Aline Gavroy

Eugenie, an esteemed cook, has been working for over the last 20 years for Dodin, a fine gourmet. Growing fonder of one another, their bond turns into a romance and gives rise to delicious dishes that impress even the world’s most illustrious chefs. When Dodin is faced with Eugenie’s reluctance to commit to him, he decides to start cooking for her.

Damien Samedi is 43 years old. When he was a child in his Belgian village on the banks of the river Meuse, they called him the “Petit Samedi”. To his mother, Ysma, Damien is still her child, the one she never abandoned when he got caught up in drugs. A son who sought to protect his mother despite it all, a man attempting to liberate himself from his addictions and faces his past to get through.

아빠와 사는 12살 소녀 달바는 성인 여성처럼 입고 치장하며 지낸다.

Anne divides her life between the primary school where she teaches and her home where she engages in a strange ritual with her son Simon. But her daughter Helena, whom she hasn’t seen in a long time, is in town for a special performance of The Rite of Spring.

What does a lifetime of service get you? That's what Inès (Jasmina Douieb) wants to find out. As the long-time office manager for EcoCleanPro Cleaning Supplies, she's the only woman on staff in this very sexist office. She does whatever it takes to keep things running – even if it means replacing toilet paper her male coworkers can't seem to do themselves. After the regional manager's visit reveals abysmal numbers in gender pay equity at EcoCleanPro, Inès wants her dedication to pay off with a raise. Unfortunately, her request is rejected by her incompetent boss Patrick (Peter Van den Begin) and, fueled by the unfairness and under the watchful eye of Melody (Laetitia Mampaka), the new intern, Inès redoubles her efforts for compensation. When her history with Patrick rears its ugly head and leads to an accident, all hell breaks loose, and the two women must combine troubleshooting skills for possibly the biggest mess of their lives.

On vacation in the countryside, a filmmaker thinks about the mourning of his parents. As their faces, and most especially their gaze, fades away, he starts meditating on masks as passages to the afterlife.

사람들은 40세의 ‘클라라’가 신과 특별한 연결고리를 맺고 있다고 믿는다. 클라라는 ‘치유자’로서 마을과 가족을 지탱하는 한편, 자연 속에서 위안을 찾는다. 어머니의 억압적인 보호 아래 수년간 통제당하며 살아온 그녀는 조카의 새로운 남자친구에게 이끌리며 성적 욕망에 흔들린다. 새로 깨어난 이 힘은 클라라를 미지의 영역으로 이끌고, 신체와 정신의 경계를 넘나들게 만든다. 클라라는 스스로 발견한 힘을 통해 성녀(Saint) 역할에서 점차 벗어나 자신을 치유하기 시작한다.

While dancing, bees tell each other stories about the world around them. People also claim a role in those stories, sometimes very close and intimate, sometimes distant and on an industrial scale. Nina de Vroome's thoughts also swarm with the bees: from the smallest cell in a honeycomb to the global economy, her essayistic nature documentary Globes charts the bond between humans and bees. As accomplished storytellers, they both give shape to their lives under the sun.

어린 시절 교통사고로 뇌에 티타늄을 심고 살아가던 한 소녀가 기이한 욕망에 사로잡혀 일련의 사건에 휘말린다. 그러던 어느 날, 그녀가 10년 전에 실종된 아들을 찾고 있는 한 남자를 만나게 되면서 벌어지는 이야기다. 호러, SF, 스릴러, 범상치 않은 러브스토리. (제26회 부산국제영화제)

국제 감사관인 프랑스인 알랭은 코카서스에 있는 오랫동안 사용하지 않고 있는 공항의 재개 여부를 승인하기 위해 공항을 감사하는 임무를 맡고 파견된다. 이 지역의 어린 소년인 에드가는 수상한 거래를 하며 공항 주변을 배회한다. 외부인인 알랭에게 이 지역 사람들의 공항에 대한 태도는 미스터리 하기만 하다.

Jules, 18 years old, reluctantly spends his holidays in the naturist campsite of his childhood. He is torn between his attraction for the beautiful Karim, a seasonal worker on the textile beach, and the depression of his mother Adèle, who refuses to let him grow up.

We know what labour wreaks on the body, but what less visible imprint does it leave on the unconscious? The nights of twelve dreamers – sometimes recounted in front of the camera, sometimes with a voice-over that accompanies shots of office buildings or urban worksites – reveal how the capitalist system invades the modern-day psyche. Long shots of edifices with smooth surfaces and sheer edges instil a deceptive gentleness. Zombies, corpses, mummies, ghosts, skulls sliced open like an egg and emptied by spoonfuls… The images follow one after the other, no two alike, but the editing organises a gradation towards the vampirism and an insidious passage from night to day, from dreams to real working life.

In the last days of the Nazi-occupied France, writer Marguerite Duras awaits the return of her husband, Robert Antelme, arrested for being a Resistance fighter and then deported, while she maintains a tense relationship with her ambiguous lover and a dangerous game with a French collaborationist. Even when the Liberation arrives, she must still endure the unbearable pain of waiting.

Nada is going home. Or at least she wants to. When she comes back to Lebanon, she realizes she's a foreigner in her own country. But there's still a place she calls home: an abandoned house in ruins, haunted by the presence of her grandfather who disappeared mysteriously during the civil war. Something happened in this house. Something violent. A young woman searching for the truth and discovering herself.

Three handicapped losers who form a band ask famous writer Dries to be their drummer. He joins the band and starts manipulating them.