the passengers: Emilio, a young engineer, becomes smitten with a beautiful young woman who is en route to meet her Spanish fiancé, a blind man gets support from the others to go to the head of the line. Frustration and disorder reign when the one bus brakes down and no one can leave. Resigned to working together, the group magically transforms the station into a beautiful place where no one wants to leave.

At a rundown bus station in rural Cuba, the line of passengers waiting just keeps getting longer. The problem is that every bus that passes by is already full. Their only hope is to wait for the station's bus to be fixed. As the disparate group settles in, relationships start forming between the passengers: Emilio, a young engineer, becomes smitten with a beautiful young woman who is en route to meet her Spanish fiancé, a blind man gets support from the others to go to the head of the line. Frustration and disorder reign when the one bus brakes down and no one can leave. Resigned to working together, the group magically transforms the station into a beautiful place where no one wants to leave.

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

젊은 시절 부푼 꿈을 안고 고향인 관타나모와 사랑하는 연인 칸디도를 두고 떠난 가수 요지타(콘치타 브란도)가 50년 만에 귀향한다. 고향을 떠난 사이 요지타는 유명 가수가 되어 인기를 누렸지만, 연인인 칸디도(라울 에구렌)는 색소폰을 부는 악사로 고향에만 묶여 지낸다. 조카인 조르지나(미타 이바라)의 집에 머물던 요지타는 칸디도와 재회의 기쁨을 누리며 옛날을 회상하다가 숨을 거두고 만다. 한편 고향을 떠난 사람들의 장례식 문제로 각 지역 임원들과 회의를 하던 조르지나의 남편 아돌포(카를로스 크루즈)는 각 지역에서 시신을 운반하는 차량을 교대하는 방법을 사용하자고 제안한다. 때마침 요지타가 사망하자 요지타의 시신을 관타나모에서 바야모로, 바야모에서 라스 투나스로 운반하기로 한다. 평생 요지타를 사랑한 칸디도도 이 시신 운송 여행에 동참한다. 그러나 사랑하는 여인을 두 번이나 떠나보내고 슬픔과 애도에 잠긴 칸디도와는 달리, 긴 여정 속에서 아돌포는 자신의 신용을 회복하려는 광적인 욕심을 내비치고, 운전기사인 토니는 밀수 물품 운반을 도모한다. 아돌포는 원래의 계획보다 더 경제적이고 신속하게 시신을 운반하고자 하지만, 자동차가 고장 나고, 임산부를 병원까지 데려다 주는 등 갖가지 문제들이 발생한다. 한편 조르지나는 대학에서 학생들을 가르치던 시절, 자신에게 사랑의 편지를 전했던 마리아노와 몇 번씩 마주치게 되고 결국 그와 사랑에 빠진다. 여행을 하면서 많은 생각을 하게 된 칸디도는 조르지아에게 스스로의 인생을 스스로 결정하라는 조언을 하고, 조르지아는 이제까지 순종만 하던 남편에게 자신의 의견을 주장하기 시작한다. (EBS)

젊은 시절 부푼 꿈을 안고 고향인 관타나모와 사랑하는 연인 칸디도를 두고 떠난 가수 요지타(콘치타 브란도)가 50년 만에 귀향한다. 고향을 떠난 사이 요지타는 유명 가수가 되어 인기를 누렸지만, 연인인 칸디도(라울 에구렌)는 색소폰을 부는 악사로 고향에만 묶여 지낸다. 조카인 조르지나(미타 이바라)의 집에 머물던 요지타는 칸디도와 재회의 기쁨을 누리며 옛날을 회상하다가 숨을 거두고 만다. 한편 고향을 떠난 사람들의 장례식 문제로 각 지역 임원들과 회의를 하던 조르지나의 남편 아돌포(카를로스 크루즈)는 각 지역에서 시신을 운반하는 차량을 교대하는 방법을 사용하자고 제안한다. 때마침 요지타가 사망하자 요지타의 시신을 관타나모에서 바야모로, 바야모에서 라스 투나스로 운반하기로 한다. 평생 요지타를 사랑한 칸디도도 이 시신 운송 여행에 동참한다. 그러나 사랑하는 여인을 두 번이나 떠나보내고 슬픔과 애도에 잠긴 칸디도와는 달리, 긴 여정 속에서 아돌포는 자신의 신용을 회복하려는 광적인 욕심을 내비치고, 운전기사인 토니는 밀수 물품 운반을 도모한다. 아돌포는 원래의 계획보다 더 경제적이고 신속하게 시신을 운반하고자 하지만, 자동차가 고장 나고, 임산부를 병원까지 데려다 주는 등 갖가지 문제들이 발생한다. 한편 조르지나는 대학에서 학생들을 가르치던 시절, 자신에게 사랑의 편지를 전했던 마리아노와 몇 번씩 마주치게 되고 결국 그와 사랑에 빠진다. 여행을 하면서 많은 생각을 하게 된 칸디도는 조르지아에게 스스로의 인생을 스스로 결정하라는 조언을 하고, 조르지아는 이제까지 순종만 하던 남편에게 자신의 의견을 주장하기 시작한다. (EBS)

After two years in jail, El Isleño returns to the island of La Fe, ruled by the dictator Francisco Gavilán. He arrives with a cinematograph and exhibits "Robin Hood" to the people. The next day the bridge that communicates La Fe to the mainland has been destroyed, and the people plan to overthrow Gavilán.

After two years in jail, El Isleño returns to the island of La Fe, ruled by the dictator Francisco Gavilán. He arrives with a cinematograph and exhibits "Robin Hood" to the people. The next day the bridge that communicates La Fe to the mainland has been destroyed, and the people plan to overthrow Gavilán.

Havana, Cuba, 1979. Flamboyantly gay artist Diego (Jorge Perugorría) attempts to seduce the straight and strait-laced David, an idealistic young communist, and fails dismally. But David conspires to become friends with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two. But can it last? Strawberry and Chocolate became an instant hit when it was released, and has become a classic of Cuban cinema due to its charming and authentic exploration of a connection between two people under historical circumstances that seem levelled against them.

A superstitious middle-aged woman falls in love with a taxi driver, while trying to learn the identity of the unseen person tossing eggs at her.

A surrealist dolly shot. The thesis of the film seems summarized in which the character played by Frank Gonzalez (the fictional director of the film within the film) confesses to end his interviewer: "This film wants the viewer to reflect on the deceptive appearances can be."

Gloria, Yolanda's mother, exchanges their old house in Guanabacoa for a modern apartment in Vedado to keep Yolanda away from her boyfriend, but her plans soon backfire.

A theater director and script-writer falls for a female worker from the Havana docks, but his machismo, social and working conflicts, and the Cuban woman's condition interfere with their relationship.