Peter Tork

he remarkable story of the 1960's duo Tommy Boyce & Bobby Hart who created the sound of The Monkees, scored hit after hit and inspired a youth movement to lower the voting age. They were actors, activists, singers, songwriters and pop culture icons. The story of their unique partnership is told through their own movies, photographs and personal archives. Narrated by Bobby Hart and featuring commentary from Tommy Boyce, Michael Nesmith, Micky Dolenz, Peter Tork, Kim Fowley and others.

Celebrating the career of the Monkees, initially conceived as the American answer to the Beatles. Charting the group's meteoric rise during the 60s, the programme features new interviews with former members Micky Dolenz and Peter Tork.

60년대부터 70년대 초까지 6년 연속 그래미상 ‘올해의 레코드’의 영예는 뢰킹 크루가 참여한 앨범에 돌아갔다. 는 영상과 훌륭한 음향으로 그 이야기를 전하며, 60년대 히트곡들의 백비트, 스윙멜로디 등을 만들었지만 대중적으로는 잘 알려지지는 않은 이들에 대해 얘기한다. 냇 킹 콜, 프랭크 시나트라, 몽키스, 버즈, 비치보이스까지, 뢰킹 크루 뮤지션들은 아메리칸 웨스트 코스트 사운드를 전 세계의 지배적인 문화로 만들었다. 특히 이 영화는 뢰킹 크루의 전설적 기타리스트 故 토미 테데스코의 아들 데니 테데스코가 제작 및 연출을 했다는 것에도 큰 의미가 있다. (2015년 제11회 제천국제음악영화제)

In 1967, four unknown actors in a kids TV show became the biggest pop band in the world. In America, they outsold Elvis and The Beatles combined. They were The Monkees. But The Monkees were not a real band, they were a man-made money making machine, driven by ego and ambition. A machine that would ultimately crash and burn. This is the inside story of pop music's first manufactured band. -- IMDb Plot: Making the Monkees (2007)

Join Micky Dolenz, Davy Jones and Peter Tork on one of the dates from their North American Tour as they perform your favourite Monkee hits.

Hey, Hey, It's the Monkees is a one-hour comedy special televised on the ABC Network on Monday February 17, 1997. The show features all four of the original Monkees and would be the last time Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork would appear together. Michael Nesmith wrote and directed the program.

Hey, Hey, It's the Monkees is a one-hour comedy special televised on the ABC Network on Monday February 17, 1997. The show features all four of the original Monkees and would be the last time Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork would appear together. Michael Nesmith wrote and directed the program.

Hey, Hey, It's the Monkees is a one-hour comedy special televised on the ABC Network on Monday February 17, 1997. The show features all four of the original Monkees and would be the last time Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork would appear together. Michael Nesmith wrote and directed the program.

Documentary focusing The Monkees, the 1960s pop group originally created for a TV sitcom. Interviews with the band members, the show's creators, and musical collaborators and peers are featured.

욕심이라고는 없이 순진무구하게 살아가는 브래디 가족. 어느날 단란한 이 가족에게 생각지도 못한 위기가 닥친다. 재산세가 체납되어 2만 달러라는 거금을 주말까지 구하지 못하면 그들의 보금자리인 집이 공매 당할 처지에 놓인 것이다. 게다가 이웃집에 사는 부동산업자는 그 지역 주민들을 모두 이주시켜 그 곳에 쇼핑센터를 지으려고 한다. 브래드 가족의 아이들이 이 소식을 듣고 걱정하고 있을 무렵, 브래드는 다행히 회사에서 자신이 설계한 건축물이 팔리게 되었고 돈을 구할 수 있게 된다. 그러나 브래디 가족의 집이 공매당하길 바라던 이웃집 부동산업자가 이 소식을 듣고 브래디의 회사에 나쁜 소문을 퍼뜨려 브래디가 사장에게서 돈을 받을 수 없게 만드는데...

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

A small town is rocked when a local man goes on a rampage in a movie theater, killing dozens as well as himself. Now, a year later, young filmmaker Pierce Lyndale adds salt to the wound when he makes the tragic decision to base a film off of this event and show it on the town's public access channel. As he attempts to throw a premiere party for himself, his friends ditch him, his community shuns him, and he finds out that not everyone wants to be in a movie.