Pascal Cervo

Alain lives locked up in a large house with his husband, Raphael. They were about to renovate the place and turn it into a bed and breakfast. A new virus, still unknown, poisoning the air, stops them in their dream. Alain is now obsessed with the idea of protecting Raphael, whose health is fragile. But the latter is suffocating, for him it is the house that is unhealthy, as if haunted.

Lucas is 17 when his teenage world is suddenly shattered. He views his life as a wild animal in need of taming. Between a brother settled in Paris and a mother with whom he now lives alone, Lucas will to have to fight to rediscover hope and love.

It could have been a normal day for Virgile, but that's not the way it turned out. After being the victim of a strange attack, the young man is then forced to share a dressing room with Robert Lesmur, the main actor of the play in which he plays an extra. A disturbing character, Robert stimulates feelings in Virgile that will quickly overwhelm him.

It could have been a normal day for Virgile, but that's not the way it turned out. After being the victim of a strange attack, the young man is then forced to share a dressing room with Robert Lesmur, the main actor of the play in which he plays an extra. A disturbing character, Robert stimulates feelings in Virgile that will quickly overwhelm him.

Martin, in a last ditch hope, comes to meet Léa in Paris. They are both twenty-five and shared their first love story together. They are both now striving to mature.

"Train de vies" crosses a series of characters who, in pairs, confess to each other their innermost desires and their most secret memories.

In a ruined house, four men and two women find a nun. All these people have deserted an anonymous war.

Mavie is 27 years old and has just moved to the French capital from the provinces. She dreams of a future as a writer but is plagued by doubt and uncertainty. 76-year-old misanthrope Georges runs a bookshop in Paris – or has he merely been forced to take refuge there to escape his past? These are two peculiar creatures indeed. Georges is cynical and no longer expects much from life, while Mavie is still brimming with expectation. Yet something magical happens between them, until Georges' dark secret suddenly catches up with him – and Mavie is caught up in something very different...

Hugues is forty years old. He's an actor but he doesn't want to perform. He's taken refuge with Serge, his partner, in the house where he grew up. However, Micheline, a director, insists that he tread the boards once again. Serge gives him an ultimatum: it's him or the play. Hugues chooses the play. When rehearsals start, Hugues, alone in the house, discovers naked people frolicking in the field adjoining the garden.

Hugues is forty years old. He's an actor but he doesn't want to perform. He's taken refuge with Serge, his partner, in the house where he grew up. However, Micheline, a director, insists that he tread the boards once again. Serge gives him an ultimatum: it's him or the play. Hugues chooses the play. When rehearsals start, Hugues, alone in the house, discovers naked people frolicking in the field adjoining the garden.

A man leaves everything behind to travel aimlessly through France, letting himself be guided only by the people and landscapes he encounters: four days and four nights of wandering, during which his lover tries to locate him via Grindr, a smartphone dating app.

A car trip will be an opportunity for a son to at last tell his father everything that is weighing on his heart.

Laurent is seeking a path in life after living his childhood and teenage years in laziness. He has a conflictual relationship with Rodolphe, his father, and both are too emotional to express their mutual affection. Despite the women of his life hanging around him , Rodolphe has but one obsession: meeting Marguerite again, the first love of his life.

Laurent Achard set up his camera on the set of Paul Vecchiali’s film Le Cancre to capture the director’s creative power. Although Vecchiali’s precision is impressive, Achard also shows moments where his collaborators’ input is essential. Under the director’s eye, the stars are becoming actors again, and Achard revives the heritage of Vecchiali’s '70s and '80s production studio Diagonale.

결혼한 지 십 년을 훌쩍 넘긴 오딜은 그녀의 남편 쟝이 바람을 피웠다고 의심을 하게 되고, 그에게 똑같이 되갚아 주기로 결심한다. 운명은 그녀를 복수를 위해 이용할 배우인 다니엘에게로 이끈다. 게이이며 현재 전직 군인인 알베르트와 함께 사는 다니엘은 그녀와 사랑을 나누게 된다. 하지만 이 일은 예상치 못한 결과를 낳는다.

Thirty years old, a nothing job, a timid love affair: Rémi is a little at sea in his life. Until the day when he must share it with his double, another him, invasive and not so nice. Which one will be the true Rémi?

Some days in the life of Colette, her escape from the hospital Sainte-Anne in the borders of the Camargue. Some days to review her past and to try to take back control.

A man walks every night along the jetty. There he meets a young woman who is waiting for the man of her life. Over four nights, they discuss life and he gradually falls in love with her.

After the death of his partner, a man discovers on the Internet that the latter had virtual relations with another man.

Two Parisian high school students murder a woman they chose as a victim from a chance encounter.

Thierry is a night watchman in a hotel. Solitary and indecisive, some nights he joined Mr. Zutawski, a painter, and poses for him.

A young man (hypothesis 1) and a young woman (hypothesis 2) refuse any dinner or other invitations so as to give themselves over to an evening ritual.

Documentary about the the film critic and filmmaker Jean-Claude Biette.

In the twilight of their life, Odile and Marcel still love each other. Affected by an incurable disease, Odile must be hospitalized. Feeling the end of Odile so close, the couple decided to commit suicide, so not to be separated. The time of a last Sunday.

A young woman tries to adjust to freedom after she spends eight years as a prisoner to a strange man.

Sylvain, a young man, devotes his life to small, local movie theater destined to be shut down. He lives in the theater's basement and is the theater programer, projectionist, and ticket seller. Each night, after the last screening, he leaves the building to carry out a ritual killing.

An 18-year-old beauty develops an attraction to an older photographer.

In 1995, four student friends formed a band. Upon returning from a party, they discover the body of a young waitress of 19 years at the edge of a road. The young woman died in their arms. Commissioner suspect the four boys but can not prove it. None of them admit ... Fifteen years later, on the anniversary of the death of the young waitress, one of four men killed by a bomb hidden in his apartment ...

2차 대전 중 독일군 점령하의 파리. 아르메니아에서 망명한 시인 미삭 마누치안은 이상을 위해 죽는 것과 사람을 죽이는 것은 별개라고 생각하지만, 외국인 젊은이들로 구성된 레지스탕스를 이끌게 되면서 이상과 현실이 다르다는 것을 깨닫는다. 그의 활약으로 레지스탕스 내에는 그의 이름을 딴 마누치안 네트워크까지 생겨나게 되고, 나치군은 프랑스 경찰과 협력해서 그들을 소탕하기 시작한다. 나치 점령 당시 파리에서 활동했던 외국인 레지스탕스의 실화를 바탕으로 한 감동 대작. (2010년 4회 서울충무로국제영화제)

Valérie left the gallery of Madam Frédérique Sainteure, collector of art, renowned for her taste and her demanding nature. For the organization of the first exhibition since her departure, Marine has the difficult task to succeed her.

It is the end of a meal. Eight people are gathered around a big table. They evoke the memory of a lost friend. Through the stories of each about the absentee, the character traits, the haabits or the expressions, a portrait in hollow is outlined.

Oana is working. I am watching her. Tonight, the very last file will be closed. She does not want to translate the words of others anymore. She thinks that tomorrow she will start writing her own words. But she will not, I know that…

Centers on three childhood friends: Muriel, Francois and Rene. Partners in crime (burglaries, to be precise), the three end their "criminal" activities after one of their attempted burglaries fails. They vow never to see each other again until, however, Muriel's son is kidnapped, which leads the three to join forces again to get the ransom money.

It’s summer and the beginning of the long vacation period for eleven-year-old Martin, who lives on a farm, and, at a loss, observes his family’s disintegration : his mother lives locked-up in her room ; his older brother, who he adores, drowns himself in drink ; and his father, dominated by Martin’s grandmother, is a helpless onlooker to the family’s collapse. Although Mistigri, his cat, and Malika, the Moroccan maid, afford him some comfort, Martin is determined to put an end to this confusion.

At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?

The title reflects the brand of a financial institution, the bank of the Saltim family: Frederic, the younger brother, runs the family bank; his brother Bruno rejected the position of executive director, and chose to fund a theatrical company. Around them, there is a net of family members, friends, and acquaintances who seem to swirl around the banking brothers. Frederic and Bruno are both trying to control the future of their beautiful niece, Vanessa. The coffee shop owners Eve and Jim complicate everybody's life with their intrigues and lies. A strange stage director comes from his foreign exile. And lack of funds suddenly reveals the true colors of everyone - in banking, on stage, and everywhere.

In Paris, in 1943, Jules, a 19-year-old Jew, lived without an ideal, tossed about by circumstances. He becomes in turn a traitor then a hero. Thomas, his fifteen-year-old brother, wants to act and fight in resistance.

After fifteen years of absence, a man returns to his family. Five-year-old Aurelie watches the stranger arrive and develops an immediate affinity with him. Her older sister, however, is very suspicious of the intruder and certain that misfortune will follow. The adults see nothing, but struggle with all their might when tragedy strikes. Naturally, the two girls bear the brunt of the impact. The film is an homage to the distant and primitive world of childhood, which shapes each of us.

A four-story omnibus depicting different Czech slices-of-life from the titular city.

A brief extract of four kids' lives somewhere in France. Quentin, who won a writers contest and now pays more attention to his career as an author than to his friends, beautiful Julie, his girl-friend, much more mature than she looks, falling in love with Quentin's very best friend Jimmy, who is kind of stuck in his unability of self-expression and grown up under bad social circumstances. And there is the shy boy Samir, exiled from Algeria, who lost his "brother" and only friend some time ago. Samir heavily falls in love with Quentin, but he can't handle it...

This French-Belgian drama, based on a novel by Odon von Horvath, is set in 1938 in a German city along the banks of the Rhine and Ruhr rivers. It attempts to provide insight as to why certain German youths were so easily lead into becoming Nazis by using two narrators, one a teacher who challenged the movement and another by a student who embraced it. Pabst teaches a group of teenage boys, all of whom seem to be young Nazis. The trouble begins when Pabst and a WW I vet are assigned to take the class to a military camp and a nature outing for urban kids. While there a boy is brutally murdered and they blame one local girl. During her trial, Pabst speaks out against Hitler and becomes pariah. Still he continues investigating the death, at great personal expense until at last he brings the real killer to justice.

In a rural French town, a 15-year-old closeted gay boy breaks free from his idolization of his older and ostensibly free-wheeling half-sister, learning to trust himself and become independent.