Luis Alvarez y Alvarez

For Mexican and Mexican American communities, boxing is more than a sport. From ring walk-ins to trunks, opponents take full advantage of the theatrical spectacle, narrating their histories and the stories of their individual fanbases. In 1996, Oscar De La Hoya, the charismatic golden boy from East L.A, challenged Mexican-born boxing legend Julio César Chávez in what was billed as the “ultimate glory” fight. Mexicans on both sides of the border were forced to choose their favorite champ: the record-holding immigrant from humble beginnings, or the younger and more marketable Olympian born in the U.S. These rivals felt the pressure to prove their athletic superiority, while the fans’ choice of champion revealed the type of Mexican they aspired to be.

Tokyo work culture's most compelling and complex protagonist; the Salaryman. A nameless, voiceless, over-worked and under-valued cog in the labour pool, expected to compromise home and social lives. Late nights and intense drinking sessions leave many of them passed out in the city streets. This slick, incisive documentary raises questions around the ethics of our global working practices in a capitalist society.

Tokyo work culture's most compelling and complex protagonist; the Salaryman. A nameless, voiceless, over-worked and under-valued cog in the labour pool, expected to compromise home and social lives. Late nights and intense drinking sessions leave many of them passed out in the city streets. This slick, incisive documentary raises questions around the ethics of our global working practices in a capitalist society.

A story that embodies the tenacity and passion of the American Dream, this documentary is a portrait of the pioneering activist Luis A. Miranda Jr. Luis is a decades-long fighter for Latino communities, a key player in the New York and national political arena, and a loving father of three – including the award-winning composer, lyricist and actor, Lin-Manuel Miranda.

A story that embodies the tenacity and passion of the American Dream, this documentary is a portrait of the pioneering activist Luis A. Miranda Jr. Luis is a decades-long fighter for Latino communities, a key player in the New York and national political arena, and a loving father of three – including the award-winning composer, lyricist and actor, Lin-Manuel Miranda.

Two mothers who were each separated from their children in the United States for months after fleeing from danger in their homelands to seek asylum work with pro-bono lawyers and volunteers to reunite with their kids who have been placed thousands of miles away from them with little access to communication.

First to Fall follows two young civilian expatriate 'rebels' on their 8-month journey to liberate Libya, their home country. Carrying cameras along with guns into battle, they took lenses where no documentary has gone before, capturing the madness of the Libyan front lines firsthand. Director Rachel Beth Anderson's distinct female perspective reveals their dramatic transformation as these young men give up comfortable, stable lives in Canada to take up arms against a corrupt regime and risk their lives in a brutal, chaotic war. Anderson's incredible access provides audiences a personal connection to this honest, witty, at times shocking, modern coming of age tale.

Fantasy Sports is estimated to be a $4 billion industry that boasts over 30 million participants and a league for almost every sport imaginable. But for all this success, the story of the game’s inception is little known. The modern fantasy leagues can be traced back to a group of writers and academics who met at La Rotisserie Francaise in New York City to form a baseball league of their own: The Rotisserie League. The game quickly grew in popularity, and with the growing use and attractiveness of the Internet, the “founding fathers” never foresaw how their creation would take off and ultimately leave them behind. Innovative filmmakers Adam Kurland and Lucas Jansen will chronicle the early development and ultimate explosion of Rotisserie Baseball, and shine a light on its mostly unnoticed innovators.

11번째 시간은 인류 멸망의 시간, 12시에 임박한 지구의 위기상황을 표현한 말이다. 배우 레오나르도 디카프리오는 11번째 시간을 통해 인류 위기의 근본 원인을 문명에서 찾으며 스스로 화를 자초해 멸종의 위기에 놓여 있는 인간에 대한 통찰과 생태에 대한 철학을 제시한다. 물리학자 스티븐 호킹을 비롯해 전 CIA 국장 제임스 울시, 국제녹십자를 설립한 미하일 고르바초프를 포함해 환경운동가, 저술가, 학자, 건축가, 디자이너 등 총 56인의 전문가 인터뷰로 구성된 이 다큐멘터리는 지금 위험에 처한 것은 지구가 아니라 인간임을 상기시키고 살아남으려면 변화해야 한다고 촉구한다.

The film concerns the theme of self-imposed limitation and continues Matthew Barney's interest in religious rite, this time focusing on Shinto

엉클 스위트하트(존 굿맨 분)와 니나 베로니카(제시카 랭 분)는 혁명 피해자들을 위한 자선 콘서트 일을 한다. 정부에서 주관하고 전국 방송으로도 나가게 되는 대형 이벤트다. 혁명과 혼란의 기운이 점점 무르익고 있는 터라 이 콘서트로 평화와 화합을 도모해 보자는 명분이다.

호탕한 설리와 재치만점 마이크는 몬스터 주식회사 겁주기 팀의 최우수 콤비다. 매일 밤 투철한 직업정신으로 인간 세계로 통하는 벽장 문을 열던 설리와 마이크 콤비는 어느 날 일생일대의 실수를 저지른다. 덜 닫힌 벽장 문 사이로 인간아이 부가 몬스터 세계에 침입한 것. 설리와 마이크는 부를 인간세계로 돌려보내고 사건을 조용히 수습하려 하지만 부는 설리를 무서워하기는커녕 애완 야옹이쯤으로 생각하고 쫄래쫄래 따라다닌다. 부의 침입이 발각되자 몬스터 주식회사는 발칵 뒤집히고 마는데...

앤디가 카우보이 캠프에 간 동안 앤디의 어머니는 벼룩 시장을 열고 앤디의 장난감 중 위지가 팔려가게 될 운명이 되자 우디가 위지를 구하러 간다. 그러나 우디는 토이 수집가 알에게 유괴당한다. 우디는 원래 제시와 스팅키와 한 세트로 셋이 모이면 일본의 토이 박물관에 갈 수 있다. 알은 우디를 새 것처럼 고쳐주고 제시와 스팅키는 우디와 함께 박물관으로 갈 것을 우디에게 요청한다. 앤디와 친구들을 생각하며 처음엔 거절했으나 우디는 그들과 함께 박물관으로 가기로 한다. 그러나 이 사실을 모르는 버즈와 토이 친구들은 구조대를 결성해 우디를 구하러 가는데...