Peter Tork

he remarkable story of the 1960's duo Tommy Boyce & Bobby Hart who created the sound of The Monkees, scored hit after hit and inspired a youth movement to lower the voting age. They were actors, activists, singers, songwriters and pop culture icons. The story of their unique partnership is told through their own movies, photographs and personal archives. Narrated by Bobby Hart and featuring commentary from Tommy Boyce, Michael Nesmith, Micky Dolenz, Peter Tork, Kim Fowley and others.

Celebrating the career of the Monkees, initially conceived as the American answer to the Beatles. Charting the group's meteoric rise during the 60s, the programme features new interviews with former members Micky Dolenz and Peter Tork.

A celebration of the musical work of a group of session musicians known as "The Wrecking Crew." a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys, and Bing Crosby.

In 1967, four unknown actors in a kids TV show became the biggest pop band in the world. In America, they outsold Elvis and The Beatles combined. They were The Monkees. But The Monkees were not a real band, they were a man-made money making machine, driven by ego and ambition. A machine that would ultimately crash and burn. This is the inside story of pop music's first manufactured band. -- IMDb Plot: Making the Monkees (2007)

Join Micky Dolenz, Davy Jones and Peter Tork on one of the dates from their North American Tour as they perform your favourite Monkee hits.

Hey, Hey, It's the Monkees is a one-hour comedy special televised on the ABC Network on Monday February 17, 1997. The show features all four of the original Monkees and would be the last time Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork would appear together. Michael Nesmith wrote and directed the program.

Hey, Hey, It's the Monkees is a one-hour comedy special televised on the ABC Network on Monday February 17, 1997. The show features all four of the original Monkees and would be the last time Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork would appear together. Michael Nesmith wrote and directed the program.

Hey, Hey, It's the Monkees is a one-hour comedy special televised on the ABC Network on Monday February 17, 1997. The show features all four of the original Monkees and would be the last time Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork would appear together. Michael Nesmith wrote and directed the program.

Documentary focusing The Monkees, the 1960s pop group originally created for a TV sitcom. Interviews with the band members, the show's creators, and musical collaborators and peers are featured.

The original '70s TV family is now placed in the 1990s, where they're even more square and out of place than ever.

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

Киноэссе популярной в шестидесятые американской рок-группы The Monkees на такие «жизненно важные» темы, как отношения с девушками, коммерциализация музыки, кинопроизводство и Вьетнам.

Киноэссе популярной в шестидесятые американской рок-группы The Monkees на такие «жизненно важные» темы, как отношения с девушками, коммерциализация музыки, кинопроизводство и Вьетнам.

A small town is rocked when a local man goes on a rampage in a movie theater, killing dozens as well as himself. Now, a year later, young filmmaker Pierce Lyndale adds salt to the wound when he makes the tragic decision to base a film off of this event and show it on the town's public access channel. As he attempts to throw a premiere party for himself, his friends ditch him, his community shuns him, and he finds out that not everyone wants to be in a movie.