Screenplay
당신은 써, 나는 쏠테니. 지구물리학자이자 전 올림픽 사격수인 한 남자. 그린랜드의 석유시추를 반대하며 그로 인한 폭력 사태를 우려하는 정치부 기자 미아를 TV에서 본 후, 그녀와 동맹을 맺기로 결심한다. 그의 이런 행동들로 인해 미아는 정치적 목적을 위한 행동과 테러 사이에서 갈등하게 된다. 전세계를 강타한 북구 스릴러 스타일을 제대로 보여주는 하드보일드 미스터리 스릴러. [17회 부천국제판타스틱영화제]
Writer
안톤은 자폐증에 걸린 형 불러 대신 아이들의 놀림으로부터 자신을 보호해줄 수 있는 강하고 든든한 형을 갈구한다. 어느 날, 집 근처에 우주선이 착륙하고, 불러는 갑자기 안톤이 그렇게도 꿈꾸던 이상적인 형으로 변한다.
(2010년 14회 부천국제판타스틱영화제)
Producer
Martin Vinge, former notorious journalist, now successful headhunter with a complicated personal life, is in all confidentiality contacted by 85 year-old N.F. Sieger, S.E.O. of Denmark's largest shipping company and oil empire. Sieger hires Martin to find an alternative heir to the firm instead of his son, Daniel Sieger, who for a long time has been destined to take the company into the next era. Martin starts coming up with suitable names for the position, but discovers that he has actually been entangled in a larger impenetrable power game aimed at deciding what is really going to happen to the company; a brutal power struggle that puts an intense pressure on Martin and his private life and relationships.
Director
가게를 운영하며 레나와 행복하게 살고 있는 알프. 그들 사이에는 단 한가지 문제가 있다. 알프는 자신이 레나의 전남편과 비교된다고 생각하는 것이다. 그럼에도 알프는 레나와 언제까지 행복하게 살 자신이 있다고 장담한다. 그러나 어느 날 그들 앞에 레나의 전 남편 한스가 나타나면서 모든 상황은 불안으로 치닫는다. - 제8회 메가박스유럽영화제
Writer
My Larsen is a documentarian in her early thirties. Self-centered and assertive, she likes to challenge and provoke her surroundings. She takes on an unusual assignment to make a film about the conservative township of Ravnsborg, but she learns there is a dark side to life in this small town. Someone is trying to cover up a terrible secret and they will stop at nothing, even murder, to keep My from discovering the truth.
Director
My Larsen is a documentarian in her early thirties. Self-centered and assertive, she likes to challenge and provoke her surroundings. She takes on an unusual assignment to make a film about the conservative township of Ravnsborg, but she learns there is a dark side to life in this small town. Someone is trying to cover up a terrible secret and they will stop at nothing, even murder, to keep My from discovering the truth.
Producer
On the surface Henrik and Nina Christofferson are an ordinary family living happily. But they have a problem. Their daughter, Stine, a difficult 14 year old, has a habit of telling lies in class. When Stine accuses her father of sexual abuse, and is believed by seemingly eager social workers, their family is thrust into crisis. Could Henrik have done it? And when Stine prepares to return home, the ugly side of family life is exposed.
Producer
Late one evening Alex suddenly abandons his girlfriend, Simone, to pursue the beautiful Aimee. In his encounter with Aimee time and place dissolve for him and he becomes a stranger to Simone, to whom he cannot return.
Director
P. is a little girl's imaginary friend who lives inside the wall of her room. But one day he magically materialises and so must learn to live in the world like everyone else - a world where he is met with suspicion and hate but also with wonder and love.
Director
During the final days of WWII, chaos ruled. The German submarine U-461 went down along with its entire crew just off the coast of Denmark. U-461 however, was no ordinary submarine. 50 years after the war ended, two brothers go scuba diving for fun and discover that their every move is being watched and that some things should just be left alone.
Writer
Three young men have an interest they all burn for - jazz. But in the 1930's northern Sweden not many people like the new form of music. So when the three guys get a chance to make a journey to New York they take it.
Director
Three young men have an interest they all burn for - jazz. But in the 1930's northern Sweden not many people like the new form of music. So when the three guys get a chance to make a journey to New York they take it.
Writer
Stockholm in the 1920s. Young Roland lives with his socialist father, Jewish mother and a boxing brother. His mother sells condoms illegally, and from them, Roland makes slingshots which he sells. His rebellious ways has gotten him the special attention of his school teacher, who always makes sure that Roland is punished. Roland also tries to make extra money by repairing bicycles, a successful business that in the end lands him in hot water.
Director
Stockholm in the 1920s. Young Roland lives with his socialist father, Jewish mother and a boxing brother. His mother sells condoms illegally, and from them, Roland makes slingshots which he sells. His rebellious ways has gotten him the special attention of his school teacher, who always makes sure that Roland is punished. Roland also tries to make extra money by repairing bicycles, a successful business that in the end lands him in hot water.
Director
Writer
영화는 덴마크 교외에서 한 그룹의 어린 아이들이 기적과 같은 과거로의 모험을 하게 되는 것으로 시작된다. 스벤은 낡은 이동식주택에 설치된 무전기기들과 대부분의 시간을 보내는 아마추어 무선사이다. 이곳에서 그는 다른 여러나라 사람들과 교신을하고, 유조선을 타고 항해하는 그의 아버지와도 교신을 한다. 스벤의 어머니는 병워너에 입원하고 있기 때문에 그는 어린 여동생을 돌봐야 한다. 어느날 스벤과 그의 친구 보, 페트라는 우연찬게 안테나의 연결로 중세 과거 시대로 가게 된다.
Director
영화는 덴마크 교외에서 한 그룹의 어린 아이들이 기적과 같은 과거로의 모험을 하게 되는 것으로 시작된다. 스벤은 낡은 이동식주택에 설치된 무전기기들과 대부분의 시간을 보내는 아마추어 무선사이다. 이곳에서 그는 다른 여러나라 사람들과 교신을하고, 유조선을 타고 항해하는 그의 아버지와도 교신을 한다. 스벤의 어머니는 병워너에 입원하고 있기 때문에 그는 어린 여동생을 돌봐야 한다. 어느날 스벤과 그의 친구 보, 페트라는 우연찬게 안테나의 연결로 중세 과거 시대로 가게 된다.
Co-Writer
Emma (Line Kruse) is an eleven year-old only child from a wealthy Danish family. Emma's parents seem more interested in their own interests than in her. One evening when Emma overhears her mother talking about how tragic it must be to have your child kidnapped, Emma decides to stage her own kidnapping. She soon meets Malthe, a kind-hearted, child-like, naïve sewer cleaner who literally stumbles on to her. She convinces Malthe that she is a Russian princess whose family is being chased by Bolsheviks, so Malthe lets Emma stay with him in his very modest abode. After being "kidnapped" for a few days, Emma decides to return home. But, just as she is about to return, she overhears a couple of servants talking about how her parents don't seem to be very upset over her dilemma....
Writer
Johannes is upset because his parents have divorced and because his father never phones him. Before going to bed he wants his mother to read something from the Bible for him, instead of one of the usual stories from Superman. She reads some lines from the Revelation of St. John. Johannes asks her what "the end is near" means. She explains that it is when Jesus comes back, and sends the good people to Paradise and the evil ones to Hell. In the middle of the night Johannes sees a dazzling light and lots of water pouring out from the toilet. Suddenly an androgynous being is standing in the bathroom. Johannes thinks it's Jesus, and the being doesn't deny it. Johannes asks Jesus if his parents are going to Hell, as he thinks they are evil.
Director
Johannes is upset because his parents have divorced and because his father never phones him. Before going to bed he wants his mother to read something from the Bible for him, instead of one of the usual stories from Superman. She reads some lines from the Revelation of St. John. Johannes asks her what "the end is near" means. She explains that it is when Jesus comes back, and sends the good people to Paradise and the evil ones to Hell. In the middle of the night Johannes sees a dazzling light and lots of water pouring out from the toilet. Suddenly an androgynous being is standing in the bathroom. Johannes thinks it's Jesus, and the being doesn't deny it. Johannes asks Jesus if his parents are going to Hell, as he thinks they are evil.
Assistant Director
Assistant Director
Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.
