Morten Arnfred

10 short documentaries which form a presentation of Denmark as part of a dialogue project in the wake of the Muhammed drawings. 10 reputable Danish filmmakers are invited to create 10 presentations of Denmark, in collaboration with second-generation immigrants with roots in the Middle East. Each film is shaped as this person's personal application to a relative or acquaintance in the Middle East. The assignment is: Give an important statement about your Denmark, with the intention of challenging and differentiating the image your relative or acquaintance has of Denmark. The strength of the films is in insight and reflection, rather than the dramatic news approach and is communicated through the personal approach to the subject. The 10 films are joined together into one film (duration 58:30 mins), and this film will be a quick and intense contribution to the debate following the publication of the Muhammed drawings.

Anne has started a wedding planning biz with happily flaming designer Lars and grumpy accountant Jesper. Hoping to make a big public splash, they land upcoming event that will marry TV chat hosts Anders and Signe. Instant attraction between Anne and Anders is complicated even further by her planned nuptials with boring b.f. Simon.

Morten Arnfred's warm comedy Lykkevej (Move Me) begins with Sara (Birthe Neumann) being left by her husband of a quarter century. Sara gets a job and moves into a new home on a street populated by eccentrics. Neighbor Robert (Jesper Lohmann) showers in his backyard, has been in mourning since his wife's death, and annoys his neighbors by keeping junk on his front yard. Sara and Robert tentatively strike up a relationship, while a couple on the street, Sus and Bo (Ditte Grbl and Asger Reher), have their own marriage issues to deal with. Move Me was screened at the Gothenburg Film Festival.

Morten Arnfred's warm comedy Lykkevej (Move Me) begins with Sara (Birthe Neumann) being left by her husband of a quarter century. Sara gets a job and moves into a new home on a street populated by eccentrics. Neighbor Robert (Jesper Lohmann) showers in his backyard, has been in mourning since his wife's death, and annoys his neighbors by keeping junk on his front yard. Sara and Robert tentatively strike up a relationship, while a couple on the street, Sus and Bo (Ditte Grbl and Asger Reher), have their own marriage issues to deal with. Move Me was screened at the Gothenburg Film Festival.

Egon escapes from the psychiatric ward, where he has been incarcerated since the gang's last coup. Keld and Benny pick him up, and when Egon, as always, is planning the big heist, the Olsen Gang is once again on the move.

A serial killer that decapitates people is on the loose in the Stockholm subway. Martin Beck and his colleagues try to catch the killer, while the panic in the city increases.

A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure. Written by Fredrik Klasson

'죽음의 신', '철새', '거인', '악마전'. 이렇게 4부로 구성된 는 코펜하겐의 습지대에 세워진 음울한 종합병원의 모습을 그리고 있다. 병원에서 유일하게 죽은 메리의 상처를 알고 영혼을 달래려던 드루쎄 부인(크리슨 롤프)이 어느날 병원을 나서다가 앰뷸런스에 치인다. 꾀병이라도 부려 킹덤에 머물고자 했던 드루쎄 부인은 심각한 중상에 뒤이은 죽음으로 킹덤을 떠나게 된다. 영혼과 악령의 추격은 킹덤의 미궁같은 복도를 통과하며 계속되고, 킹덤의 앰뷸런스는 미친 듯이 질주한다. 병원의 피로에 찌든 모그와 병원 사람들은 죽음을 담보로 중앙선을 가로지르는 앰뷸런스의 스피드 기록에 내기를 건다. 헬머(에른스트 휴고 예어가르트)는 자신의 과실을 세상에 알리려는 모나를 세탁물 컨베이어에 숨기고 킹덤은 점점 더 답이 없는 의문들로 뒤덮힌다.

1970년대 초 스코틀랜드 해안 지역의 순진한 소녀 베스는 북해 석유 채굴장에서 일하는 자유분방한 얀을 사랑한다. 동네 사람들의 반대에도 불구하고 두 사람은 결혼을 한다. 그러나 얀은 일 때문에 북해로 되돌아가게 된다. 하나님에 대한 자신의 간구에 의해 그들의 사랑이 천국에서 맺어진 것이라 확신하는 베스는 그가 돌아올 날 만을 손꼽아 기다린다. 그러나 얀은 사고로 인해 불구가 되고 만다. 그리고 얀은 베스가 스스로를 일상적인 삶으로부터 차단시킬까봐 걱정한다. 앞으로 침대 신세만 질 것을 알게 된 그는 베스에게 그녀가 애인을 갖는 것이 그의 회복에 도움이 될 것이라고 설득한다.

심령술에 빠져 노후를 보내고 있는 드루쎄 부인(키르스텐 롤페스)은 적적함을 달래기 위해 상습적으로 병원에 입원한다. 어느날 그녀는 병원에 어린 소녀 메리의 영혼이 떠돌고 있음을 느끼고 메리의 억울한 죽음에 얽힌 사연을 알게 된다. 메리의 죽음은 의사 헬머(에른스트 휴고 예어가르트)의 의료사고와 관련이 있는 것으로 헬머는 자신의 과오를 숨기기 위해 수술 기록을 없애려 한다. 그러던 어느날 보건 장관이 병원의 감사를 나오면서 헬머 뿐 아니라 킹덤의 행정을 맡고 있는 모즈거드 박사 등 병원 의료진들은 긴장한다. 한편 주디스는 전 애인의 아이를 임신한 사실을 뒤늦게 알게 되고 뱃 속의 태아는 비정상적인 속도로 자라난다. 죽은 메리의 영혼은 점점 더 자주 출몰하고 병원 전체의 묵은 비리가 서서히 드러나기 시작한다.

When a secretary at the Danish embassy in Russia dies in suspicious circumstances, the local police seem determined to close the case. But diplomat Jack Anderson, who has been brought in to observe, falls for a beautiful singer with ties to the murder and begins his own investigation.

Maria grows up in a seedy 1960s working class neighborhood, the daughter of an ambitious emigrant father and soon caught up in her own dangerously one track-minded pursuit of a violinist's career. A rich gallery of highly original characters contribute, for better and for worse, to Maria's coming of age. Based on Kirsten Thorup's critically acclaimed 1982 novel, filmed by Morten Arnfred.

Directed by Morten Arnfred

Directed by Morten Arnfred

From a working class coming-of-age novel, Morten Arnfred fashioned his feature film to recapture the feel, the sting, the pain, but also the spirit of solidarity of the 1950s in the metropolitan city of Copenhagen: at the center, young Johnny, helpless, hapless, happy, unhappy, going through the motions of growing up. Bodil awards: Best Film and Best Actor (Allan Olsen).

From a working class coming-of-age novel, Morten Arnfred fashioned his feature film to recapture the feel, the sting, the pain, but also the spirit of solidarity of the 1950s in the metropolitan city of Copenhagen: at the center, young Johnny, helpless, hapless, happy, unhappy, going through the motions of growing up. Bodil awards: Best Film and Best Actor (Allan Olsen).

Steffen is a good kid, a teenager who has recently finished school and is looking for work. He lives with his widowed mother, a newspaper reporter. Very little throws him off his stride, whether it is his girlfriend's jealousy of his friendship with Charly, a reform-school boy, or his mother's drunken, playful amorousness one night, because he reminds her of his father.

Steffen is a good kid, a teenager who has recently finished school and is looking for work. He lives with his widowed mother, a newspaper reporter. Very little throws him off his stride, whether it is his girlfriend's jealousy of his friendship with Charly, a reform-school boy, or his mother's drunken, playful amorousness one night, because he reminds her of his father.

A boy, as seen through three ages and episodes of his life: as a small boy having a boy cousin as his house guest, as a high-school boy in abject love, and as a young stud trying to bed down a nurse.

Efter et sanatorieophold pga. voldelig opførsel under en arrestation, bliver kriminalassistent Karl Jørgensen overført til bedrageriafdelingen. Her opdager Karl en sag, hvor hans ekskone og hendes nye mand er indblandet. Da Karl begynder at undersøge sagen, bliver han stoppet af politimesteren. Karl slår sig sammen med journalisten John Bullnes. De kommer efterhånden tættere på sandheden, men stoppes da en mistænkt begår selvmord. Karl bliver suspenderet og Bullnes sendes til Berlin på en opgave. Karl tager herefter sagen i egen hånd og anholder byens borgmester og en stor entreprenør. © Copyright 1997-2012, Lone Hansen & Per Kjær Fredborg

15-year-old Kim - an ordinary teenager, given mostly to himself, living with an unmarried mother in a small apartment. Once Kim together with an unfamiliar girl falls hostage during a bank robbery, but after making ​​friends with the leader of the robbers, Kim and his new friend run away from them. Settling for a while in an empty house, teenagers fall in love.