Juan Carlos Tabío

Ricki travels to Cuba after many years to meet his girlfriend Beatriz, but she has changed a lot; Claudia, in a desperate search for money to buy a house, tries to scam a drug dealer; and Celina, a necrophiliac prepares to spend a weekend with a corpse.. Three dark love stories that, thanks to various unforeseen events, will intertwine until they become the revelation of the plot of a film that at the end of the story illuminates the drug dealer.

Um jovem americano está tentando entrar no ramo de atuação e vai a Cuba durante um festival de cinema.

Amor Crónico follows Grammy-nominated, Cuban-born CuCu Diamantes as she embarks on a whirlwind tour of her home country. Interweaving glamorous live performances with a fictional romance, the film pays tribute to the history of cinema in surreal fashion. Backed by a high energy Latin soundtrack, Cucu's journey is a visual love poem to the sites, sounds, and people of Cuba.

An unclaimed fortune, grown for centuries in a British bank account, becomes a potential windfall for Bernadito Castiñeiras and the residents of the tiny village of Yaragüey, Cuba. To receive his massive inheritance check, Bernadito must prove his lineage to the Castiñeiras nuns who first populated the region. In an isolated and impoverished town where many residents share the same surname, a feud breaks out between the "Castiñeiras" and "Castiñeyras" families.

An unclaimed fortune, grown for centuries in a British bank account, becomes a potential windfall for Bernadito Castiñeiras and the residents of the tiny village of Yaragüey, Cuba. To receive his massive inheritance check, Bernadito must prove his lineage to the Castiñeiras nuns who first populated the region. In an isolated and impoverished town where many residents share the same surname, a feud breaks out between the "Castiñeiras" and "Castiñeyras" families.

A look at the life and work of Cuban filmmaker Tomas Gutierrez Alea.

Mercedes and Pedro, Cuban producers and screenwriters, travel to Spain to close an agreement with Alberto, a Spanish producer. Together, they try to make a film about Cuban reality. A movie about those who leave the island, those who return, but also those who still want to leave but cannot. A simple idea that will slowly become more complicated because Spaniards and Cubans have a very different point of view on this reality.

Um grupo de pessoas desesperadas esperam em uma estação rodoviária o próximo ônibus. O problema é que ele nunca aparece.

Um grupo de pessoas desesperadas esperam em uma estação rodoviária o próximo ônibus. O problema é que ele nunca aparece.

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

Comédia satírica sobre a vida em Cuba. Yoyita, 67 anos, viaja para Guantánamo para ver sua sobrinha Gina e Cândido, um seu namorado de infância. Mas repentinamente Yoyita vai desta para a melhor. Morre. E o corpo precisa ser transladado de volta para Havana. Este fato dá início à grande jornada de Cândido, o ex namorado, e Gina, sua sobrinha, com seu respectivo marido Adolfo, que por acaso é um agente funerário meticuloso com ambições políticas, e assume o comando da viagem. Mas tudo deve ser feito seguindo o novo plano do governo criado para economizar dinheiro no transporte de falecidos. Na viagem Gina reencontra Mariano, um ex aluno apaixonado por ela e agora caminhoneiro, e então... O título do filme é igual ao da famosa canção cubana Guantanamera que significa 'Filha de Guantánamo'.

Comédia satírica sobre a vida em Cuba. Yoyita, 67 anos, viaja para Guantánamo para ver sua sobrinha Gina e Cândido, um seu namorado de infância. Mas repentinamente Yoyita vai desta para a melhor. Morre. E o corpo precisa ser transladado de volta para Havana. Este fato dá início à grande jornada de Cândido, o ex namorado, e Gina, sua sobrinha, com seu respectivo marido Adolfo, que por acaso é um agente funerário meticuloso com ambições políticas, e assume o comando da viagem. Mas tudo deve ser feito seguindo o novo plano do governo criado para economizar dinheiro no transporte de falecidos. Na viagem Gina reencontra Mariano, um ex aluno apaixonado por ela e agora caminhoneiro, e então... O título do filme é igual ao da famosa canção cubana Guantanamera que significa 'Filha de Guantánamo'.

After two years in jail, El Isleño returns to the island of La Fe, ruled by the dictator Francisco Gavilán. He arrives with a cinematograph and exhibits "Robin Hood" to the people. The next day the bridge that communicates La Fe to the mainland has been destroyed, and the people plan to overthrow Gavilán.

After two years in jail, El Isleño returns to the island of La Fe, ruled by the dictator Francisco Gavilán. He arrives with a cinematograph and exhibits "Robin Hood" to the people. The next day the bridge that communicates La Fe to the mainland has been destroyed, and the people plan to overthrow Gavilán.

Havana, Cuba, 1979. Flamboyantly gay artist Diego (Jorge Perugorría) attempts to seduce the straight and strait-laced David, an idealistic young communist, and fails dismally. But David conspires to become friends with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two. But can it last? Strawberry and Chocolate became an instant hit when it was released, and has become a classic of Cuban cinema due to its charming and authentic exploration of a connection between two people under historical circumstances that seem levelled against them.

A superstitious middle-aged woman falls in love with a taxi driver, while trying to learn the identity of the unseen person tossing eggs at her.

A surrealist dolly shot. The thesis of the film seems summarized in which the character played by Frank Gonzalez (the fictional director of the film within the film) confesses to end his interviewer: "This film wants the viewer to reflect on the deceptive appearances can be."

Gloria, Yolanda's mother, exchanges their old house in Guanabacoa for a modern apartment in Vedado to keep Yolanda away from her boyfriend, but her plans soon backfire.

A theater director and script-writer falls for a female worker from the Havana docks, but his machismo, social and working conflicts, and the Cuban woman's condition interfere with their relationship.