Toni Servillo

A well-known Neapolitan writer returns to his hometown after a long absence and encounters an old friend known as Caracas. Caracas, once a neo-fascist skinhead, is now converting to Islam.

A dark story of revenge and redemption, which will be the last chapter of Stefano Sollima’s Roman criminal trilogy.

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

In the exact moment they’re hitting rock bottom, a man, two women and a boy meet a mysterious man capable of gifting them a week of time where they’ll discover how the world would be without them. Will they find the strength to start over and fall in love with life again?

During a trip to Sicily in 1920, Luigi Pirandello meets two gravediggers-turned-playwrights rehearsing a play with their amateur dramatics. Pirandello takes an interest in the odd couple, having been suffering from writer's block while working on his eventual masterpiece, Six Characters in Search of an Author.

The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?

The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists

The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists

An Italian documentary about Italian cinema.

Na Nápoles dos anos 80, um jovem louco por futebol se vê diante de uma tragédia familiar que define seu futuro incerto, porém promissor, como cineasta.

A prison drama where an old mobster and a prison guard must find a way to coexist so that imprisonment can become less so, and perhaps reveal the paradox that is behind the very concept of captivity.

O filme conta a história de Eduardo Scarpetta (Toni Servillo), uma lenda da comédia italiana. Tudo muda na vida do humorista quando ele encena uma paródia de La figlia di Iorio, uma tragédia escrita pelo maior poeta italiano da época, Gabriele D’Annunzio. Após a apresentação ser interrompida por vaias e assobios, Scarpetta acaba sendo processada por plágio pelo próprio D’Annunzio, sendo a primeira ação judicial sobre direitos autorais na Itália. Inspirado em acontecimentos reais.

A short movie about coming back to the cinema after lockdowns.

No caminho para a escola, Samantha, de 13 anos, é sequestrada. 15 anos depois ela se encontra no hospital, em estado de choque, mas viva. O Dr. Green, assumi o trabalho em ajudá-la a se lembrar. E juntos eles enfrentam a memória do labirinto, uma prisão subterrânea na qual a ela foi submetida a jogos e enigmas para resolver, recompensando ou a punindo, mas sempre sem revelar as razões de toda essa situação perturbadora.

No caminho para a escola, Samantha, de 13 anos, é sequestrada. 15 anos depois ela se encontra no hospital, em estado de choque, mas viva. O Dr. Green, assumi o trabalho em ajudá-la a se lembrar. E juntos eles enfrentam a memória do labirinto, uma prisão subterrânea na qual a ela foi submetida a jogos e enigmas para resolver, recompensando ou a punindo, mas sempre sem revelar as razões de toda essa situação perturbadora.

Through the rehearsals and the tour of the show based on Uncle Vanya by Anton Chekhov, Vinicio Marchioni takes us to the Italian province destroyed by the earthquake and the places of the Russian writer. The Vanja earthquake starts from the Chekhovian masterpiece to investigate Italian post-earthquake immobility through the tragicomic gaze of Chekhov, making the public aware of the extraordinary human strength of the writer. A journey into the Italian theatrical creation; a journey in the earthquake that destroyed central Italy; a journey into the words and soul of Anton Chekhov.

The documentary is about a well-known Venetian artist, Emilio Vedova, born exactly one hundred years ago. Our guide to the artist's life is his own diaries, read to us by a superb actor: Toni Servillo. The portrait of the artist is rounded out by interviews with influential figures in the art world who knew Vedova and saw him in action. Above all, however, it is Vedova himself who erupts on the screen, thanks to stock footage and his own painting style.

Peppino, a retired hitman for the Camorra, has now fully passed on his job and know-how to his single son, Nino. But when Nino is brutally assassinated, the old man is back in business to take revenge. Aside his everlasting love Rita and his longtime henchman Totò, Peppino will go to any lengths, even if it means bringing the Camorra down.

A aventura humana e da criação artística de Elvira , o show do produto Toni Servillo juntamente com o Piccolo Teatro de Milão, elaborado a partir das lições de Louis Jouvet no conservatório de Paris de Arte Dramática em 1940.

Internationally released Director's Cut of "Loro 1" and "Loro 2", which were released separately as two movies in Italy. The film talks about the group of businessmen and politicians – the Loro (Them) from the title – who live and act near to media tycoon and politician Silvio Berlusconi in the years between 2006 and 2009.

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

In 1937 the Nazi regime held two exhibitions in Munich: one to stigmatize “Degenerate Art” (which they systematically looted and destroyed) and one, personally curated by Hitler, to glorify “Classic Art”. This immersive new documentary reveals the Nazi’s complicated relationship with classical and modern art, displaying an incredible number of masterpieces by Botticelli, Klee, Matisse, Monet, Chagall, Renoir and Gauguin amongst others, intertwined with human stories from the most infamous period of the twentieth century. A state-of-the-art detective story exploring the Nazis’ obsession with creative expression, Hitler versus Picasso combines history, art and human drama for an unforgettable cinema experience.

Em uma aldeia alpina no norte da Itália, o Detetive Vogel (Toni Servillo) é chamado para investigar o misterioso caso do desaparecimento de Anna Lou, uma menina de 15 anos de família religiosa. Seria esse desaparecimento repentino um caso de rebeldia adolescente, ou existe um terrível criminoso escondido entre uma comunidade aparentemente tão pacífica? Com métodos questionáveis e em meio a uma intensa cobertura da mídia, Vogel se põe a tentar descobrir e ninguém está livre de suspeitas.

Depressed Jewish shrink Elia one day meets Claudia, a young and eccentric personal trainer.

Roberto Salus (Toni Servillo) é um carismático monge que foi convidado para participar de uma reunião com ministros de finanças em um luxuoso hotel na costa do Báltica. Mas quem convidou o frade para a reunião? E quem matou um dos financiadores que tinham planos radicais de mudar a ordem econômica mundial?

A confessional meditation on the relation between water and land, between light and dark, between past and present, between the living and the inanimate, dreams and achievements.

Drama, documentary

Three stories to narrate the relationship between mount Vesuvius and the humanity living at its feet. Maria and her flower garden, Matteo, an artist who paints using the volcano's ashes, and Yole, a neo-melodic singer whose devotion to the Virgin Mary is almost idolatric.

Vencedor do Oscar de Melhor Filme Estrangeiro, este conto à la Fellini de decadência e amor perdido encontra um jornalista envelhecido na Itália relembrando seus dias em meio à exuberante vida noturna de Roma após seu 65º aniversário.

A candidatura do secretário principal do partido da oposição, Enrico Oliveri (Toni Servillo), não esta indo tão bem quanto planejada. Uma noite, após um debate, ele desaparece. Seu assessor e sua esposa dão início a uma busca sobre o porquê do desaparecimento e se mais alguém esta envolvido nessa história. De repente, o secretário reaparece, agindo de forma diferente. Suas atitudes surpreendem a todos e fazem a cotação do partido subir. Tudo vai bem até que alguém resolve segui-lo.

Girlfriend in a Coma is a documentary that exposes the dire situation of Italian politics and the process of economic and social decline the country has suffered during the last two decades, treating the decline as a warning of what might happen elsewhere in the West. The decline has occurred amid a collapse of moral values and the victory of “Mala Italia” over “Buona Italia”. It has been lauded as being ground-breaking in its creative combination of animation, interviews and hard facts, and has caused fierce controversy in Italy.

Eluana Englaro é uma italiana de 38 anos que está há 17 anos em um estado vegetativo, em coma desde um acidente de trânsito. Seus pais lutam na justiça para conseguir autorização pela opção de deixar a filha morrer, mas a eutanásia não é permitida pela lei neste caso. A história de Eluana reflete na vida de outras pessoas, como a mãe, que cuida da filha em coma. Com o posicionamento da igreja, questões delicadas envolvendo escolhas, respeito, amor e esperança vêm à tona.

The Ciraulo family lives in the miserable district of Palermo called "Zen". When one of their children dies in a shootout between mafia gangsters they receive compensation and buy a luxury black Volvo. Things go wrong when Trancredi, another son, takes the car out and damages the car door.

Amanzio Rastelli appointed several of his relations to managerial positions in his firm. They decided to think internationally and now business is heavily in debt. Luckily for the Rastellis, Bolta the accountant uses all the tricks of his art to cook the books, but catastrophe awaits.

Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours later, Marc finally puts a name to her face. It's Cathy, the girl he was in love with growing up in Oran, Algeria, in the last days of the French colonial regime. Marc hurries to her hotel. They spend the night together. Then she's gone again. And Marc's mother tells him Cathy never left Algeria. She was killed with her father in a bombing just before independence...

1828. In the wake of the repression of revolutionary movements in Southern Italy, three young friends join Giuseppe Mazzini's republican and unificationist cause. Their idealism will clash with the inevitable disillusionment as they grow apart over the decades.

Rosario é um homem que assassinou 32 pessoas, ganhou poder e depois se sentiu acuado, porque muitas pessoas queriam matá-lo. Em uma manhã ele desapareceu. Por anos, todos acreditaram que ele estava morto. Porém, ele vivia numa pequena pousada perto de Frankfurt. Quando o passado retorna com a chegada de dois italianos à pousada, Rosario é obrigado a acertar as contas com ele.

Gorbaciof é um homem solitário que tira dinheiro de seu local de trabalho para manter suas apostas. Sempre vai a um restaurante chinês para jogar cartas. Lá conhece Lila, a filha do dono, por qem se apaixona e deverá proteger.

Drama biográfico de um dos personagens mais polêmicos da política italiana, Giulio Andreotti, conhecido como 'Il Divo'.

Painel brutal e perturbador da máfia napolitana, uma das mais sangrentas e lucrativas da Itália atual.

A cop investigates the murder of a beautiful teen girl left naked by a lake.

Live performance, Festival d'Aix-en-Provence, July 2006. 'L'italiana in Algeri' (English: 'The Italian Girl in Algiers') is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.

The texts of the poet, director, and writer Pier Paolo Pasolini, read by Toni Servillo and accompanied by archival images, reconstruct the history of Italy since the war through to the 70s: the love for the people, the hatred of the bourgeoisie, the difficult relationship with the youth protest.

Although this sounds like a weekend like many others, in the Prior house the atmosphere is rather tense because of some nervousness on the part of individual members of the family, especially the father, Peppino, who gets angry with anyone who happens to shoot: with their children, Juliana and Roberto, and his sister, aunt Meme. Meanwhile, his wife Rosa is dedicated to the preparation of the sauce, which she will serve for Sunday's lunch, to which she invited the neighbors, the accountant Ianniello and his wife.

Although this sounds like a weekend like many others, in the Prior house the atmosphere is rather tense because of some nervousness on the part of individual members of the family, especially the father, Peppino, who gets angry with anyone who happens to shoot: with their children, Juliana and Roberto, and his sister, aunt Meme. Meanwhile, his wife Rosa is dedicated to the preparation of the sauce, which she will serve for Sunday's lunch, to which she invited the neighbors, the accountant Ianniello and his wife.

Titta Di Girolamo é um homem introvertido que vive num Hotel na Suíça há quase 10 anos, com uma rotina rígida, ignorando os que estão à sua volta. Até que um dia decide quebrar uma das suas regras e troca algumas palavras com Sofia, a atraente barmaid do hotel. A partir desse momento o terrível passado de Titta começa a revelar-se.

The story of two men, both named Antonio Pisapia, who are on the decline and lead strangely parallel lives. One is a pop singer whose success ends after a sex scandal; the other is a football player whose career is cut short by an injury.

Italian filmmaker Antonio Capuano writes and directs the grueling gangster drama Luna Rossa (Red Moon). Aging Tony Cammarano (Italo Celoro) is the patriarch of an organized crime family, but his son Amerigo (Toni Servillo) runs most of his operations. Amerigo is a killer who invites his mistress, Rita (Lucia Ragni), to live in the family house. Meanwhile, his wife, Irene (Licia Maglietta), has an affair with mob henchman Egidio (Antonino Iuorio), who fancies the Cammarano's teenage daughter, Orsola (Antonia Truppo). This leaves Irene to eye her own son, Oreste (Domenico Balsamo), who has taken to self-mutilation. Luna Rossa won the Wella Prize at the 2001 Venice Film Festival.

A group of actors meet with little money in a unofficial theatre in Naples' Spanish Boroughs. Director's plan is to travel to Sarajevo, still under siege, to stage a classic Eschilus' play about civil war in Tebe. While they rehearse in the theatre cast members come and go and another kind of war goes on every day in nearby streets of old Naples.

Five Neapolitan directors depict life in the city under the shadow of Mount Vesuvius for this anthology film of comedy, drama, surrealism, and political commentary.

Mario Martone films the eponymous stage show by Enzo Moscato.

Mario Martone films the eponymous stage show by Enzo Moscato.

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.