Toni Servillo

A well-known Neapolitan writer returns to his hometown after a long absence and encounters an old friend known as Caracas. Caracas, once a neo-fascist skinhead, is now converting to Islam.

A dark story of revenge and redemption, which will be the last chapter of Stefano Sollima’s Roman criminal trilogy.

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

In the exact moment they’re hitting rock bottom, a man, two women and a boy meet a mysterious man capable of gifting them a week of time where they’ll discover how the world would be without them. Will they find the strength to start over and fall in love with life again?

During a trip to Sicily in 1920, Luigi Pirandello meets two gravediggers-turned-playwrights rehearsing a play with their amateur dramatics. Pirandello takes an interest in the odd couple, having been suffering from writer's block while working on his eventual masterpiece, Six Characters in Search of an Author.

The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?

The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists

The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists

An Italian documentary about Italian cinema.

1980년대 이탈리아, 축구의 전설 마라도나가 SSC 나폴리단으로 이적할 것이라는 소식에 도시는 예수 강림이라도 기다리는 듯 술렁댄다.첫사랑의 열병을 앓고 있는 파비에토는 평범한 집안의 둘째로, 내성적이고 감수성이 예민한 소년인 동시에 또래들처럼 축구광이기도 하다.하지만 어느 날 거짓말처럼 찾아온 비극적 사건은 파비에토의 삶을 송두리째 뒤흔들고, 그는 남들보다 조금 먼저 가혹한 성년식을 치루게 된다.

A prison drama where an old mobster and a prison guard must find a way to coexist so that imprisonment can become less so, and perhaps reveal the paradox that is behind the very concept of captivity.

20세기 초, 벨 에포크(the Belle Époque)의 나폴리에서는 극장과 영화관이 증가하고 있다. 위대한 코미디언 에두아르도 스카페타는 흥행왕이다. 성공은 그를 매우 부유한 사람으로 만들었다. 그의 태생에서 비롯한 겸손함으로, 그는 그의 희극과 나폴리 관객들의 가슴에서 풀치넬라를 대신할 펠리체 스키오시아모카의 가면과 캐릭터로 현장에 자신을 확고히 했다. 20세기 초 나폴리 출신의 위대한 코미디 배우이자 극작가인 에두아르도 스카페타에 관한 영화이다.

A short movie about coming back to the cinema after lockdowns.

When a kidnapping victim turns up alive after fifteen years, a profiler and a private investigator try to piece together the mystery.

When a kidnapping victim turns up alive after fifteen years, a profiler and a private investigator try to piece together the mystery.

Through the rehearsals and the tour of the show based on Uncle Vanya by Anton Chekhov, Vinicio Marchioni takes us to the Italian province destroyed by the earthquake and the places of the Russian writer. The Vanja earthquake starts from the Chekhovian masterpiece to investigate Italian post-earthquake immobility through the tragicomic gaze of Chekhov, making the public aware of the extraordinary human strength of the writer. A journey into the Italian theatrical creation; a journey in the earthquake that destroyed central Italy; a journey into the words and soul of Anton Chekhov.

The documentary is about a well-known Venetian artist, Emilio Vedova, born exactly one hundred years ago. Our guide to the artist's life is his own diaries, read to us by a superb actor: Toni Servillo. The portrait of the artist is rounded out by interviews with influential figures in the art world who knew Vedova and saw him in action. Above all, however, it is Vedova himself who erupts on the screen, thanks to stock footage and his own painting style.

Peppino, a retired hitman for the Camorra, has now fully passed on his job and know-how to his single son, Nino. But when Nino is brutally assassinated, the old man is back in business to take revenge. Aside his everlasting love Rita and his longtime henchman Totò, Peppino will go to any lengths, even if it means bringing the Camorra down.

재계 서열 1위, 미디어 장악, AC밀란 전 구단주, 망언 제조기까지. 이탈리아를 현혹시킨 최악의 이슈 메이커 실비오 베를루스코니는 정치 스캔들에 연루돼 총리직에서 사퇴한 뒤, 재기를 위한 발판을 마련하기 위해 개인 별장에 머무른다. 연예 기획자 세르조 모라는 실비오 베를루스코니의 권력을 통해 인생 역전을 꿈꾸며 그에게 접근한다. 성공을 향한 욕망으로 뒤틀린 두 남자는 자신의 목적을 이루기 위해 수단과 방법을 가리지 않고 폭주하는데...

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

In 1937 the Nazi regime held two exhibitions in Munich: one to stigmatize “Degenerate Art” (which they systematically looted and destroyed) and one, personally curated by Hitler, to glorify “Classic Art”. This immersive new documentary reveals the Nazi’s complicated relationship with classical and modern art, displaying an incredible number of masterpieces by Botticelli, Klee, Matisse, Monet, Chagall, Renoir and Gauguin amongst others, intertwined with human stories from the most infamous period of the twentieth century. A state-of-the-art detective story exploring the Nazis’ obsession with creative expression, Hitler versus Picasso combines history, art and human drama for an unforgettable cinema experience.

성탄절을 이틀 앞둔 이른 새벽, 빨강머리 주근깨 소녀가 안개 속에서 실종된다. 단서만 무성할 뿐 증거도, 용의자도 없는 거대한 무대. ‘악마’ 만들기에 혈안이 된 형사 보겔은 이 사건이 자신의 화려한 재기를 위한 최고의 무대임을 확신하고, 평범한 남자 ‘마티니’를 지목하며 언론을 상대로 거대한 쇼를 계획한다. 진실을 쫓는 발걸음, 하지만 끈질긴 의심이 붙잡는 반전들은 세상이 원하는 두려움의 대상을 뒤바꾸기 시작하는데… 그날을 지켜본 안개만이 사건의 모든 것을 알고있다!

Depressed Jewish shrink Elia one day meets Claudia, a young and eccentric personal trainer.

독일의 초호화 호텔에서 열리는 국제회담. 전 세계 가장 영향력 있는 경제부 장관 8인이 중대한 사안을 제정하기 위해 모인 이곳에 비밀스러운 이탈리아 신부가 IMF 총재 다니엘 로쉐의 초대를 받아 오게 된다. 다니엘은 한밤중 신부에게 고해성사를 받아달라고 은밀히 부탁하고, 다음날 아침 싸늘한 시체로 발견된다. 신부가 다니엘 총재에게 중대한 비밀을 들었을 거라 생각하는 다른 장관들은 신부를 점점 압박해오고, 죽음의 키를 쥐고 있는 신부는 계속 침묵을 지키는데…

A confessional meditation on the relation between water and land, between light and dark, between past and present, between the living and the inanimate, dreams and achievements.

Drama, documentary

Three stories to narrate the relationship between mount Vesuvius and the humanity living at its feet. Maria and her flower garden, Matteo, an artist who paints using the volcano's ashes, and Yole, a neo-melodic singer whose devotion to the Virgin Mary is almost idolatric.

40여 년 전 쓴 소설 한 권이 마지막인 젭은 로마 최고의 셀러브리티이다. 사교계의 왕으로 휘황찬란한 매일을 보내던 어느 날, 65번 째 생일파티가 지나고 첫사랑의 부고 소식을 듣는다. 이후 잊고 있던 과거의 아름다움을 찾아 나서는데…

The elections are approaching and the largest opposition party in the country do not look good. Its leader, Enrico Oliveri can not stand the pressure and disappears. Fearing a scandal, the eminence grise of the party had brought into play the twin brother of the politician. Even if looks like two drops of water with his brother Giovanni may have a different personality. His ideas are innovative and direct approach to get the party in the polls ...

Girlfriend in a Coma is a documentary that exposes the dire situation of Italian politics and the process of economic and social decline the country has suffered during the last two decades, treating the decline as a warning of what might happen elsewhere in the West. The decline has occurred amid a collapse of moral values and the victory of “Mala Italia” over “Buona Italia”. It has been lauded as being ground-breaking in its creative combination of animation, interviews and hard facts, and has caused fierce controversy in Italy.

17년간 식물인간으로 살다가 죽음을 앞둔 엘루아나 엔글라로가 이탈리아를 혼란에 빠뜨린다. 안락사에 대한 법안투표를 앞두고 고심하는 상원의원, 코마에 빠진 딸을 둔 유명 여배우, 자살하려는 마약중독자 여성, 이렇게 세 이야기가 치밀하게 직조되면서 삶의 의미를 묻는다. 이탈리아 거장 마르코 벨로키오의 신작은 고전 동화 를 안락사라는 민감한 문제와 접목시켜 연출한 수작이다. 거장의 지휘하에 절묘한 리듬으로 편집되는 세 개의 독립된 이야기는 안락사에 대한 다양한 입장을 제시함으로써 우리의 성찰을 도모한다. 영화는 수수께끼 같은 측면이 있어 더욱 빛을 발한다. ‘잠자는 미녀’가 셋 등장하지만 감독이 선택한 한 명만이 잠에서 깨어나게 되는 것이다. 이런 의미에서 영화의 첫 숏은 조심스럽게 열쇠를 제시한다. 2008년 11월 실제 있었던 사건을 토대로 한 영화로, 이자벨 위페르, 토니 세르빌로, 알바 로바허 등 쟁쟁한 배우들의 연기 또한 볼 만하다. (이수원_2012년 제17회 부산국제영화제)

The Ciraulo family lives in the miserable district of Palermo called "Zen". When one of their children dies in a shootout between mafia gangsters they receive compensation and buy a luxury black Volvo. Things go wrong when Trancredi, another son, takes the car out and damages the car door.

Amanzio Rastelli appointed several of his relations to managerial positions in his firm. They decided to think internationally and now business is heavily in debt. Luckily for the Rastellis, Bolta the accountant uses all the tricks of his art to cook the books, but catastrophe awaits.

Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours later, Marc finally puts a name to her face. It's Cathy, the girl he was in love with growing up in Oran, Algeria, in the last days of the French colonial regime. Marc hurries to her hotel. They spend the night together. Then she's gone again. And Marc's mother tells him Cathy never left Algeria. She was killed with her father in a bombing just before independence...

1828. In the wake of the repression of revolutionary movements in Southern Italy, three young friends join Giuseppe Mazzini's republican and unificationist cause. Their idealism will clash with the inevitable disillusionment as they grow apart over the decades.

The story of a man who murdered thirty-two people, gained power, and then got afraid because too many people wanted to kill him. One August morning, he disappeared. For fifteen years, everyone believed him dead.

Marino Pacileo has a soft spot for gambling. When he discovers that Lila's father, the young Chinese girl that he is in love with cannot pay a debt, the gambler steals money from the jail he is in to help the love of his life.

영화는 줄리오 안드레오티의 삶을 연대기 순으로 그리거나 각 사건들을 친절하게 설명하지 않는다. 대신 주요 사건들을 간략하게 묘사하고 안드레오티의 모호한 행동들을 더 자세하게 보여주며 그의 복잡한 내면을 포착하려 한다. 영화의 시작과 함께 1978년 좌파혁명단체인 붉은 여단이 이탈리아의 전 총리 알도 모로를 납치해 몸값을 요구했다가 당시 총리였던 줄리오 안드레오티가 이를 거부하자 알도 모로를 살해했다는 정보가 자막으로 등장한다. 그리고 영화는 다음 장면에서 구체적인 맥락을 알려주지 않은 채 암살로 사망하는 사람들을 연속적으로 보여주며 안드레오티의 정치 인생이 피로 얼룩져 있음을 보여준다. 줄리오 안드레오티는 총리와 장관을 여러 번 거친 거물 정치인이다. 그는 정치적 동료들과 함께 작은 방에 모여 앉아 항상 누가 누구의 편인지 대화를 나누며 자신의 정치 권력을 공고히 한다. 그 와중에 안드레오티의 심기를 거스른 것으로 보이는 사람들은 계속해서 암살을 당한다. 한편 검찰은 안드레오티와 마피아의 연관을 본격적으로 조사하기 시작한다. 즉 안드레오티가 정치적 반대편을 제거하기 위해 마피아와 손을 잡고 암살을 사주해왔다는 것이다. 결국 각각 다른 혐의로 재판들이 열리지만 그는 모든 혐의를 부인하고 증거 부족으로 재판들은 하나둘씩 기각된다.

카모라(나폴리판 마피아)가 군림하는 폭력의 도시 나폴리. 생존을 위해서는 조직의 법에 따라야 한다. 어려서부터 카모라를 동경하는 토토, 조직에서 벗어난 인디펜던트 갱을 자처하는 마르코와 치로, 배후에 카모라가 조종하는 폐기물처리를 시와 협상하는 프란코 등 6개 이야기가 교차편집됨으로써, 부패와 죽음이 지배하는 현대판 ‘고모라’를 적나라하게 조명한다.

아침 8시, 마르타는 이모 집에서 하룻밤을 보낸 후 도넛을 먹으며 집 주변을 서성인다. 갑자기 밴 한대가 마르타 앞에 서더니, 차 안의 남자 마리오가 자신의 농장으로 가자고 제안한다. 마르타는 이제 고작 6살의 어린 소녀이다.

Live performance, Festival d'Aix-en-Provence, July 2006. 'L'italiana in Algeri' (English: 'The Italian Girl in Algiers') is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.

The texts of the poet, director, and writer Pier Paolo Pasolini, read by Toni Servillo and accompanied by archival images, reconstruct the history of Italy since the war through to the 70s: the love for the people, the hatred of the bourgeoisie, the difficult relationship with the youth protest.

Although this sounds like a weekend like many others, in the Prior house the atmosphere is rather tense because of some nervousness on the part of individual members of the family, especially the father, Peppino, who gets angry with anyone who happens to shoot: with their children, Juliana and Roberto, and his sister, aunt Meme. Meanwhile, his wife Rosa is dedicated to the preparation of the sauce, which she will serve for Sunday's lunch, to which she invited the neighbors, the accountant Ianniello and his wife.

Although this sounds like a weekend like many others, in the Prior house the atmosphere is rather tense because of some nervousness on the part of individual members of the family, especially the father, Peppino, who gets angry with anyone who happens to shoot: with their children, Juliana and Roberto, and his sister, aunt Meme. Meanwhile, his wife Rosa is dedicated to the preparation of the sauce, which she will serve for Sunday's lunch, to which she invited the neighbors, the accountant Ianniello and his wife.

질로라모는 판에 박힌 일상을 지루하게 살아가고 있다. 뭔가 알 수 없는 그 무엇을 기다리며 거의 10년전부터 스위스의 루가노 호텔에서 그저 무미한 일상을 보내고 있는 것이다. 그의 생활은 일정한 궤도 내에서 한 치의 흐트러짐 없이 반복되는 일상이 기다리고 있을 뿐이며 그는 그것을 벗어나는 삶을 용납하지 않는다. 주변의 인위적인 인간관계나 개인 감정 따윈 안중에도 없고 그 또한 스스로 아무 감정이 없다. 아무 얘깃거리도 없는 것이다. 그러던 어느 날 그가 그의 모든 삶의 규칙을 깨고 호텔 바텐더인 소피아와 몇 마디의 대화를 나누기로 결심을 한다. 그러자 삽시간에 엄청난 변화가 밀려들어 오면서 그의 삶은 송두리째 일대 변혁을 맞게 된다.

The story of two men, both named Antonio Pisapia, who are on the decline and lead strangely parallel lives. One is a pop singer whose success ends after a sex scandal; the other is a football player whose career is cut short by an injury.

Italian filmmaker Antonio Capuano writes and directs the grueling gangster drama Luna Rossa (Red Moon). Aging Tony Cammarano (Italo Celoro) is the patriarch of an organized crime family, but his son Amerigo (Toni Servillo) runs most of his operations. Amerigo is a killer who invites his mistress, Rita (Lucia Ragni), to live in the family house. Meanwhile, his wife, Irene (Licia Maglietta), has an affair with mob henchman Egidio (Antonino Iuorio), who fancies the Cammarano's teenage daughter, Orsola (Antonia Truppo). This leaves Irene to eye her own son, Oreste (Domenico Balsamo), who has taken to self-mutilation. Luna Rossa won the Wella Prize at the 2001 Venice Film Festival.

A group of actors meet with little money in a unofficial theatre in Naples' Spanish Boroughs. Director's plan is to travel to Sarajevo, still under siege, to stage a classic Eschilus' play about civil war in Tebe. While they rehearse in the theatre cast members come and go and another kind of war goes on every day in nearby streets of old Naples.

Five Neapolitan directors depict life in the city under the shadow of Mount Vesuvius for this anthology film of comedy, drama, surrealism, and political commentary.

Mario Martone films the eponymous stage show by Enzo Moscato.

Mario Martone films the eponymous stage show by Enzo Moscato.

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.