John Entwistle
출생 : 1944-10-09, Chiswick, London, England, UK
사망 : 2002-06-27
약력
From Wikipedia, the free encyclopedia.
John Alec Entwistle (9 October 1944 – 27 June 2002) was an English bass guitarist, songwriter, singer, horn player, and film and record producer who was best known as the bass player for the rock band The Who. His aggressive lead sound influenced many rock bass players. He was inducted into the Rock and Roll Hall of Fame as a member of the Who in 1990.
Entwistle's lead instrument approach used pentatonic lead lines, and a then-unusual trebly sound ("full treble, full volume") created by roundwound RotoSound steel bass strings. He had a collection of over 200 instruments by the time of his death, reflecting the different brands he used over his career: Fender and Rickenbacker basses in the 1960s, Gibson and Alembic basses in the 1970s, Warwick in the 1980s, and Status all-Carbon fibre basses in the 1990s.
Description above from the Wikipedia article John Entwistle, licensed under CC-BY-SA, full list of contributors on Wikipedia
Self - The Who Member
The story of Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums): The Who, one of the most original, creative and relevant British bands of the sixties and of the entire history of pop music.
Theme Song Performance
따분한 게 질색인 아이, 이시다 쇼야. 간디가 어떤 사람인지, 인류의 진화과정이라든지, 알게뭐람. 어느 날 쇼야의 따분함을 앗아갈 전학생이 나타났다. 니시미야 쇼코. 그 아이는 귀가 들리지 않는다고 한다. 쇼야의 짓궂은 장난에도 늘, 생글생글 웃고만 있다. 짜증난다. 그의 괴롭힘에 쇼코는 결국 전학을 갔고, 이시다 쇼야는 외톨이가 되었다. 6년 후, 더 이상 이렇게 살아봐야 의미가 없음을 느낀 쇼야는 마지막으로 쇼코를 찾아간다. 처음으로 전해진 두 사람의 목소리. 두 사람의 만남이 교실을, 학교를, 그리고 쇼야의 인생, 쇼코의 인생을 바꾸기 시작한다.
A compendium of TV and concert appearances from French Television, showcasing the prowess and power of The Who in their earlier days. Highlights include "Pictures of Lily", "Can't Explain", "My Generation", "Substitute" and many others.
Himself
The Who's seminal double album 'Tommy', released in 1969, is a milestone in rock history. It revitalized the band's career and established Pete Townshend as a composer and Roger Daltrey as one of rock's foremost frontmen. The first album to be overtly billed as a 'rock opera', 'Tommy' has gone on to sell over 20 million copies around the world and has been reimagined as both a film by Ken Russell in the mid-seventies and a touring stage production in the early nineties. This new film explores the background, creation and impact of 'Tommy' through new interviews with Pete Townshend and Roger Daltrey, archive interviews with the late John Entwistle, and contributions from engineer Bob Pridden, artwork creator Mike McInnerney plus others involved in the creation of the album and journalists who assess the album s historic and cultural impact.
Himself
노동 계급 출신인 크리스 스탬프와 명문가에서 태어난 키트 램버트는 1960년대 초반 스튜디오에서 처음 만난 이후, 둘만의 영화 만들기를 계획한다. 로큰롤 밴드 매니저를 하면서 밴드의 이야기를 영화로 만들고, 이를 발판으로 진짜 영화감독이 되겠다는 것이다. 이들은 피트 타운센드, 로저 달트리, 키스 문, 존 엔트위슬로 구성된 '더 후'를 발견한다. 예술적 재능이 뛰어난 키트는 피트에게 영국 젊은이들의 문화인 모드 운동을 주도하는 노래와 공연 연출 아이디어를 끊임없이 제시한다. 1965년 밴드는 모드족을 대변하는 노래 'My Generation'으로 대대적인 성공을 거두고, 1967년에는 유럽 투어에 오른다. 밴드 결성 5주년인 1969년에는 록 오페라 앨범 'Tommy'로 전환점을 맞이 한다. 그런데 키트의 약물중독과 정신질환 증세가 심각해지면서 이들의 관계에 균열이 깊어지는데...
Himself
1968 was a time of soul searching for the band - with three badly performing singles behind them they needed a big new idea to put them back at the top and crucially to hold them together as a band. Inspired by Indian spiritual master Meher Baba, Pete Townshend created the character of Tommy, the 'deaf, dumb and blind boy'. Broke and fragmenting when they started recording, the album went on to sell over 20 million copies. In this film, the Who speak for the first time about the making of the iconic album and how its success changed their lives.
Himself
In his home studio and revisiting old haunts in Shepherds Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit 'the last great album the Who ever made', one that took the Who full circle back to their earliest days via the adventures of a pill-popping mod on an epic journey of self-discovery. But in 1973 Quadrophenia was an album that almost never was. Beset by money problems, a studio in construction, heroin-taking managers, a lunatic drummer and a culture of heavy drinking, Townshend took on an album that nearly broke him and one that within a year the band had turned their back on and would ignore for nearly three decades. Contributors include: Pete Townshend, Roger Daltrey, Ethan Russell, Ron Nevison, Richard Barnes, Irish Jack Lyons, Bill Curbishley, John Woolf, Howie Edelson, Mark Kermode and Georgiana Steele Waller.
Himself
The Who perform a live set at The Summit, Houston, Texas on 20 November 1975. Probably the best 'official' bootleg ever. All the classics including Substitute, I Can't Explain, My Generation & Won't Get Fooled Again.
A 2-disc collection of live and TV performances by The Who. Before this release, several other bootleg DVDs had compiled the 1960s Who footage, with varying degrees of success. It's difficult, however, to imagine a better, more comprehensive one than this two-DVD collection, which assembles almost four hours of live, mimed, promo, interview, and documentary clips from various sources. The image and sound quality are usually as good as, or better than, what's seen or heard on those previous compilations.
Himselft
Mod rockers The Who are captured live by director Murray Lerner at the legendary Isle of Wight festival in 1970, attended by 600,000 people. All the old classics are included in a typically energetic set; Moon the Loon, Roger the Dodger and Pete... the guitarist. And John Entwistle on bass.
Himself - bass, vocals
Concert of the Who's first filming of the Rock Opera «Tommy» at London's opera house, the Coliseum, 14 December 1969. At this point, the Who were in full stride, playing behind Tommy and making waves where ever they went. This performance, as rough and raw as it seems, is the Who at their all-time nastiest. Opening with the powerful «Heaven And Hell», the group slays each number — «I Can’t Explain», «Fortune Teller», «Tattoo» — before ascending the mountain of conceptual copiousness.
bass
Featuring one of the last public appearances by Keith Moon, the 1977 Kilburn show is a long-sought holy grail for fans of The Who, performing before a select audience on December 15, 1977 at Kilburn. Also included is a much earlier never-before-seen rarity and one of the band's personal favorites, The Who's powerhouse London Coliseum gig from 1969.
Himself (archive footage)
A documentary on The Who, featuring interviews with the band's two surviving members, Pete Townshend and Roger Daltrey.
Himself (archive)
An intimate portrait of the legendary bass guitarist for The Who. This documentary includes the last footage ever recorded with John Entwistle, and features interviews with Pete Townshend, as well as other major figures in rock history.
Himself
Just seven years after wrapping up one of rock's first farewell tours, The Who returned to the stage in 1989 with another first: the classic album show. It was the 20th anniversary of Tommy, which seemed like a good excuse to book a bunch of stadiums and play the album along with a healthy dose of Who classics, aided by a mere 12 other musicians. This is The Who live at the Universal Amphitheater in Los Angeles, 24 August 1989.
Rhino Records is proud to present a 3-DVD boxed set showcasing one of the greatest live bands ever-The Who. Disc one features a live rendition of their full-blown rock opera about a deaf, dumb, and blind boy. Tommy was performed live in 1989 at The Universal Amphitheatre in Los Angeles, with special guests Elton John, Phil Collins, Billy Idol, Patti LaBelle, and Steve Winwood. Disc two contains the band's second rock opus, this time built around the story of a young mod's struggle to come of age in the mid-60s. This live version of Quadrophenia, from the 1996/1997 U.S. Tour was the first time it was performed as Townshend and Daltrey had visualized it, with live action and featuring a then-unknown Alex Langdon in a spellbinding performance as Jimmy, the disillusioned Mod.
4 × DVD, The broadcast of the biggest benefit concert in history, organized by Bob Geldof and Midge Ure to raise funds for Ethiopian famine relief. This entry is for the compilation box set released in 2004.
Himself
Based on the life and death of Gov't Mule bassist Allen Woody, and the making of a double-disc tribute album (Gov't Mule's The Deep End , Volumes 1 & 2) featuring a host of legendary bass players. Throughout the film, director Mike Gordon (of Phish, who also plays on the album) interviews Woody's family and bandmates and also discusses the philosophy and technique of bass playing with a number of the instrument's legends, including Chris Squire, Les Claypool, John Entwistle, Flea, Bootsy Collins, Mike Watt, Roger Glover and others.
Bass / Vocals
The Who & Special Guests: Live at the Royal Albert Hall is a concert film of The Who's concert on November 27, 2000 at the Royal Albert Hall in London to benefit the Teenage Cancer Trust. Bryan Adams, Noel Gallagher (Oasis), Kelly Jones (Stereophonics), Kennedy, Eddie Vedder (Pearl Jam) and Paul Weller joined the Who on stage for a once-in-a-lifetime performance. The concert was also released on CD as Live at the Royal Albert Hall.
Original Music Composer
In this 1999 documentary, Pete Townshend, Roger Daltrey and John Entwistle discuss the making of what many consider the Who's greatest testament to Townshend's songwriting talent: their classic album "Who's Next." Others close to the group weigh in with insights about the late Keith Moon's importance to the band. The retrospective also features unseen performances of tunes from the platter, including "Won't Get Fooled Again" and "Baba O'Riley."
Self
In this 1999 documentary, Pete Townshend, Roger Daltrey and John Entwistle discuss the making of what many consider the Who's greatest testament to Townshend's songwriting talent: their classic album "Who's Next." Others close to the group weigh in with insights about the late Keith Moon's importance to the band. The retrospective also features unseen performances of tunes from the platter, including "Won't Get Fooled Again" and "Baba O'Riley."
Himself
Mod rockers the Who are captured live by director Murray Lerner at the legendary Isle of Wight festival in 1970, attended by 600,000 people. All the old classics are included in a typically energetic set; Moon the Loon, Roger the Dodger and Pete... the guitarist. And John Entwistle on bass. This is the first DVD release, without the extra material found on the DVD/Blu-ray re-release of 2006.
Self - Bass
A 1968 event put together by The Rolling Stones. The film is comprised of two concerts on a circus stage and included such acts as The Who, Taj Mahal, Marianne Faithfull, and Jethro Tull. John Lennon and his fiancee Yoko Ono performed as part of a supergroup called The Dirty Mac, along with Eric Clapton, Mitch Mitchell, and Keith Richards.
A Celebration: The Music of Pete Townshend and The Who, also known as Daltrey Sings Townshend, is a music event and later album documenting a two-night concert at Carnegie Hall in 1994. It broke Carnegie Hall's two day box office gross record, and was the fastest sell-out in the historic venue's history. The concert also raised money for Columbia Presbyterian Babies Hospital. This event was produced by Richard Flanzer and Roger Daltrey of English rock band The Who in celebration of his fiftieth birthday. The Who's music was arranged for orchestra by Michael Kamen, who directed The Juilliard Orchestra for the event. Pete Townshend, John Entwistle, Eddie Vedder, Sinéad O'Connor, Lou Reed, David Sanborn, Alice Cooper, Linda Perry, The Chieftains and others performed as special guests.
Himself
A celebration of 30 years of The Who.
Himself - Guest
This film celebrates the long and successful collaboration of Elton John and Bernie Taupin, including a compilation of Elton John performances and in-depth interviews with both men.
himself
This live rendition of The Who’s full-blown rock opera about a deaf, dumb, and blind boy was performed live in 1989 at The Universal Amphitheatre in Los Angeles, with special guests Elton John, Phil Collins, Billy Idol, Patti LaBelle, and Steve Winwood.
Self
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
Widely considered one of the greatest bands ever, rock legends The Who bring down the house in this 1982 concert recorded at Toronto's Maple Leaf Gardens during the group's North American tour. Former Small Faces drummer Kenny Jones and keyboardist Tim Gorman join guitar-god Pete Townshend, lead singer Roger Daltrey and bassist John Entwistle onstage. Selections include "My Generation," "Pinball Wizard," "Squeeze Box" and more.
Self
The Who’s 1982 tour, which was all in North America apart from two warm-up dates at the Birmingham NEC in England, was their last to feature Kenney Jones on drums and the band did not tour again until 1989. The tour promoted the recent IT’S HARD album, which had been released in June 1982, and the set list included a number of tracks from that album, some of which the band would only play live on this tour. This concert film features the show from the second of their two nights at New York’s Shea Stadium and was filmed on 13 October 1982.
Himself
Organized by Paul McCartney and the United Nations, these concerts were in response to the 1975-79 Khmer Rouge’s reign, where three million persons perished in Cambodia. During the concerts, McCartney brought three generations of popular musicians together. The older generation included McCartney and the Wings, The Who and members of Procol Harum. The middle generation was represented by Queen and members of Led Zeppelin. Most notably, there was the new generation of mainly New Wavers and Punk Rockers, such as The Pretenders, Elvis Costello and The Attractions, Ian Dury and the Blockheads, The Clash, and The Specials.
The Who performs at the Rockpalast Festival in Grugahalle, Essen; in March of 1981.
Hinself
Music Director
지미는 자신의 직업을 싫어하고 부모님과 마찰을 빚는 20대 청년이다. 오직 모드족으로서 자신감으로 살아가는 지미는 밤이 되면 약에 취하고 오토바이를 타는 친구들과 어울려 다닌다. 그러나 여자친구가 떠나고, 친구들에게 외면당하고 직장에서도 인정받지 못해 회사를 그만둔 지미는 로커들과의 패거리 싸움으로 경찰서 신세까지 진다. 모드족의 리더인 에이스 페이스를 동경하던 지미는 그의 실체를 알고 절망하는데...
Executive Producer
지미는 자신의 직업을 싫어하고 부모님과 마찰을 빚는 20대 청년이다. 오직 모드족으로서 자신감으로 살아가는 지미는 밤이 되면 약에 취하고 오토바이를 타는 친구들과 어울려 다닌다. 그러나 여자친구가 떠나고, 친구들에게 외면당하고 직장에서도 인정받지 못해 회사를 그만둔 지미는 로커들과의 패거리 싸움으로 경찰서 신세까지 진다. 모드족의 리더인 에이스 페이스를 동경하던 지미는 그의 실체를 알고 절망하는데...
Music Producer
지미는 자신의 직업을 싫어하고 부모님과 마찰을 빚는 20대 청년이다. 오직 모드족으로서 자신감으로 살아가는 지미는 밤이 되면 약에 취하고 오토바이를 타는 친구들과 어울려 다닌다. 그러나 여자친구가 떠나고, 친구들에게 외면당하고 직장에서도 인정받지 못해 회사를 그만둔 지미는 로커들과의 패거리 싸움으로 경찰서 신세까지 진다. 모드족의 리더인 에이스 페이스를 동경하던 지미는 그의 실체를 알고 절망하는데...
Himself
영국의 록 밴드 ‘더 후(The Who)’는 미국에서의 첫 번째 투어를 마치고 LA에서 TV쇼에 출연한다. 평범하게 연주를 시작한 멤버들은 갑자기 악기를 부수고, 사회자는 어쩔 줄 몰라 하지만 객석은 웃음바다가 된다. 1964년 결성된 ‘더 후’의 공연 실황과 인터뷰가 담긴 로큐멘터리(Rockumentary). 격정적인 퍼포먼스로 유명했던 그들의 쇼맨십은 시작부터 시선을 사로잡는다. 멤버 키스 문이 편집본을 본 뒤 일주일 후 갑작스럽게 사망하자, 다른 멤버들과 감독은 ‘더 후’와 함께 한 그의 삶을 기리며 키스 문이 봤던 편집본에서 단 한 프레임도 수정하지 않았다고 한다. (2011년 시네마테크부산 - 서머 스페셜)
Original Story
어린 나이에 자기 어머니의 부정을 보고는 벙어리, 귀머거리, 장님이 된 소년이 유난히 발달한 후각을 통해 핀볼의 챔피언이 되고, 영적 경험을 겪은 후 신체 장애를 극복하고 청소년 전도단의 메시아로 군림하게 되지만 광신도 집단으로 돌변하자 홀연히 떠난다는 줄거리. 앨범은 69년에 영화는 영국의 이단이 켄러셀에 의해 74년에 말들어져 많은 논쟁을 불러일으켰으며 캐스트로서 후의 로져 달트리가 토미로 분장했고, 드러머 키스문, 에릭 클립튼, 티나 터너, 앤 마가렛, 앨튼 존 등 70년대 초 최고 스타들이 등장한다.
Himself
어린 나이에 자기 어머니의 부정을 보고는 벙어리, 귀머거리, 장님이 된 소년이 유난히 발달한 후각을 통해 핀볼의 챔피언이 되고, 영적 경험을 겪은 후 신체 장애를 극복하고 청소년 전도단의 메시아로 군림하게 되지만 광신도 집단으로 돌변하자 홀연히 떠난다는 줄거리. 앨범은 69년에 영화는 영국의 이단이 켄러셀에 의해 74년에 말들어져 많은 논쟁을 불러일으켰으며 캐스트로서 후의 로져 달트리가 토미로 분장했고, 드러머 키스문, 에릭 클립튼, 티나 터너, 앤 마가렛, 앨튼 존 등 70년대 초 최고 스타들이 등장한다.
Himself
1 Heaven And Hell 2 I Can't Explain 3 Water 4 I Don't Even Know Myself 5 Young Man Blues 6 Overture / It's A Boy 7 1921 8 Amazing Journey 9 Sparks 10 Eyesight To The Blind / Christmas 11 Acid Queen 12 Pinball Wizard 13 Do You Think It's Alright? 14 Tommy, Can You Hear Me? 15 There's A Doctor / Go To The Mirror 16 Smash The Mirror 17 Miracle Cure / I'm Free 18 Tommy's Holiday Camp 19 We're Not Gonna Take It 20 See Me, Feel Me 21 My Generation
Self - The Who
1969년, 뉴욕의 시골 마을 베델에서는 50만 명에 이르는 사람들이 사흘 동안 당대의 가장 중요한 순간을 경험하였다. 규모와 영향력 면에서 전무했던 콘서트, ‘평화와 음악’이라는 공통된 목표를 가진 각양각색의 사람들이 모였다. 음악의 정수와 공연의 강렬한 에너지를 포착한 다큐멘터리.
Himself - The Who
로큰롤의 새로운 지평을 열었던 몬터레이 팝 페스티벌. 지미 헨드릭스, 재니스 조플린, 사이먼 앤 가펑클, 마마스 앤 파파스, 더 후 등 다양한 팀들이 참가했다. 감독의 다이렉트 시네마 스타일이 돋보이는 이 작품에는 지미 핸드릭스가 기타를 태우는 장면 등 지금은 전설이 된 순간들이 담겨 있다. (2011년 제8회 EBS 국제다큐영화제) 1960년대 보수적인 사회와 기성세대에 맞서 사랑과 평화, 꽃으로 대표되는 히피문화, 이른바 ‘플라워 무브먼트’를 태동시켰던 미국의 젊은이들. LSD와 마리화나, 명상과 공동체 생활로 대표되는 이들의 문화는 60년대말 새로운 저항문화를 형성했으며 1967년 캘리포니아주 몬트레이에서 열렸던 대규모 록 페스티발은 이러한 젊은이의 문화, 대항문화의 시작이었다. 지미 핸드릭스, 재니스 조플린, 사이먼 앤 가펑클, 마마스 앤 파파스, 더 후 등 다양한 팀들이 참가했던 이 역사적인 사건을 다이렉트 시네마 스타일로 담아낸 은 사건으로서의 록 다큐멘터리의 효시가 되었으며 이후 록 페스티발을 기록한 수많은 다큐멘터리들의 전범이 된 작품이다. 특히 지미 핸드릭스가 기타를 태우는 장면 등 지금은 전설이 된 순간들은 세월을 넘어 여전히 강렬하다. (2011년 한국영상자료원 - 樂 & DOCU: 음악다큐멘터리 특별전)
Himself
Series of three short 'Pop Films' directed between 1966 - 67 for French television by Philippe Garrel. Includes footage of The Living Theater in rehearsal, interviews with Julian Beck and Judith Malina, Donovan in concert and The Who in the studio recording 'Pictures of Lily'. Re-broadcast on INA in 1984.
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John Entwistle
John Entwistle
Himself
The Who performed at the Chicago Amphitheater in Chicago, Illinois on December. 8th, 1979. The concert was broadcast live to several local movie theaters. The general consensus was that this show was the
best on the 1979 tour. The show was visually stunning. Many times Pete Townshend or Roger Daltrey would move to the front of the stage and direct the cameraman to focus in close, then unleash a mic twirl or scissors kick for the hungry crowd.
Himself
The Who - Live at the Silverdome
Himself
The Who presents their last concert of the 1982 "Farewell" tour in Toronto, Canada, 1982.
Himself
Presenting the best moments of speeches, performances and backstage scenes from the annual Rock and Roll Hall of Fame ceremonies.
