John Entwistle
Nascimento : 1944-10-09, Chiswick, London, England, UK
Morte : 2002-06-27
História
From Wikipedia, the free encyclopedia.
John Alec Entwistle (9 October 1944 – 27 June 2002) was an English bass guitarist, songwriter, singer, horn player, and film and record producer who was best known as the bass player for the rock band The Who. His aggressive lead sound influenced many rock bass players. He was inducted into the Rock and Roll Hall of Fame as a member of the Who in 1990.
Entwistle's lead instrument approach used pentatonic lead lines, and a then-unusual trebly sound ("full treble, full volume") created by roundwound RotoSound steel bass strings. He had a collection of over 200 instruments by the time of his death, reflecting the different brands he used over his career: Fender and Rickenbacker basses in the 1960s, Gibson and Alembic basses in the 1970s, Warwick in the 1980s, and Status all-Carbon fibre basses in the 1990s.
Description above from the Wikipedia article John Entwistle, licensed under CC-BY-SA, full list of contributors on Wikipedia
Self - The Who Member
The story of Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums): The Who, one of the most original, creative and relevant British bands of the sixties and of the entire history of pop music.
Theme Song Performance
Nishimiya Shouko é uma estudante com deficiência auditiva. Durante o ensino fundamental, após se transferir para uma nova escola, Shouko passa a ser alvo de bullying e em pouco tempo precisa se transferir. O que ela não esperava é que alguns anos depois, Ishida Shouya, um dos valentões que tanto a fez sofrer no passado surgisse de novo em sua vida com um novo propósito.
A compendium of TV and concert appearances from French Television, showcasing the prowess and power of The Who in their earlier days. Highlights include "Pictures of Lily", "Can't Explain", "My Generation", "Substitute" and many others.
Himself
The Who's seminal double album 'Tommy', released in 1969, is a milestone in rock history. It revitalized the band's career and established Pete Townshend as a composer and Roger Daltrey as one of rock's foremost frontmen. The first album to be overtly billed as a 'rock opera', 'Tommy' has gone on to sell over 20 million copies around the world and has been reimagined as both a film by Ken Russell in the mid-seventies and a touring stage production in the early nineties. This new film explores the background, creation and impact of 'Tommy' through new interviews with Pete Townshend and Roger Daltrey, archive interviews with the late John Entwistle, and contributions from engineer Bob Pridden, artwork creator Mike McInnerney plus others involved in the creation of the album and journalists who assess the album s historic and cultural impact.
Himself
In this crazy, chaotic gospel of chance, aspiring filmmakers Chris Stamp and Kit Lambert set out to search for a subject for their underground movie, leading them to discover, mentor, and manage the iconic band known as The Who and create rock 'n' roll history.
Himself
"Tommy" é um marco na história do rock, pois foi o primeiro álbum a ser anunciado como uma "ópera rock". Neste documentário, explore a criação e o impacto de "Tommy" através de uma história rica em anedotas e imagens de arquivo.
Himself
In his home studio and revisiting old haunts in Shepherds Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit 'the last great album the Who ever made', one that took the Who full circle back to their earliest days via the adventures of a pill-popping mod on an epic journey of self-discovery. But in 1973 Quadrophenia was an album that almost never was. Beset by money problems, a studio in construction, heroin-taking managers, a lunatic drummer and a culture of heavy drinking, Townshend took on an album that nearly broke him and one that within a year the band had turned their back on and would ignore for nearly three decades. Contributors include: Pete Townshend, Roger Daltrey, Ethan Russell, Ron Nevison, Richard Barnes, Irish Jack Lyons, Bill Curbishley, John Woolf, Howie Edelson, Mark Kermode and Georgiana Steele Waller.
Himself
The Who perform a live set at The Summit, Houston, Texas on 20 November 1975. Probably the best 'official' bootleg ever. All the classics including Substitute, I Can't Explain, My Generation & Won't Get Fooled Again.
A 2-disc collection of live and TV performances by The Who. Before this release, several other bootleg DVDs had compiled the 1960s Who footage, with varying degrees of success. It's difficult, however, to imagine a better, more comprehensive one than this two-DVD collection, which assembles almost four hours of live, mimed, promo, interview, and documentary clips from various sources. The image and sound quality are usually as good as, or better than, what's seen or heard on those previous compilations.
Himselft
Mod rockers The Who are captured live by director Murray Lerner at the legendary Isle of Wight festival in 1970, attended by 600,000 people. All the old classics are included in a typically energetic set; Moon the Loon, Roger the Dodger and Pete... the guitarist. And John Entwistle on bass.
Himself - bass, vocals
Concert of the Who's first filming of the Rock Opera «Tommy» at London's opera house, the Coliseum, 14 December 1969. At this point, the Who were in full stride, playing behind Tommy and making waves where ever they went. This performance, as rough and raw as it seems, is the Who at their all-time nastiest. Opening with the powerful «Heaven And Hell», the group slays each number — «I Can’t Explain», «Fortune Teller», «Tattoo» — before ascending the mountain of conceptual copiousness.
bass
Featuring one of the last public appearances by Keith Moon, the 1977 Kilburn show is a long-sought holy grail for fans of The Who, performing before a select audience on December 15, 1977 at Kilburn. Also included is a much earlier never-before-seen rarity and one of the band's personal favorites, The Who's powerhouse London Coliseum gig from 1969.
Himself (archive footage)
A documentary on The Who, featuring interviews with the band's two surviving members, Pete Townshend and Roger Daltrey.
Himself (archive)
Confira um retrato íntimo de John Entwistle, o lendário baixista da banda The Who. Acompanhe as últimas imagens gravadas do músico e veja também entrevistas com o guitarrista Pete Townshend e outras figuras importantes da história do rock.
Himself
Just seven years after wrapping up one of rock's first farewell tours, The Who returned to the stage in 1989 with another first: the classic album show. It was the 20th anniversary of Tommy, which seemed like a good excuse to book a bunch of stadiums and play the album along with a healthy dose of Who classics, aided by a mere 12 other musicians. This is The Who live at the Universal Amphitheater in Los Angeles, 24 August 1989.
Rhino Records is proud to present a 3-DVD boxed set showcasing one of the greatest live bands ever-The Who. Disc one features a live rendition of their full-blown rock opera about a deaf, dumb, and blind boy. Tommy was performed live in 1989 at The Universal Amphitheatre in Los Angeles, with special guests Elton John, Phil Collins, Billy Idol, Patti LaBelle, and Steve Winwood. Disc two contains the band's second rock opus, this time built around the story of a young mod's struggle to come of age in the mid-60s. This live version of Quadrophenia, from the 1996/1997 U.S. Tour was the first time it was performed as Townshend and Daltrey had visualized it, with live action and featuring a then-unknown Alex Langdon in a spellbinding performance as Jimmy, the disillusioned Mod.
4 × DVD, The broadcast of the biggest benefit concert in history, organized by Bob Geldof and Midge Ure to raise funds for Ethiopian famine relief. This entry is for the compilation box set released in 2004.
Himself
Based on the life and death of Gov't Mule bassist Allen Woody, and the making of a double-disc tribute album (Gov't Mule's The Deep End , Volumes 1 & 2) featuring a host of legendary bass players. Throughout the film, director Mike Gordon (of Phish, who also plays on the album) interviews Woody's family and bandmates and also discusses the philosophy and technique of bass playing with a number of the instrument's legends, including Chris Squire, Les Claypool, John Entwistle, Flea, Bootsy Collins, Mike Watt, Roger Glover and others.
Bass / Vocals
The Who & Special Guests: Live at the Royal Albert Hall is a concert film of The Who's concert on November 27, 2000 at the Royal Albert Hall in London to benefit the Teenage Cancer Trust. Bryan Adams, Noel Gallagher (Oasis), Kelly Jones (Stereophonics), Kennedy, Eddie Vedder (Pearl Jam) and Paul Weller joined the Who on stage for a once-in-a-lifetime performance. The concert was also released on CD as Live at the Royal Albert Hall.
Original Music Composer
In this 1999 documentary, Pete Townshend, Roger Daltrey and John Entwistle discuss the making of what many consider the Who's greatest testament to Townshend's songwriting talent: their classic album "Who's Next." Others close to the group weigh in with insights about the late Keith Moon's importance to the band. The retrospective also features unseen performances of tunes from the platter, including "Won't Get Fooled Again" and "Baba O'Riley."
Self
In this 1999 documentary, Pete Townshend, Roger Daltrey and John Entwistle discuss the making of what many consider the Who's greatest testament to Townshend's songwriting talent: their classic album "Who's Next." Others close to the group weigh in with insights about the late Keith Moon's importance to the band. The retrospective also features unseen performances of tunes from the platter, including "Won't Get Fooled Again" and "Baba O'Riley."
Himself
Mod rockers the Who are captured live by director Murray Lerner at the legendary Isle of Wight festival in 1970, attended by 600,000 people. All the old classics are included in a typically energetic set; Moon the Loon, Roger the Dodger and Pete... the guitarist. And John Entwistle on bass. This is the first DVD release, without the extra material found on the DVD/Blu-ray re-release of 2006.
Self - Bass
Em dezembro de 1968 alguns dos mais importantes ícones do rock se reuniram para apresentações históricas. Rock and Roll Circus é uma verdadeira cápsula do tempo, colocando em um único palco os Rolling Stones, The Who, John Lennon e Yoko Ono.
A Celebration: The Music of Pete Townshend and The Who, also known as Daltrey Sings Townshend, is a music event and later album documenting a two-night concert at Carnegie Hall in 1994. It broke Carnegie Hall's two day box office gross record, and was the fastest sell-out in the historic venue's history. The concert also raised money for Columbia Presbyterian Babies Hospital. This event was produced by Richard Flanzer and Roger Daltrey of English rock band The Who in celebration of his fiftieth birthday. The Who's music was arranged for orchestra by Michael Kamen, who directed The Juilliard Orchestra for the event. Pete Townshend, John Entwistle, Eddie Vedder, Sinéad O'Connor, Lou Reed, David Sanborn, Alice Cooper, Linda Perry, The Chieftains and others performed as special guests.
Himself
A celebration of 30 years of The Who.
Himself - Guest
This film celebrates the long and successful collaboration of Elton John and Bernie Taupin, including a compilation of Elton John performances and in-depth interviews with both men.
himself
This live rendition of The Who’s full-blown rock opera about a deaf, dumb, and blind boy was performed live in 1989 at The Universal Amphitheatre in Los Angeles, with special guests Elton John, Phil Collins, Billy Idol, Patti LaBelle, and Steve Winwood.
Self
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
Widely considered one of the greatest bands ever, rock legends The Who bring down the house in this 1982 concert recorded at Toronto's Maple Leaf Gardens during the group's North American tour. Former Small Faces drummer Kenny Jones and keyboardist Tim Gorman join guitar-god Pete Townshend, lead singer Roger Daltrey and bassist John Entwistle onstage. Selections include "My Generation," "Pinball Wizard," "Squeeze Box" and more.
Self
The Who’s 1982 tour, which was all in North America apart from two warm-up dates at the Birmingham NEC in England, was their last to feature Kenney Jones on drums and the band did not tour again until 1989. The tour promoted the recent IT’S HARD album, which had been released in June 1982, and the set list included a number of tracks from that album, some of which the band would only play live on this tour. This concert film features the show from the second of their two nights at New York’s Shea Stadium and was filmed on 13 October 1982.
Himself
Organized by Paul McCartney and the United Nations, these concerts were in response to the 1975-79 Khmer Rouge’s reign, where three million persons perished in Cambodia. During the concerts, McCartney brought three generations of popular musicians together. The older generation included McCartney and the Wings, The Who and members of Procol Harum. The middle generation was represented by Queen and members of Led Zeppelin. Most notably, there was the new generation of mainly New Wavers and Punk Rockers, such as The Pretenders, Elvis Costello and The Attractions, Ian Dury and the Blockheads, The Clash, and The Specials.
The Who performs at the Rockpalast Festival in Grugahalle, Essen; in March of 1981.
Hinself
Music Director
Na Londres de 1964 Jimmy Cooper é um membro de uma gangue Mod - jovens bem vestidos que dirigem vespas Lambretta. Os mods estão sempre brigando com os Rockers, que vestem jaquetas de couro e dirigem motocicletas. Desiludido com seus pais e seu emprego, Jimmy só encontra uma válvula de escape para sua angústia adolescente quando está com seus amigos mods Dave, Chalky e Spider. Um feriado de três dias é a desculpa para a rivalidade entre as duas gangues chegar às vias de fato, enquanto ambas descem para a cidade litorânea de Brighton para o confronto definitivo.Quadrophenia é uma reflexão sobre a Grã-Bretanha pré-Tatcher, documentando o narcisismo movido a anfetaminas da cultura jovem dos anos 60. Em 2004 a revista Total Film elegeu Quadrophenia o 35º melhor filme britânico de todos os tempos.
Executive Producer
Na Londres de 1964 Jimmy Cooper é um membro de uma gangue Mod - jovens bem vestidos que dirigem vespas Lambretta. Os mods estão sempre brigando com os Rockers, que vestem jaquetas de couro e dirigem motocicletas. Desiludido com seus pais e seu emprego, Jimmy só encontra uma válvula de escape para sua angústia adolescente quando está com seus amigos mods Dave, Chalky e Spider. Um feriado de três dias é a desculpa para a rivalidade entre as duas gangues chegar às vias de fato, enquanto ambas descem para a cidade litorânea de Brighton para o confronto definitivo.Quadrophenia é uma reflexão sobre a Grã-Bretanha pré-Tatcher, documentando o narcisismo movido a anfetaminas da cultura jovem dos anos 60. Em 2004 a revista Total Film elegeu Quadrophenia o 35º melhor filme britânico de todos os tempos.
Music Producer
Na Londres de 1964 Jimmy Cooper é um membro de uma gangue Mod - jovens bem vestidos que dirigem vespas Lambretta. Os mods estão sempre brigando com os Rockers, que vestem jaquetas de couro e dirigem motocicletas. Desiludido com seus pais e seu emprego, Jimmy só encontra uma válvula de escape para sua angústia adolescente quando está com seus amigos mods Dave, Chalky e Spider. Um feriado de três dias é a desculpa para a rivalidade entre as duas gangues chegar às vias de fato, enquanto ambas descem para a cidade litorânea de Brighton para o confronto definitivo.Quadrophenia é uma reflexão sobre a Grã-Bretanha pré-Tatcher, documentando o narcisismo movido a anfetaminas da cultura jovem dos anos 60. Em 2004 a revista Total Film elegeu Quadrophenia o 35º melhor filme britânico de todos os tempos.
Himself
Through concert performances and interviews, this film offers us a comprehensive look at the British pioneer rock group, The Who. It captures their zany craziness and outrageous antics from the initial formation of the group in 1964 to 1978. It notably features the band's last performance with long-term drummer Keith Moon, filmed at Shepperton Studios in May 1978, three months before his death.
Original Story
Um jovem surdo, mudo e cego torna-se mestre no fliperama e conquista seguidores, o que cria uma aparente religião.
Himself
Um jovem surdo, mudo e cego torna-se mestre no fliperama e conquista seguidores, o que cria uma aparente religião.
Himself
1 Heaven And Hell 2 I Can't Explain 3 Water 4 I Don't Even Know Myself 5 Young Man Blues 6 Overture / It's A Boy 7 1921 8 Amazing Journey 9 Sparks 10 Eyesight To The Blind / Christmas 11 Acid Queen 12 Pinball Wizard 13 Do You Think It's Alright? 14 Tommy, Can You Hear Me? 15 There's A Doctor / Go To The Mirror 16 Smash The Mirror 17 Miracle Cure / I'm Free 18 Tommy's Holiday Camp 19 We're Not Gonna Take It 20 See Me, Feel Me 21 My Generation
Self - The Who
Woodstock ou Festival de Woodstock foi um festival de música realizado entre os dias 15 e 18 de agosto de 1969 na fazenda de gado leiteiro de 600 acres de Max Yasgur, 70 quilômetros a sudoeste da cidade de Woodstock. Foi anunciado como "Uma Exposição Aquariana: 3 Dias de Paz & Música". O festival deveria ocorrer originalmente na pequena cidade de Wallkill, mas os moradores locais não aceitaram, o que levou o evento para a pequena Bethel, a uma hora e meia de distância. O festival exemplificou a era da contracultura do final da década de 1960 e começo de 1970. 32 dos mais conhecidos músicos da época se apresentaram durante um fim de semana, por vezes chuvoso, para 400 mil espectadores. Evento único e lendário, reconhecido como um dos maiores momentos na história da música popular. Tudo foi filmado para um documentário lançado em 1970, Woodstock, com trilha sonora dos melhores momentos, e com a canção Woodstock, de Joni Mitchell.
Himself - The Who
O festival Monterey Pop realizado em 1967 é considerado por muitos o precursor dos festivais de música tal como os conhecemos hoje em dia. este filme, o diretor D. A. Pennebaker registra os incríveis shows e conversa com o público para captar a emoção desta experiência pioneira.
Himself
Series of three short 'Pop Films' directed between 1966 - 67 for French television by Philippe Garrel. Includes footage of The Living Theater in rehearsal, interviews with Julian Beck and Judith Malina, Donovan in concert and The Who in the studio recording 'Pictures of Lily'. Re-broadcast on INA in 1984.
himself
John Entwistle
John Entwistle
Himself
The Who performed at the Chicago Amphitheater in Chicago, Illinois on December. 8th, 1979. The concert was broadcast live to several local movie theaters. The general consensus was that this show was the
best on the 1979 tour. The show was visually stunning. Many times Pete Townshend or Roger Daltrey would move to the front of the stage and direct the cameraman to focus in close, then unleash a mic twirl or scissors kick for the hungry crowd.
Himself
The Who - Live at the Silverdome
Himself
The Who presents their last concert of the 1982 "Farewell" tour in Toronto, Canada, 1982.
Himself
Presenting the best moments of speeches, performances and backstage scenes from the annual Rock and Roll Hall of Fame ceremonies.
