Fiorenzo Serra

참여 작품

Libera
Cognato di Aurora / Barbiere / Il Pornomane
This high-energy three part comedy has a strong undercurrent of melancholy, as it shows three different women coping with difficult situations which are usually sexual in origin, even if the moment of romance is long past. In the first tale, Aurora has gotten used to a cozy, wealthy life, but begins to see her world destroyed when her husband is caught in bed with his secretary. Later, he flees the country to avoid getting arrested for something else he has done. Carmela is just welcoming her wayward son back to their slum home after he has spent a stint in "reform" school. Not only has he just confessed to her that he's gay, but he has become a heroin addict.Finally, Libera works at a newsstand outside of Naples as the sole breadwinner for her family. She is tired of her husband lounging in their house when he is not out tomcatting around with prostitutes, and decides to do something about it. So she secretly has him filmed in bed, and is marketing the tapes at her newsstand.
I cammelli
Ferruccio, who knows everything about camels, and Camillo, who acts as his manager, go to Milan to take part in a telequiz.
울 수 밖에 없잖아
uomo in chiesa
두 남자의 15세기로 시간여행
Mi manda Picone
그리고 배는 항해한다
Il Granduca
항구에 모인 사람들은 모두 오페라계의 인사들로, 전설적인 소프라노 가수 테투아의 장례식에 참석하려고 한다. 그녀가 유언으로 자신의 유골을 자그마한 외딴섬에 뿌려달라고 말했기 때문이다. 당대의 가수들, 지휘자들, 연주자들, 또 이들의 연주를 지원하고 환호했던 귀족들, 왕족들이 모여, 소프라노의 유골을 옮기는 긴 항해 길에 오른다.
Un feudo d'acqua
Director
L'ultimo pugno di terra
Director
Il pane dei pastori
Director
Filming took place in the fall of 1962 in various locations in Barbagia, Sardinia, but above all in Oliena, where the entire carasau bread processing cycle was filmed.